Liabilities / Assets
82nd percentile
Higher debt load relative to assets than 82% of similar nonprofits.
990 • Fiscal year 2020 • EIN 87-0542630
Refreshing map…
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
Liabilities / Assets
82nd percentile
Higher debt load relative to assets than 82% of similar nonprofits.
Liabilities / Revenue
81st percentile
Higher debt load relative to revenue than 81% of similar nonprofits.
Net Margin
44th percentile
Higher net margin than 44% of similar nonprofits.
Top Officer Pay
90th percentile
Higher top officer pay than 90% of similar nonprofits.
Top officer pay equals 12.2% of source-year revenue.
Asset Growth
66th percentile
Faster asset growth than 66% of similar nonprofits.
Revenue Growth
82nd percentile
Faster revenue growth than 82% of similar nonprofits.
Assets
Up$211,092
Up $33,026 (+19%) from 2019
Net Assets
Up$156,498
Up $4,855 (+3.2%) from 2019
Liabilities
Up$54,594
Up $28,171 (+107%) from 2019
Revenue
Up$357,254
Up $77,128 (+28%) from 2019
Expenses
Up$352,399
Up $62,903 (+22%) from 2019
Net Income
Up$4,855
Up $14,225 (+152%) from 2019
The organization develops and produces unique and socially conscious theatre, with a particular emphasis on new plays by utah playwrights.
| Line | Beginning | End | Change |
|---|---|---|---|
| Assets | |||
| Cash and Non-Interest-Bearing Accounts | $33,344 | $97,081 | ▲ $63,737 |
| Pledges and Grants Receivable | $50,250 | $81,426 | ▲ $31,176 |
| Savings and Temporary Cash Investments | $83,420 | $23,437 | ▼ $59,983 |
| Prepaid Expenses and Deferred Charges | $9,409 | $8,198 | ▼ $1,211 |
| Accounts Receivable | $1,643 | $950 | ▼ $693 |
| Total Assets | $178,066 | $211,092 | ▲ $33,026 |
| Liabilities | |||
| Mortgage Notes Payable Secured by Investment Property | - | $40,100 | - |
| Deferred Revenue | $17,910 | $12,166 | ▼ $5,744 |
| Accounts Payable and Accrued Expenses | $8,513 | $2,328 | ▼ $6,185 |
| Total Liabilities | $26,423 | $54,594 | ▲ $28,171 |
| Net Assets / Fund Balance | |||
| Net Assets Without Donor Restrictions | $123,677 | $115,540 | ▼ $8,137 |
| Net Assets With Donor Restrictions | $27,966 | $40,958 | ▲ $12,992 |
| Total Net Assets Fund Balance | $151,643 | $156,498 | ▲ $4,855 |
| Total Liabilities and Net Assets / Fund Balance | $178,066 | $211,092 | ▲ $33,026 |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| Cheryl Cluff | Managing Director | FT | $41,500 | $2,158 | $43,658 |
| Jerry Rapier | Artistic Director | FT | $41,500 | $2,158 | $43,658 |
| Name | Title |
|---|---|
| Rebecca Chavez-houck | President |
| Rick Pollock | Board Member |
| Jesse Nix | Trustee |
| Paul Tew | Trustee |
| Kay Shean | Secretary |
| Benjamin Brown | Treasurer |
| Line Item | Amount |
|---|---|
| Salaries, Compensation, and Employee Benefits | $255,615 |
| Other Expenses | $96,784 |
| Total Fundraising Expense | $7,447 |
| Grants and Similar Amounts Paid | $0 |
| Professional Fundraising Fees | $0 |
| Line Item | Program | Management | Fundraising | Total |
|---|---|---|---|---|
| Other Salaries and Wages | $144,299 | - | - | $144,299 |
| Current Officers, Directors, Trustees, and Key Employees | $69,910 | $6,816 | $6,274 | $83,000 |
| Fees for Services Other | $20,215 | $1,480 | - | $21,695 |
| Payroll Taxes | $19,999 | $668 | $615 | $21,282 |
| Office Expenses | $13,086 | $3,233 | $261 | $16,580 |
| Advertising | $12,735 | $6 | - | $12,741 |
| Occupancy | $6,239 | $1,250 | $76 | $7,565 |
| Other Employee Benefits | $6,610 | $221 | $203 | $7,034 |
| Fees for Services Accounting | - | $5,151 | - | $5,151 |
| Travel | $5,124 | - | - | $5,124 |
| Royalties | $3,100 | - | - | $3,100 |
| Insurance | - | $1,298 | - | $1,298 |
| All Other Expenses | $580 | $536 | - | $1,116 |
| Conferences and Meetings | $1,040 | - | - | $1,040 |
| Other Expenses | $333 | $634 | $18 | $967 |
| Total Functional Expenses | $321,203 | $23,749 | $7,447 | $352,399 |
| Line Item | Amount |
|---|---|
| Professional Fundraising Fees | $0 |
“A copy of the form 990 is is provided to all board members before it is filed. In addition, the form 990 is reviewed in detail by the managing director and by the board treasurer.”
