Civic Intelligence

Plan-B Theater Company

990 • Fiscal year 2020 • EIN 87-0542630

Oct 01, 2019 to Sep 30, 2020 • Filed on Feb 08, 2021

Refreshing map…

138 West 300 SouthSalt Lake City, UT 84101-1913

(801) 297-4200

Siviq Scores

Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.

Liabilities / Assets

82nd percentile

0.26x

Higher debt load relative to assets than 82% of similar nonprofits.

2020 filings • 501(c)3 • <$500k nonprofits • Source year 2020

Liabilities / Revenue

81st percentile

0.15x

Higher debt load relative to revenue than 81% of similar nonprofits.

2020 filings • 501(c)3 • <$500k nonprofits • Source year 2020

Net Margin

44th percentile

1.4%

Higher net margin than 44% of similar nonprofits.

2020 filings • 501(c)3 • <$500k nonprofits • Source year 2020

Top Officer Pay

90th percentile

$43,658

Higher top officer pay than 90% of similar nonprofits.

Top officer pay equals 12.2% of source-year revenue.

2020 filings • 501(c)3 • <$500k nonprofits • Source year 2020

Asset Growth

66th percentile

19%

Faster asset growth than 66% of similar nonprofits.

2020 filings • 501(c)3 • <$500k nonprofits • Annualized from 2019 to 2020

Revenue Growth

82nd percentile

28%

Faster revenue growth than 82% of similar nonprofits.

2020 filings • 501(c)3 • <$500k nonprofits • Annualized from 2019 to 2020

Assets

Up

$211,092

Up $33,026 (+19%) from 2019

Net Assets

Up

$156,498

Up $4,855 (+3.2%) from 2019

Liabilities

Up

$54,594

Up $28,171 (+107%) from 2019

Revenue

Up

$357,254

Up $77,128 (+28%) from 2019

Expenses

Up

$352,399

Up $62,903 (+22%) from 2019

Net Income

Up

$4,855

Up $14,225 (+152%) from 2019

Historical Trend

Balance Sheet Trend

The highlighted filing sits inside the broader history for assets, liabilities, and net assets.

$300K$200K$100K$0Assets 2010: $151,150Liabilities 2010: $30,518Net Assets 2010: $120,6322010Assets 2011: $187,781Liabilities 2011: $27,301Net Assets 2011: $160,4802011Assets 2012: $156,465Liabilities 2012: $22,522Net Assets 2012: $133,9432012Assets 2013: $208,058Liabilities 2013: $26,157Net Assets 2013: $181,9012013Assets 2014: $211,081Liabilities 2014: $28,164Net Assets 2014: $182,9172014Assets 2015: $241,264Liabilities 2015: $22,974Net Assets 2015: $218,2902015Assets 2016: $207,999Liabilities 2016: $21,627Net Assets 2016: $186,3722016Assets 2017: $198,989Liabilities 2017: $19,687Net Assets 2017: $179,3022017Assets 2018: $180,943Liabilities 2018: $19,930Net Assets 2018: $161,0132018Assets 2019: $178,066Liabilities 2019: $26,423Net Assets 2019: $151,6432019Assets 2020: $211,092Liabilities 2020: $54,594Net Assets 2020: $156,4982020Assets 2021: $200,958Liabilities 2021: $16,351Net Assets 2021: $184,6072021Assets 2022: $129,347Liabilities 2022: $10,143Net Assets 2022: $119,2042022Assets 2023: $116,330Liabilities 2023: $14,246Net Assets 2023: $102,0842023Assets 2025: $177,141Liabilities 2025: $23,012Net Assets 2025: $154,1292025

Highlighted filing

2020

Assets$211,092
Liabilities$54,594
Net Assets$156,498

Operations Trend

Revenue, expenses, and net income across loaded years, with this filing highlighted.

