Plan-B Theater Company

“A copy of the form 990 is is provided to all board members before it is filed. In addition, the form 990 is reviewed in detail by the managing director and by the board treasurer.”

“The conflict of interest policy is required to be reviewed annually by the board of trustees and officers. Each individual shall annually complete a disclosure form identifying any relationships, positions, or circumstances in which they are involved or that he or she believes could contribute to a conflict of interest arising. Prior to board or committee action on a contract or transaction involving a conflict of interest, an individual having a conflict of interest shall disclose all facts material to the conflict. A person who has a conflict of interest shall not participate in or be permitted to hear board or committee discussion of the matter except to disclose material facts and respond to questions. Such person shall not attempt to exert his or her personal influce with respect to the matter, either at or outside the meeting. In addition, the person having a conflict of interest may not vote on the contract or transaction and may not be present in the meeting room when the vote is taken.”

“Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.”

“Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.”

“The organization's governing documents, financial statements, and conflict of interest policy made available to the public upon request at the organization's offices.”

“October 2018 - january 2019 the world premiere of zombie thoughts by jenny kokai and oliver kokai- means served 10,000 students in grades 4-6 at 50 schools in 15 counties as our sixth annual free elementary school tour; it was funded in part by the national endowment for the arts. October 2018 - july 2019 we hosted four quarterly meetings of the theatre artists of color writing workshop, our incubator for nine first-time playwrights of color, featuring private table readings of eight new short plays, four of which have production commitments. November 2018 - september 2019 we hosted eight meetings of the lab, our incubator for new plays by 11 by local playwrights featuring private table readings of six new full-length plays, four of have production commitments (the other two meetings were devoted to^) october 2018 the world premiere of good standing by matthew greene -enjoyed a sold-out run. - was showcased at united solo theatre festival in new york city. - was named best drama by association of mormon letters. - was named one of the ten best arts moments of 2018 by the utah review. November 2018 we presened the script-in-hand series reading of donna, a play-in-progress by jenifer nii (from the lab). We co-presented, with the dramatists guild of america - utah chapter, a conversation for local artists about diversity, equity & inclusion with christine toy johnson, chair of the national diversity, equity & inclusion committee, at utah museum of contemporary art. December 2018 the world premiere of radio hour episode 13: troll by matthew ivan bennett, a co-production with kuer's radiowest, was broadcast live and lives on as a podcast. January 2019 we received the regional broadwayworld award for best original/new work for our world premiere of jump by austin archer (from march/april 2018). February 2019 the world premiere of an evening with two awful men by elaine jarvik enjoyed a sold-out run. This month's meeting of the lab continued the equity, diversity & inclusion conversation begun at the november 2018 event. We presented the free script-in-hand series reading of two short plays ("guise" by chris curlett and "dols" by dee-dee darby-duffin) from the theatre artists color writing workshop, in partnership with the edward lewis theatre festival at salt lake city public library. March - april 2019 of color, a quartet of short plays from the theatre artists of color writing workshop ("american pride" by iris salazar, "the frailest thing" by bijan hosseini, "driver's license, please" by olivia custodio and "roar" by darryl stamp) featured the first world premieres in utah history by latina and persian playwrights and enjoyed a sold-out run. March - may 2019 we conducted an 8-week, in the classroom residency at oakridge elementary as part of spike 150, guiding a fourth-grade class through writing, directing and performing "the ten-mile day", a short play about the chinese workers' contribution to the completion of the transcontinental railroad. April 2019 we presented the free script-in-hand series reading of balthazar, a play-in progress by by debora threedy (from the lab). We conducted a one-day, in the classroom residency at utah international charter school, performing two short plays from the theatre artists of color writing workshop and discussed creating work as artists of color with four classes, grades 9-12, comprised of students from somalia, burundi, burma, thailand, nepal, iraq, south africa, democratic republic of the congo, rwanda, uganda, tanzania, palestine, dominican republic, eritrea, egypt, chad, zimbabwe and zambia. May 2019 board president rebecca chavez-houck and artistic director jerry rapier both spoke in the opening session of the mountain west arts conference. Playwright and storyteller brenda aoki spent an afternoon with the members of the lab and the theatre artists of color writing workshop in partnership with utah division of arts & museums. July 2019 we became a provisional member of the profes sion”