“The conflict of interest policy is required to be reviewed annually by the board of trustees and officers. Each individual shall annually complete a disclosure form identifying any relationships, positions, or circumstances in which they are involved or that he or she believes could contribute to a conflict of interest arising. Prior to board or committee action on a contract or transaction involving a conflict of interest, an individual having a conflict of interest shall disclose all facts material to the conflict. A person who has a conflict of interest shall not participate in or be permitted to hear board or committee discussion of the matter except to disclose material facts and respond to questions. Such person shall not attempt to exert his or her personal influce with respect to the matter, either at or outside the meeting. In addition, the person having a conflict of interest may not vote on the contract or transaction and may not be present in the meeting room when the vote is taken.”
“Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.”
“Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.”
“The organization's governing documents, financial statements, and conflict of interest policy made available to the public upon request at the organization's offices.”
“In the before times, the first two world premieres of our 2019/20 subscription series, oda might by camille washington and singing to the brine shrimp by jenny kokai (with music by ken plain), enjoyed joyous, sold out, in-person runs, with oda might making the utah review's 2019 list of the top moments of the utah enlightenment. And we didn't think twice about the cramped quarters of kuer's radiowest studio as we broacast radio hour episode 14: circle by matthew ivan bennett live. Our script-in-hand series of free readings revisited borderlands by eric samuelsen (1956-2019) as a celebration of his life, workshopped julie jensen's p.g. Anon, revisited jenifer nii's suffrage to celebrate the 19th amendment in partnership with better days 2020, and gave brandan ngo's where are you from? Its first audience as part of the edward lewis theatre festival at the main branch of salt lake city public library...all with in-person audiences. Then the pandemic truly arrived and we got really, really busy with online-only work. The final world premiere of our 2019/20 subscription series, the audacity by jenifer nii, was deep in rehearsal when the rose wagner was closed on march 13. On march 16, we were cleared to continue rehearsal with a maximum of 10 people in attendance, only to be halted again by the earthquake on march 18. We were given clearance to continue rehearsal again on march 21. We were racing the clock on a complete shutdown and realized we had everything we needed to film for streaming: actor april fossen was incredibly well-prepared, and the work of the creative team (designers kevin alberts, cheryl cluff, jaron hermansen, cara pomeroy, stage manager jennifer freed, and director jerry rapier) was completed way ahead of schedule. Between march 13 and our filming date of march 24 (which was moved up twice), we were only able to hold six rehearsals, none with more than seven people in attendance, all observing 6' distance. The stage unions responded with permission in record time. By march 28, the audacity (which was named to the utah review's 2020 list of the top ten moments of the utah enlightenment) was streaming as we moved all other programming online. Between april 1-may 8, 2020, we commissioned four short radio plays from elaine jarvik, jenny kokai, melissa leilani larson, and jenifer nii that were rehearsed and recorded in complete isolation, airing on kuaa as radio slam (all episodes available on our free app under radio) and seven short stage plays by tatian christian, olivia