$600K$400K$200K$0-$200KRevenue 2010: $211,251Expenses 2010: $217,162Net Income 2010: -$5,9112010Revenue 2011: $294,462Expenses 2011: $254,614Net Income 2011: $39,8482011Expenses 2012: $275,8582012Expenses 2013: $240,0932013Revenue 2014: $248,033Expenses 2014: $247,017Net Income 2014: $1,0162014Revenue 2015: $274,827Expenses 2015: $239,454Net Income 2015: $35,3732015Revenue 2016: $207,196Expenses 2016: $239,114Net Income 2016: -$31,9182016Revenue 2017: $237,759Expenses 2017: $244,829Net Income 2017: -$7,0702017Revenue 2018: $248,922Expenses 2018: $267,211Net Income 2018: -$18,2892018Revenue 2019: $280,126Expenses 2019: $289,496Net Income 2019: -$9,3702019Revenue 2020: $357,254Expenses 2020: $352,399Net Income 2020: $4,8552020Revenue 2021: $303,562Expenses 2021: $275,453Net Income 2021: $28,1092021Revenue 2022: $452,327Expenses 2022: $517,730Net Income 2022: -$65,4032022Revenue 2023: $430,796Expenses 2023: $447,916Net Income 2023: -$17,1202023Revenue 2025: $515,135Expenses 2025: $463,143Net Income 2025: $51,9922025

Highlighted filing

2020

Revenue$357,254
Expenses$352,399
Net Income$4,855
Jump To
Filing Snapshot
Filing Period
Oct 1, 2019 to Sep 30, 2020
Signed
Feb 8, 2021
Return Version
2019v5.0
Gross Receipts
$357,254
Mission and Program Overview

Mission

The organization develops and produces unique and socially conscious theatre, with a particular emphasis on new plays by utah playwrights.

Balance Sheet Detail
LineBeginningEndChange
Assets
Cash and Non-Interest-Bearing Accounts$33,344$97,081▲ $63,737
Pledges and Grants Receivable$50,250$81,426▲ $31,176
Savings and Temporary Cash Investments$83,420$23,437▼ $59,983
Prepaid Expenses and Deferred Charges$9,409$8,198▼ $1,211
Accounts Receivable$1,643$950▼ $693
Total Assets$178,066$211,092▲ $33,026
Liabilities
Mortgage Notes Payable Secured by Investment Property-$40,100-
Deferred Revenue$17,910$12,166▼ $5,744
Accounts Payable and Accrued Expenses$8,513$2,328▼ $6,185
Total Liabilities$26,423$54,594▲ $28,171
Net Assets / Fund Balance
Net Assets Without Donor Restrictions$123,677$115,540▼ $8,137
Net Assets With Donor Restrictions$27,966$40,958▲ $12,992
Total Net Assets Fund Balance$151,643$156,498▲ $4,855
Total Liabilities and Net Assets / Fund Balance$178,066$211,092▲ $33,026
Compensation and Service Providers

Employees

NameTitleFull / Part TimeBaseOtherTotal
Cheryl CluffManaging DirectorFT$41,500$2,158$43,658
Jerry RapierArtistic DirectorFT$41,500$2,158$43,658

Board Members and Trustees

NameTitle
Rebecca Chavez-houckPresident
Rick PollockBoard Member
Jesse NixTrustee
Paul TewTrustee
Kay SheanSecretary
Benjamin BrownTreasurer
Revenue and Support

Revenue Composition

Contributions and Grants
$317,394
Program Service Revenue
$39,843
Investment Income
$17
Other Revenue
$0
All Other Contributions
$132,484
Change in Net Assets
$4,855
Expenses and Functional Allocation

Major Expense Lines

Line ItemAmount
Salaries, Compensation, and Employee Benefits$255,615
Other Expenses$96,784
Total Fundraising Expense$7,447
Grants and Similar Amounts Paid$0
Professional Fundraising Fees$0

Functional Expense Allocation

Line ItemProgramManagementFundraisingTotal
Other Salaries and Wages$144,299--$144,299
Current Officers, Directors, Trustees, and Key Employees$69,910$6,816$6,274$83,000
Fees for Services Other$20,215$1,480-$21,695
Payroll Taxes$19,999$668$615$21,282
Office Expenses$13,086$3,233$261$16,580
Advertising$12,735$6-$12,741
Occupancy$6,239$1,250$76$7,565
Other Employee Benefits$6,610$221$203$7,034
Fees for Services Accounting-$5,151-$5,151
Travel$5,124--$5,124
Royalties$3,100--$3,100
Insurance-$1,298-$1,298
All Other Expenses$580$536-$1,116
Conferences and Meetings$1,040--$1,040
Other Expenses$333$634$18$967
Total Functional Expenses$321,203$23,749$7,447$352,399
Fundraising, Events, and Gaming
Fundraising activities
No
Gaming activities
No
Professional fundraiser used
No