custodio, dee-dee darby -duffin, tito livas, brandan ngo, iris salazar, and darryl stamp as part of the national play at home initiative in response to the isolation brought on by covid-19 (all scripts available on our app under plays). Since march 13, the lab and theatre artists of color writing workshop - our communities for local playwrights - have collectively held ten zoom readings of new plays by rachel bublitz, olivia custodio, melissa leilani larson, iris salazar, morag shepherd, darryl stamp, debora threedy, and camille washington. We've also held a zoom workshop of a new pla y by sue bergin & scott sublett as part of our script-in-hand series. The final two months of in-person performances of our 2019/20 free elementary school tour of flora meets a bee by morag shepherd had to be cancelled. So we adapted the play into a picture book (featuring illustrations by brenda hattingh) that was sent digitally to every k-3 teacher in the state, accompanied by a read-aloud video, which the actors filmed in costume in isolation to accompany the archival video of the play itself. This led to an invitation from salt lake city public library to share our educational materials through the biblioboard section of their website. Click here to check out biblioboard (you'll also find videos of all free elementary school tours + study guides + radio slam) we created accompanying audio recordings, videos, and worksheets in english and spanish to support "playw”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
| Path | # | Value |
|---|---|---|
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| IRS990/AccountsPayableAccrExpnssGrp/BOYAmt | 0 | 8513 |
| IRS990/AccountsPayableAccrExpnssGrp/EOYAmt | 0 | 2328 |
| IRS990/AccountsReceivableGrp/BOYAmt | 0 | 1643 |
| IRS990/AccountsReceivableGrp/EOYAmt | 0 | 950 |
| IRS990/ActivitiesConductedPrtshpInd | 0 | false |
| IRS990/ActivityOrMissionDesc | 0 | THE ORGANIZATION DEVELOPS AND PRODUCES UNIQUE AND SOCIALLY CONSCIOUS THEATRE, WITH A PARTICULAR EMPHASIS ON NEW PLAYS BY UTAH PLAYWRIGHTS. |
| IRS990/AdvertisingGrp/ManagementAndGeneralAmt | 0 | 6 |
| IRS990/AdvertisingGrp/ProgramServicesAmt | 0 | 12735 |
| IRS990/AdvertisingGrp/TotalAmt | 0 | 12741 |
| IRS990/AllOtherContributionsAmt | 0 | 132484 |
| IRS990/AllOtherExpensesGrp/ManagementAndGeneralAmt | 0 | 536 |
| IRS990/AllOtherExpensesGrp/ProgramServicesAmt | 0 | 580 |
| IRS990/AllOtherExpensesGrp/TotalAmt | 0 | 1116 |
| IRS990/AnnualDisclosureCoveredPrsnInd | 0 | true |
| IRS990/BooksInCareOfDetail/PersonNm | 0 | CHERYL CLUFF |
| IRS990/BooksInCareOfDetail/PhoneNum | 0 | 8012974200 |
| IRS990/BooksInCareOfDetail/USAddress/AddressLine1Txt | 0 | 138 W 300 S |
| IRS990/BooksInCareOfDetail/USAddress/CityNm | 0 | SALT LAKE CITY |
| IRS990/BooksInCareOfDetail/USAddress/StateAbbreviationCd | 0 | UT |
| IRS990/BooksInCareOfDetail/USAddress/ZIPCd | 0 | 84101 |
| IRS990/BusinessRlnWith35CtrlEntInd | 0 | false |
| IRS990/BusinessRlnWithFamMemInd | 0 | false |
| IRS990/BusinessRlnWithOrgMemInd | 0 | false |
| IRS990/CashNonInterestBearingGrp/BOYAmt | 0 | 33344 |
| IRS990/CashNonInterestBearingGrp/EOYAmt | 0 | 97081 |
| IRS990/ChangeToOrgDocumentsInd | 0 | false |
| IRS990/CollectionsOfArtInd | 0 | false |
| IRS990/CompCurrentOfcrDirectorsGrp/FundraisingAmt | 0 | 6274 |
| IRS990/CompCurrentOfcrDirectorsGrp/ManagementAndGeneralAmt | 0 | 6816 |
| IRS990/CompCurrentOfcrDirectorsGrp/ProgramServicesAmt | 0 | 69910 |
| IRS990/CompCurrentOfcrDirectorsGrp/TotalAmt | 0 | 83000 |
| IRS990/CompensationFromOtherSrcsInd | 0 | false |
| IRS990/CompensationProcessCEOInd | 0 | true |
| IRS990/CompensationProcessOtherInd | 0 | true |
| IRS990/ConferencesMeetingsGrp/ProgramServicesAmt | 0 | 1040 |
| IRS990/ConferencesMeetingsGrp/TotalAmt | 0 | 1040 |
| IRS990/ConflictOfInterestPolicyInd | 0 | true |
| IRS990/ConservationEasementsInd | 0 | false |
| IRS990/ConsolidatedAuditFinclStmtInd | 0 | false |
| IRS990/CreditCounselingInd | 0 | false |
| IRS990/CYBenefitsPaidToMembersAmt | 0 | 0 |
| IRS990/CYContributionsGrantsAmt | 0 | 317394 |
| IRS990/CYGrantsAndSimilarPaidAmt | 0 | 0 |
| IRS990/CYInvestmentIncomeAmt | 0 | 17 |
| IRS990/CYOtherExpensesAmt | 0 | 96784 |
| IRS990/CYOtherRevenueAmt | 0 | 0 |
| IRS990/CYProgramServiceRevenueAmt | 0 | 39843 |
| IRS990/CYRevenuesLessExpensesAmt | 0 | 4855 |
| IRS990/CYSalariesCompEmpBnftPaidAmt | 0 | 255615 |
| IRS990/CYTotalExpensesAmt | 0 | 352399 |
| IRS990/CYTotalFundraisingExpenseAmt | 0 | 7447 |
| IRS990/CYTotalProfFndrsngExpnsAmt | 0 | 0 |
| IRS990/CYTotalRevenueAmt | 0 | 357254 |
| IRS990/DecisionsSubjectToApprovaInd | 0 | false |
| IRS990/DeductibleArtContributionInd | 0 | false |
| IRS990/DeductibleNonCashContriInd | 0 | false |
| IRS990/DeferredRevenueGrp/BOYAmt | 0 | 17910 |
| IRS990/DeferredRevenueGrp/EOYAmt | 0 | 12166 |
| IRS990/DelegationOfMgmtDutiesInd | 0 | false |
| IRS990/Desc | 0 | IN THE BEFORE TIMES, THE FIRST TWO WORLD PREMIERES OF OUR 2019/20 SUBSCRIPTION SERIES, ODA MIGHT BY CAMILLE WASHINGTON AND SINGING TO THE BRINE SHRIMP BY JENNY KOKAI (WITH MUSIC BY KEN PLAIN), ENJOYED JOYOUS, SOLD OUT, IN-PERSON RUNS, WITH ODA MIGHT MAKING THE UTAH REVIEW'S 2019 LIST OF THE TOP MOMENTS OF THE UTAH ENLIGHTENMENT. AND WE DIDN'T THINK TWICE ABOUT THE CRAMPED QUARTERS OF KUER'S RADIOWEST STUDIO AS WE BROACAST RADIO HOUR EPISODE 14: CIRCLE BY MATTHEW IVAN BENNETT LIVE. OUR SCRIPT-IN-HAND SERIES OF FREE READINGS REVISITED BORDERLANDS BY ERIC SAMUELSEN (1956-2019) AS A CELEBRATION OF HIS LIFE, WORKSHOPPED JULIE JENSEN'S P.G. ANON, REVISITED JENIFER NII'S SUFFRAGE TO CELEBRATE THE 19TH AMENDMENT IN PARTNERSHIP WITH BETTER DAYS 2020, AND GAVE BRANDAN NGO'S WHERE ARE YOU FROM? ITS FIRST AUDIENCE AS PART OF THE EDWARD LEWIS THEATRE FESTIVAL AT THE MAIN BRANCH OF SALT LAKE CITY PUBLIC LIBRARY...ALL WITH IN-PERSON AUDIENCES. THEN THE PANDEMIC TRULY ARRIVED AND WE GOT REALLY, REALLY BUSY WITH ONLINE-ONLY WORK. THE FINAL WORLD PREMIERE OF OUR 2019/20 SUBSCRIPTION SERIES, THE AUDACITY BY JENIFER NII, WAS DEEP IN REHEARSAL WHEN THE ROSE WAGNER WAS CLOSED ON MARCH 13. ON MARCH 16, WE WERE CLEARED TO CONTINUE REHEARSAL WITH A MAXIMUM OF 10 PEOPLE IN ATTENDANCE, ONLY TO BE HALTED AGAIN BY THE EARTHQUAKE ON MARCH 18. WE WERE GIVEN CLEARANCE TO CONTINUE REHEARSAL AGAIN ON MARCH 21. WE WERE RACING THE CLOCK ON A COMPLETE SHUTDOWN AND REALIZED WE HAD EVERYTHING WE NEEDED TO FILM FOR STREAMING: ACTOR APRIL FOSSEN WAS INCREDIBLY WELL-PREPARED, AND THE WORK OF THE CREATIVE TEAM (DESIGNERS KEVIN ALBERTS, CHERYL CLUFF, JARON HERMANSEN, CARA POMEROY, STAGE MANAGER JENNIFER FREED, AND DIRECTOR JERRY RAPIER) WAS COMPLETED WAY AHEAD OF SCHEDULE. BETWEEN MARCH 13 AND OUR FILMING DATE OF MARCH 24 (WHICH WAS MOVED UP TWICE), WE WERE ONLY ABLE TO HOLD SIX REHEARSALS, NONE WITH MORE THAN SEVEN PEOPLE IN ATTENDANCE, ALL OBSERVING 6' DISTANCE. THE STAGE UNIONS RESPONDED WITH PERMISSION IN RECORD TIME. BY MARCH 28, THE AUDACITY (WHICH WAS NAMED TO THE UTAH REVIEW'S 2020 LIST OF THE TOP TEN MOMENTS OF THE UTAH ENLIGHTENMENT) WAS STREAMING AS WE MOVED ALL OTHER PROGRAMMING ONLINE. BETWEEN APRIL 1-MAY 8, 2020, WE COMMISSIONED FOUR SHORT RADIO PLAYS FROM ELAINE JARVIK, JENNY KOKAI, MELISSA LEILANI LARSON, AND JENIFER NII THAT WERE REHEARSED AND RECORDED IN COMPLETE ISOLATION, AIRING ON KUAA AS RADIO SLAM (ALL EPISODES AVAILABLE ON OUR FREE APP UNDER RADIO) AND SEVEN SHORT STAGE PLAYS BY TATIAN CHRISTIAN, OLIVIA CUSTODIO, DEE-DEE DARBY -DUFFIN, TITO LIVAS, BRANDAN NGO, IRIS SALAZAR, AND DARRYL STAMP AS PART OF THE NATIONAL PLAY AT HOME INITIATIVE IN RESPONSE TO THE ISOLATION BROUGHT ON BY COVID-19 (ALL SCRIPTS AVAILABLE ON