Fundraising and Gaming Totals

Line ItemAmount
Professional Fundraising Fees$0
Political and Lobbying Activity
Political campaign activity
No
Lobbying activity
No
Subject to proxy tax
No
Governance and Compliance

Governance Checklist

Compiled or reviewed by an accountant
No
Annual disclosure for covered persons
Yes
Business relationship with 35% controlled entity
No
Business relationship with family members
No
Business relationship with organization members
No
Material changes to governing documents
No
Compensation from other sources disclosed
No
CEO compensation reviewed
Yes
Other officer compensation reviewed
Yes
Conflict-of-interest policy
Yes
Audited financial statements prepared
No
Key decisions subject to board approval
No
Management duties delegated
No

Governance Explanations

Form 990, Page 6, Part VI, Line 11B

A copy of the form 990 is is provided to all board members before it is filed. In addition, the form 990 is reviewed in detail by the managing director and by the board treasurer.

Form 990, Page 6, Part VI, Line 12C

The conflict of interest policy is required to be reviewed annually by the board of trustees and officers. Each individual shall annually complete a disclosure form identifying any relationships, positions, or circumstances in which they are involved or that he or she believes could contribute to a conflict of interest arising. Prior to board or committee action on a contract or transaction involving a conflict of interest, an individual having a conflict of interest shall disclose all facts material to the conflict. A person who has a conflict of interest shall not participate in or be permitted to hear board or committee discussion of the matter except to disclose material facts and respond to questions. Such person shall not attempt to exert his or her personal influce with respect to the matter, either at or outside the meeting. In addition, the person having a conflict of interest may not vote on the contract or transaction and may not be present in the meeting room when the vote is taken.

Form 990, Page 6, Part VI, Line 15A

Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.

Form 990, Page 6, Part VI, Line 15B

Compensation for the managing director and the producing director is determined by the board of directors. The managing director and the producing director do not vote on their own compensation. The organization is aware of the market rates for similar positions, but does not perform a formal analysis as the organization could not afford to compensate its directors at market rates. Deliberation and determination of director compensation is documented and approved by the board.

Form 990, Page 6, Part VI, Line 19

The organization's governing documents, financial statements, and conflict of interest policy made available to the public upon request at the organization's offices.

Filing and Contact Details

Filer

Filer Name
Plan-b Theatre Company
EIN
87-0542630
Phone
8012974200
Address
138 WEST 300 SOUTH, SALT LAKE CITY, UT 84101-1913

Signing Officer

Name
Cheryl Cluff
Title
Managing Director
Phone
8012974200
Signed
2021-02-08
Discuss with paid preparer
Yes

Organization Details

Principal Officer
Jerry Rapier
Formed
1995
Legal Domicile
Ut
Voting Board Members
6
Independent Board Members
6
Employees
42
Volunteers
43

Preparer

Firm
Bountiful Peak Advisors
Address
1564 SOUTH 500 WEST SUITE 201, BOUNTIFUL, UT 84010-7400
Preparer
Justin R Shaw CPA Cfe Cgma
Phone
8012943155
Supplemental Narrative