OUR APP UNDER PLAYS). SINCE MARCH 13, THE LAB AND THEATRE ARTISTS OF COLOR WRITING WORKSHOP - OUR COMMUNITIES FOR LOCAL PLAYWRIGHTS - HAVE COLLECTIVELY HELD TEN ZOOM READINGS OF NEW PLAYS BY RACHEL BUBLITZ, OLIVIA CUSTODIO, MELISSA LEILANI LARSON, IRIS SALAZAR, MORAG SHEPHERD, DARRYL STAMP, DEBORA THREEDY, AND CAMILLE WASHINGTON. WE'VE ALSO HELD A ZOOM WORKSHOP OF A NEW PLA Y BY SUE BERGIN & SCOTT SUBLETT AS PART OF OUR SCRIPT-IN-HAND SERIES. THE FINAL TWO MONTHS OF IN-PERSON PERFORMANCES OF OUR 2019/20 FREE ELEMENTARY SCHOOL TOUR OF FLORA MEETS A BEE BY MORAG SHEPHERD HAD TO BE CANCELLED. SO WE ADAPTED THE PLAY INTO A PICTURE BOOK (FEATURING ILLUSTRATIONS BY BRENDA HATTINGH) THAT WAS SENT DIGITALLY TO EVERY K-3 TEACHER IN THE STATE, ACCOMPANIED BY A READ-ALOUD VIDEO, WHICH THE ACTORS FILMED IN COSTUME IN ISOLATION TO ACCOMPANY THE ARCHIVAL VIDEO OF THE PLAY ITSELF. THIS LED TO AN INVITATION FROM SALT LAKE CITY PUBLIC LIBRARY TO SHARE OUR EDUCATIONAL MATERIALS THROUGH THE BIBLIOBOARD SECTION OF THEIR WEBSITE. CLICK HERE TO CHECK OUT BIBLIOBOARD (YOU'LL ALSO FIND VIDEOS OF ALL FREE ELEMENTARY SCHOOL TOURS + STUDY GUIDES + RADIO SLAM) WE CREATED ACCOMPANYING AUDIO RECORDINGS, VIDEOS, AND WORKSHEETS IN ENGLISH AND SPANISH TO SUPPORT "PLAYW |
| IRS990/DescribedInSection501c3Ind | 0 | true |
| IRS990/DisregardedEntityInd | 0 | false |
| IRS990/DocumentRetentionPolicyInd | 0 | true |
| IRS990/DonorAdvisedFundInd | 0 | false |
| IRS990/DonorRestrictionNetAssetsGrp/BOYAmt | 0 | 27966 |
| IRS990/DonorRestrictionNetAssetsGrp/EOYAmt | 0 | 40958 |
| IRS990/DonorRstrOrQuasiEndowmentsInd | 0 | false |
| IRS990/ElectionOfBoardMembersInd | 0 | false |
| IRS990/EmployeeCnt | 0 | 42 |
| IRS990/EmploymentTaxReturnsFiledInd | 0 | true |
| IRS990/EngagedInExcessBenefitTransInd | 0 | false |
| IRS990/ExpenseAmt | 0 | 321203 |
| IRS990/FamilyOrBusinessRlnInd | 0 | false |
| IRS990/FederalGrantAuditRequiredInd | 0 | false |
| IRS990/FeesForServicesAccountingGrp/ManagementAndGeneralAmt | 0 | 5151 |
| IRS990/FeesForServicesAccountingGrp/TotalAmt | 0 | 5151 |
| IRS990/FeesForServicesOtherGrp/ManagementAndGeneralAmt | 0 | 1480 |
| IRS990/FeesForServicesOtherGrp/ProgramServicesAmt | 0 | 20215 |
| IRS990/FeesForServicesOtherGrp/TotalAmt | 0 | 21695 |
| IRS990/ForeignActivitiesInd | 0 | false |
| IRS990/ForeignFinancialAccountInd | 0 | false |
| IRS990/ForeignOfficeInd | 0 | false |
| IRS990/Form8282PropertyDisposedOfInd | 0 | false |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 0 | 40.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 1 | 40.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 2 | 0.50 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 3 | 0.50 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 4 | 0.25 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 5 | 0.25 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 6 | 0.25 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 7 | 0.25 |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 0 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 1 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 2 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 3 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 4 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 5 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 0 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 1 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 2 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 3 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 4 | X |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 0 | 2158 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 1 | 2158 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 2 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 3 