Additional Explanations

Form 990, Page 2, Part III, Line 4A

In the before times, the first two world premieres of our 2019/20 subscription series, oda might by camille washington and singing to the brine shrimp by jenny kokai (with music by ken plain), enjoyed joyous, sold out, in-person runs, with oda might making the utah review's 2019 list of the top moments of the utah enlightenment. And we didn't think twice about the cramped quarters of kuer's radiowest studio as we broacast radio hour episode 14: circle by matthew ivan bennett live. Our script-in-hand series of free readings revisited borderlands by eric samuelsen (1956-2019) as a celebration of his life, workshopped julie jensen's p.g. Anon, revisited jenifer nii's suffrage to celebrate the 19th amendment in partnership with better days 2020, and gave brandan ngo's where are you from? Its first audience as part of the edward lewis theatre festival at the main branch of salt lake city public library...all with in-person audiences. Then the pandemic truly arrived and we got really, really busy with online-only work. The final world premiere of our 2019/20 subscription series, the audacity by jenifer nii, was deep in rehearsal when the rose wagner was closed on march 13. On march 16, we were cleared to continue rehearsal with a maximum of 10 people in attendance, only to be halted again by the earthquake on march 18. We were given clearance to continue rehearsal again on march 21. We were racing the clock on a complete shutdown and realized we had everything we needed to film for streaming: actor april fossen was incredibly well-prepared, and the work of the creative team (designers kevin alberts, cheryl cluff, jaron hermansen, cara pomeroy, stage manager jennifer freed, and director jerry rapier) was completed way ahead of schedule. Between march 13 and our filming date of march 24 (which was moved up twice), we were only able to hold six rehearsals, none with more than seven people in attendance, all observing 6' distance. The stage unions responded with permission in record time. By march 28, the audacity (which was named to the utah review's 2020 list of the top ten moments of the utah enlightenment) was streaming as we moved all other programming online. Between april 1-may 8, 2020, we commissioned four short radio plays from elaine jarvik, jenny kokai, melissa leilani larson, and jenifer nii that were rehearsed and recorded in complete isolation, airing on kuaa as radio slam (all episodes available on our free app under radio) and seven short stage plays by tatian christian, olivia custodio, dee-dee darby -duffin, tito livas, brandan ngo, iris salazar, and darryl stamp as part of the national play at home initiative in response to the isolation brought on by covid-19 (all scripts available on our app under plays). Since march 13, the lab and theatre artists of color writing workshop - our communities for local playwrights - have collectively held ten zoom readings of new plays by rachel bublitz, olivia custodio, melissa leilani larson, iris salazar, morag shepherd, darryl stamp, debora threedy, and camille washington. We've also held a zoom workshop of a new pla y by sue bergin & scott sublett as part of our script-in-hand series. The final two months of in-person performances of our 2019/20 free elementary school tour of flora meets a bee by morag shepherd had to be cancelled. So we adapted the play into a picture book (featuring illustrations by brenda hattingh) that was sent digitally to every k-3 teacher in the state, accompanied by a read-aloud video, which the actors filmed in costume in isolation to accompany the archival video of the play itself. This led to an invitation from salt lake city public library to share our educational materials through the biblioboard section of their website. Click here to check out biblioboard (you'll also find videos of all free elementary school tours + study guides + radio slam) we created accompanying audio recordings, videos, and worksheets in english and spanish to support "playw