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 4 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 5 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 6 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 7 | 0 |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 0 | CHERYL CLUFF |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 1 | JERRY RAPIER |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 2 | BENJAMIN BROWN |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 3 | REBECCA CHAVEZ-HOUCK |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 4 | JESSE NIX |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 5 | RICK POLLOCK |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 6 | KAY SHEAN |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 7 | PAUL TEW |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 0 | 41500 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 1 | 41500 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 2 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 3 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 4 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 5 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 6 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 7 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 0 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 1 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 2 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 3 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 4 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 5 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 6 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromRltdOrgAmt | 7 | 0 |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 0 | MANAGING DIR |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 1 | ARTISTIC DIR |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 2 | TREASURER |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 3 | PRESIDENT |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 4 | TRUSTEE |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 5 | BOARD MEMBER |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 6 | SECRETARY |
| IRS990/Form990PartVIISectionAGrp/TitleTxt | 7 | TRUSTEE |
| IRS990/Form990ProvidedToGvrnBodyInd | 0 | true |
| IRS990/FormationYr | 0 | 1995 |
| IRS990/FormerOfcrEmployeesListedInd | 0 | false |
| IRS990/FSAuditedInd | 0 | false |
| IRS990/FundraisingActivitiesInd | 0 | false |
| IRS990/GamingActivitiesInd | 0 | false |
| IRS990/GoverningBodyVotingMembersCnt | 0 | 6 |
| IRS990/GovernmentGrantsAmt | 0 | 184910 |
| IRS990/GrantsToIndividualsInd | 0 | false |
| IRS990/GrantsToOrganizationsInd | 0 | false |
| IRS990/GrantToRelatedPersonInd | 0 | false |
| IRS990/GrossReceiptsAmt | 0 | 357254 |
| IRS990/GroupReturnForAffiliatesInd | 0 | false |
| IRS990/IncludeFIN48FootnoteInd | 0 | false |
| IRS990/IndependentAuditFinclStmtInd | 0 | false |
| IRS990/IndependentVotingMemberCnt | 0 | 6 |
| IRS990/IndoorTanningServicesInd | 0 | false |
| IRS990/InfoInScheduleOPartIIIInd | 0 | X |
| IRS990/InfoInScheduleOPartVIInd | 0 | X |
| IRS990/InsuranceGrp/ManagementAndGeneralAmt | 0 | 1298 |
| IRS990/InsuranceGrp/TotalAmt | 0 | 1298 |
| IRS990/InvestmentIncomeGrp/ExclusionAmt | 0 | 17 |
| IRS990/InvestmentIncomeGrp/TotalRevenueColumnAmt | 0 | 17 |