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IRS990/ActivityOrMissionDesc0THE ORGANIZATION DEVELOPS AND PRODUCES UNIQUE AND SOCIALLY CONSCIOUS THEATRE, WITH A PARTICULAR EMPHASIS ON NEW PLAYS BY UTAH PLAYWRIGHTS.
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IRS990/Desc0IN THE BEFORE TIMES, THE FIRST TWO WORLD PREMIERES OF OUR 2019/20 SUBSCRIPTION SERIES, ODA MIGHT BY CAMILLE WASHINGTON AND SINGING TO THE BRINE SHRIMP BY JENNY KOKAI (WITH MUSIC BY KEN PLAIN), ENJOYED JOYOUS, SOLD OUT, IN-PERSON RUNS, WITH ODA MIGHT MAKING THE UTAH REVIEW'S 2019 LIST OF THE TOP MOMENTS OF THE UTAH ENLIGHTENMENT. AND WE DIDN'T THINK TWICE ABOUT THE CRAMPED QUARTERS OF KUER'S RADIOWEST STUDIO AS WE BROACAST RADIO HOUR EPISODE 14: CIRCLE BY MATTHEW IVAN BENNETT LIVE. OUR SCRIPT-IN-HAND SERIES OF FREE READINGS REVISITED BORDERLANDS BY ERIC SAMUELSEN (1956-2019) AS A CELEBRATION OF HIS LIFE, WORKSHOPPED JULIE JENSEN'S P.G. ANON, REVISITED JENIFER NII'S SUFFRAGE TO CELEBRATE THE 19TH AMENDMENT IN PARTNERSHIP WITH BETTER DAYS 2020, AND GAVE BRANDAN NGO'S WHERE ARE YOU FROM? ITS FIRST AUDIENCE AS PART OF THE EDWARD LEWIS THEATRE FESTIVAL AT THE MAIN BRANCH OF SALT LAKE CITY PUBLIC LIBRARY...ALL WITH IN-PERSON AUDIENCES. THEN THE PANDEMIC TRULY ARRIVED AND WE GOT REALLY, REALLY BUSY WITH ONLINE-ONLY WORK. THE FINAL WORLD PREMIERE OF OUR 2019/20 SUBSCRIPTION SERIES, THE AUDACITY BY JENIFER NII, WAS DEEP IN REHEARSAL WHEN THE ROSE WAGNER WAS CLOSED ON MARCH 13. ON MARCH 16, WE WERE CLEARED TO CONTINUE REHEARSAL WITH A MAXIMUM OF 10 PEOPLE IN ATTENDANCE, ONLY TO BE HALTED AGAIN BY THE EARTHQUAKE ON MARCH 18. WE WERE GIVEN CLEARANCE TO CONTINUE REHEARSAL AGAIN ON MARCH 21. WE WERE RACING THE CLOCK ON A COMPLETE SHUTDOWN AND REALIZED WE HAD EVERYTHING WE NEEDED TO FILM FOR STREAMING: ACTOR APRIL FOSSEN WAS INCREDIBLY WELL-PREPARED, AND THE WORK OF THE CREATIVE TEAM (DESIGNERS KEVIN ALBERTS, CHERYL CLUFF, JARON HERMANSEN, CARA POMEROY, STAGE MANAGER JENNIFER FREED, AND DIRECTOR JERRY RAPIER) WAS COMPLETED WAY AHEAD OF SCHEDULE. BETWEEN MARCH 13 AND OUR FILMING DATE OF MARCH 24 (WHICH WAS MOVED UP TWICE), WE WERE ONLY ABLE TO HOLD SIX REHEARSALS, NONE WITH MORE THAN SEVEN PEOPLE IN ATTENDANCE, ALL OBSERVING 6' DISTANCE. THE STAGE UNIONS RESPONDED WITH PERMISSION IN RECORD TIME. BY MARCH 28, THE AUDACITY (WHICH WAS NAMED TO THE UTAH REVIEW'S 2020 LIST OF THE TOP TEN MOMENTS OF THE UTAH ENLIGHTENMENT) WAS STREAMING AS WE MOVED ALL OTHER PROGRAMMING ONLINE. BETWEEN APRIL 1-MAY 8, 2020, WE COMMISSIONED FOUR SHORT RADIO PLAYS FROM ELAINE JARVIK, JENNY KOKAI, MELISSA LEILANI LARSON, AND JENIFER NII THAT WERE REHEARSED AND RECORDED IN COMPLETE ISOLATION, AIRING ON KUAA AS RADIO SLAM (ALL EPISODES AVAILABLE ON OUR FREE APP UNDER RADIO) AND SEVEN SHORT STAGE PLAYS BY TATIAN CHRISTIAN, OLIVIA CUSTODIO, DEE-DEE DARBY -DUFFIN, TITO LIVAS, BRANDAN NGO, IRIS SALAZAR, AND DARRYL STAMP AS PART OF THE NATIONAL PLAY AT HOME INITIATIVE IN RESPONSE TO THE ISOLATION BROUGHT ON BY COVID-19 (ALL SCRIPTS AVAILABLE ON OUR APP UNDER PLAYS). SINCE MARCH 13, THE LAB AND THEATRE ARTISTS OF COLOR WRITING WORKSHOP - OUR COMMUNITIES FOR LOCAL PLAYWRIGHTS - HAVE COLLECTIVELY HELD TEN ZOOM READINGS OF NEW PLAYS BY RACHEL BUBLITZ, OLIVIA CUSTODIO, MELISSA LEILANI LARSON, IRIS SALAZAR, MORAG SHEPHERD, DARRYL STAMP, DEBORA