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| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | IN THE BEFORE TIMES, THE FIRST TWO WORLD PREMIERES OF OUR 2019/20 SUBSCRIPTION SERIES, ODA MIGHT BY CAMILLE WASHINGTON AND SINGING TO THE BRINE SHRIMP BY JENNY KOKAI (WITH MUSIC BY KEN PLAIN), ENJOYED JOYOUS, SOLD OUT, IN-PERSON RUNS, WITH ODA MIGHT MAKING THE UTAH REVIEW'S 2019 LIST OF THE TOP MOMENTS OF THE UTAH ENLIGHTENMENT. AND WE DIDN'T THINK TWICE ABOUT THE CRAMPED QUARTERS OF KUER'S RADIOWEST STUDIO AS WE BROACAST RADIO HOUR EPISODE 14: CIRCLE BY MATTHEW IVAN BENNETT LIVE. OUR SCRIPT-IN-HAND SERIES OF FREE READINGS REVISITED BORDERLANDS BY ERIC SAMUELSEN (1956-2019) AS A CELEBRATION OF HIS LIFE, WORKSHOPPED JULIE JENSEN'S P.G. ANON, REVISITED JENIFER NII'S SUFFRAGE TO CELEBRATE THE 19TH AMENDMENT IN PARTNERSHIP WITH BETTER DAYS 2020, AND GAVE BRANDAN NGO'S WHERE ARE YOU FROM? ITS FIRST AUDIENCE AS PART OF THE EDWARD LEWIS THEATRE FESTIVAL AT THE MAIN BRANCH OF SALT LAKE CITY PUBLIC LIBRARY...ALL WITH IN-PERSON AUDIENCES. THEN THE PANDEMIC TRULY ARRIVED AND WE GOT REALLY, REALLY BUSY WITH ONLINE-ONLY WORK. THE FINAL WORLD PREMIERE OF OUR 2019/20 SUBSCRIPTION SERIES, THE AUDACITY BY JENIFER NII, WAS DEEP IN REHEARSAL WHEN THE ROSE WAGNER WAS CLOSED ON MARCH 13. ON MARCH 16, WE WERE CLEARED TO CONTINUE REHEARSAL WITH A MAXIMUM OF 10 PEOPLE IN ATTENDANCE, ONLY TO BE HALTED AGAIN BY THE EARTHQUAKE ON MARCH 18. WE WERE GIVEN CLEARANCE TO CONTINUE REHEARSAL AGAIN ON MARCH 21. WE WERE RACING THE CLOCK ON A COMPLETE SHUTDOWN AND REALIZED WE HAD EVERYTHING WE NEEDED TO FILM FOR STREAMING: ACTOR APRIL FOSSEN WAS INCREDIBLY WELL-PREPARED, AND THE WORK OF THE CREATIVE TEAM (DESIGNERS KEVIN ALBERTS, CHERYL CLUFF, JARON HERMANSEN, CARA POMEROY, STAGE MANAGER JENNIFER FREED, AND DIRECTOR JERRY RAPIER) WAS COMPLETED WAY AHEAD OF SCHEDULE. BETWEEN MARCH 13 AND OUR FILMING DATE OF MARCH 24 (WHICH WAS MOVED UP TWICE), WE WERE ONLY ABLE TO HOLD SIX REHEARSALS, NONE WITH MORE THAN SEVEN PEOPLE IN ATTENDANCE, ALL OBSERVING 6' DISTANCE. THE STAGE UNIONS RESPONDED WITH PERMISSION IN RECORD TIME. BY MARCH 28, THE AUDACITY (WHICH WAS NAMED TO THE UTAH REVIEW'S 2020 LIST OF THE TOP TEN MOMENTS OF THE UTAH ENLIGHTENMENT) WAS STREAMING AS WE MOVED ALL OTHER PROGRAMMING ONLINE. BETWEEN APRIL 1-MAY 8, 2020, WE COMMISSIONED FOUR SHORT RADIO PLAYS FROM ELAINE JARVIK, JENNY KOKAI, MELISSA LEILANI LARSON, AND JENIFER NII THAT WERE REHEARSED AND RECORDED IN COMPLETE ISOLATION, AIRING ON KUAA AS RADIO SLAM (ALL EPISODES AVAILABLE ON OUR FREE APP UNDER RADIO) AND SEVEN SHORT STAGE PLAYS BY TATIAN CHRISTIAN, OLIVIA CUSTODIO, DEE-DEE DARBY -DUFFIN, TITO LIVAS, BRANDAN NGO, IRIS SALAZAR, AND DARRYL STAMP AS PART OF THE NATIONAL PLAY AT HOME INITIATIVE IN RESPONSE TO THE ISOLATION BROUGHT ON BY COVID-19 (ALL SCRIPTS AVAILABLE ON OUR APP UNDER PLAYS). SINCE MARCH 13, THE LAB AND THEATRE ARTISTS OF COLOR WRITING WORKSHOP - OUR COMMUNITIES FOR LOCAL PLAYWRIGHTS - HAVE COLLECTIVELY HELD TEN ZOOM READINGS OF NEW PLAYS BY RACHEL BUBLITZ, OLIVIA CUSTODIO, MELISSA LEILANI LARSON, IRIS SALAZAR, MORAG SHEPHERD, DARRYL STAMP, DEBORA THREEDY, AND CAMILLE WASHINGTON. WE'VE ALSO HELD A ZOOM WORKSHOP OF A NEW PLA Y BY SUE BERGIN & SCOTT SUBLETT AS PART OF OUR SCRIPT-IN-HAND SERIES. THE FINAL TWO MONTHS OF IN-PERSON PERFORMANCES OF OUR 2019/20 FREE ELEMENTARY SCHOOL TOUR OF FLORA MEETS A BEE BY MORAG SHEPHERD HAD TO BE CANCELLED. SO WE ADAPTED THE PLAY INTO A PICTURE BOOK (FEATURING ILLUSTRATIONS BY BRENDA HATTINGH) THAT WAS SENT DIGITALLY TO EVERY K-3 TEACHER IN THE STATE, ACCOMPANIED BY A READ-ALOUD VIDEO, WHICH THE ACTORS FILMED IN COSTUME IN ISOLATION TO ACCOMPANY THE ARCHIVAL VIDEO OF THE PLAY ITSELF. THIS LED TO AN INVITATION FROM SALT LAKE CITY PUBLIC LIBRARY TO SHARE OUR EDUCATIONAL MATERIALS THROUGH THE BIBLIOBOARD SECTION OF THEIR WEBSITE. CLICK HERE TO CHECK OUT BIBLIOBOARD (YOU'LL ALSO FIND VIDEOS OF ALL FREE ELEMENTARY SCHOOL TOURS + STUDY GUIDES + RADIO SLAM) WE CREATED ACCOMPANYING AUDIO RECORDINGS, VIDEOS, AND WORKSHEETS IN ENGLISH AND SPANISH TO SUPPORT "PLAYW |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | A COPY OF THE FORM 990 IS IS PROVIDED TO ALL BOARD MEMBERS BEFORE IT IS FILED. IN ADDITION, THE FORM 990 IS REVIEWED IN DETAIL BY THE MANAGING DIRECTOR AND BY THE BOARD TREASURER. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 2 | THE CONFLICT OF INTEREST POLICY IS REQUIRED TO BE REVIEWED ANNUALLY BY THE BOARD OF TRUSTEES AND OFFICERS. EACH INDIVIDUAL SHALL ANNUALLY COMPLETE A DISCLOSURE FORM IDENTIFYING ANY RELATIONSHIPS, POSITIONS, OR CIRCUMSTANCES IN WHICH THEY ARE INVOLVED OR THAT HE OR SHE BELIEVES COULD CONTRIBUTE TO A CONFLICT OF INTEREST ARISING. PRIOR TO BOARD OR COMMITTEE ACTION ON A CONTRACT OR TRANSACTION INVOLVING A CONFLICT OF INTEREST, AN INDIVIDUAL HAVING A CONFLICT OF INTEREST SHALL DISCLOSE ALL FACTS MATERIAL TO THE CONFLICT. A PERSON WHO HAS A CONFLICT OF INTEREST SHALL NOT PARTICIPATE IN OR BE PERMITTED TO HEAR BOARD OR COMMITTEE DISCUSSION OF THE MATTER EXCEPT TO DISCLOSE MATERIAL FACTS AND RESPOND TO QUESTIONS. SUCH PERSON SHALL NOT ATTEMPT TO EXERT HIS OR HER PERSONAL INFLUCE WITH RESPECT TO THE MATTER, EITHER AT OR OUTSIDE THE MEETING. IN ADDITION, THE PERSON HAVING A CONFLICT OF INTEREST MAY NOT VOTE ON THE CONTRACT OR TRANSACTION AND MAY NOT BE PRESENT IN THE MEETING ROOM WHEN THE VOTE IS TAKEN. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 3 | COMPENSATION FOR THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR IS DETERMINED BY THE BOARD OF DIRECTORS. THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR DO NOT VOTE ON THEIR OWN COMPENSATION. THE ORGANIZATION IS AWARE OF THE MARKET RATES FOR SIMILAR POSITIONS, BUT DOES NOT PERFORM A FORMAL ANALYSIS AS THE ORGANIZATION COULD NOT AFFORD TO COMPENSATE ITS DIRECTORS AT MARKET RATES. DELIBERATION AND DETERMINATION OF DIRECTOR COMPENSATION IS DOCUMENTED AND APPROVED BY THE BOARD. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 4 | COMPENSATION FOR THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR IS DETERMINED BY THE BOARD OF DIRECTORS. THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR DO NOT VOTE ON THEIR OWN COMPENSATION. THE ORGANIZATION IS AWARE OF THE MARKET RATES FOR SIMILAR POSITIONS, BUT DOES NOT PERFORM A FORMAL ANALYSIS AS THE ORGANIZATION COULD NOT AFFORD TO COMPENSATE ITS DIRECTORS AT MARKET RATES. DELIBERATION AND DETERMINATION OF DIRECTOR COMPENSATION IS DOCUMENTED AND APPROVED BY THE BOARD. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 5 | THE ORGANIZATION'S GOVERNING DOCUMENTS, FINANCIAL STATEMENTS, AND CONFLICT OF INTEREST POLICY MADE AVAILABLE TO THE PUBLIC UPON REQUEST AT THE ORGANIZATION'S OFFICES. |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | FORM 990, PAGE 2, PART III, LINE 4A |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | FORM 990, PAGE 6, PART VI, LINE 11B |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 2 | FORM 990, PAGE 6, PART VI, LINE 12C |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 3 | FORM 990, PAGE 6, PART VI, LINE 15A |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 4 | FORM 990, PAGE 6, PART VI, LINE 15B |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 5 | FORM 990, PAGE 6, PART VI, LINE 19 |
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| IRS990/TotalFunctionalExpensesGrp/ManagementAndGeneralAmt | 0 | 23749 |
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| IRS990/TotalLiabilitiesBOYAmt | 0 | 26423 |
| IRS990/TotalLiabilitiesEOYAmt | 0 | 54594 |
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| IRS990/TotalVolunteersCnt | 0 | 43 |
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| IRS990/TotLiabNetAssetsFundBalanceGrp/EOYAmt | 0 | 211092 |
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| IRS990/UponRequestInd | 0 | X |
| IRS990/USAddress/AddressLine1Txt | 0 | 138 WEST 300 SOUTH |
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Displayed year
2020 • Form 990Detailed filing. Detailed filing data is available for this year.