THREEDY, AND CAMILLE WASHINGTON. WE'VE ALSO HELD A ZOOM WORKSHOP OF A NEW PLA Y BY SUE BERGIN & SCOTT SUBLETT AS PART OF OUR SCRIPT-IN-HAND SERIES. THE FINAL TWO MONTHS OF IN-PERSON PERFORMANCES OF OUR 2019/20 FREE ELEMENTARY SCHOOL TOUR OF FLORA MEETS A BEE BY MORAG SHEPHERD HAD TO BE CANCELLED. SO WE ADAPTED THE PLAY INTO A PICTURE BOOK (FEATURING ILLUSTRATIONS BY BRENDA HATTINGH) THAT WAS SENT DIGITALLY TO EVERY K-3 TEACHER IN THE STATE, ACCOMPANIED BY A READ-ALOUD VIDEO, WHICH THE ACTORS FILMED IN COSTUME IN ISOLATION TO ACCOMPANY THE ARCHIVAL VIDEO OF THE PLAY ITSELF. THIS LED TO AN INVITATION FROM SALT LAKE CITY PUBLIC LIBRARY TO SHARE OUR EDUCATIONAL MATERIALS THROUGH THE BIBLIOBOARD SECTION OF THEIR WEBSITE. CLICK HERE TO CHECK OUT BIBLIOBOARD (YOU'LL ALSO FIND VIDEOS OF ALL FREE ELEMENTARY SCHOOL TOURS + STUDY GUIDES + RADIO SLAM) WE CREATED ACCOMPANYING AUDIO RECORDINGS, VIDEOS, AND WORKSHEETS IN ENGLISH AND SPANISH TO SUPPORT "PLAYW
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IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt0IN THE BEFORE TIMES, THE FIRST TWO WORLD PREMIERES OF OUR 2019/20 SUBSCRIPTION SERIES, ODA MIGHT BY CAMILLE WASHINGTON AND SINGING TO THE BRINE SHRIMP BY JENNY KOKAI (WITH MUSIC BY KEN PLAIN), ENJOYED JOYOUS, SOLD OUT, IN-PERSON RUNS, WITH ODA MIGHT MAKING THE UTAH REVIEW'S 2019 LIST OF THE TOP MOMENTS OF THE UTAH ENLIGHTENMENT. AND WE DIDN'T THINK TWICE ABOUT THE CRAMPED QUARTERS OF KUER'S RADIOWEST STUDIO AS WE BROACAST RADIO HOUR EPISODE 14: CIRCLE BY MATTHEW IVAN BENNETT LIVE. OUR SCRIPT-IN-HAND SERIES OF FREE READINGS REVISITED BORDERLANDS BY ERIC SAMUELSEN (1956-2019) AS A CELEBRATION OF HIS LIFE, WORKSHOPPED JULIE JENSEN'S P.G. ANON, REVISITED JENIFER NII'S SUFFRAGE TO CELEBRATE THE 19TH AMENDMENT IN PARTNERSHIP WITH BETTER DAYS 2020, AND GAVE BRANDAN NGO'S WHERE ARE YOU FROM? ITS FIRST AUDIENCE AS PART OF THE EDWARD LEWIS THEATRE FESTIVAL AT THE MAIN BRANCH OF SALT LAKE CITY PUBLIC LIBRARY...ALL WITH IN-PERSON AUDIENCES. THEN THE PANDEMIC TRULY ARRIVED AND WE GOT REALLY, REALLY BUSY WITH ONLINE-ONLY WORK. THE FINAL WORLD PREMIERE OF OUR 2019/20 SUBSCRIPTION SERIES, THE AUDACITY BY JENIFER NII, WAS DEEP IN REHEARSAL WHEN THE ROSE WAGNER WAS CLOSED ON MARCH 13. ON MARCH 16, WE WERE CLEARED TO CONTINUE REHEARSAL WITH A MAXIMUM OF 10 PEOPLE IN ATTENDANCE, ONLY TO BE HALTED AGAIN BY THE EARTHQUAKE ON MARCH 18. WE WERE GIVEN CLEARANCE TO CONTINUE REHEARSAL AGAIN ON MARCH 21. WE WERE RACING THE CLOCK ON A COMPLETE SHUTDOWN AND REALIZED WE HAD EVERYTHING WE NEEDED TO FILM FOR STREAMING: ACTOR APRIL FOSSEN WAS INCREDIBLY WELL-PREPARED, AND THE WORK OF THE CREATIVE TEAM (DESIGNERS KEVIN ALBERTS, CHERYL CLUFF, JARON HERMANSEN, CARA POMEROY, STAGE MANAGER JENNIFER FREED, AND DIRECTOR JERRY RAPIER) WAS COMPLETED WAY AHEAD OF SCHEDULE. BETWEEN MARCH 13 AND OUR FILMING DATE OF MARCH 24 (WHICH WAS MOVED UP TWICE), WE WERE ONLY ABLE TO HOLD SIX REHEARSALS, NONE WITH MORE THAN SEVEN PEOPLE IN ATTENDANCE, ALL OBSERVING 6' DISTANCE. THE STAGE UNIONS RESPONDED WITH PERMISSION IN RECORD TIME. BY MARCH 28, THE AUDACITY (WHICH WAS NAMED TO THE UTAH REVIEW'S 2020 LIST OF THE TOP TEN MOMENTS OF THE UTAH ENLIGHTENMENT) WAS STREAMING AS WE MOVED ALL OTHER PROGRAMMING ONLINE. BETWEEN APRIL 1-MAY 8, 2020, WE COMMISSIONED FOUR SHORT RADIO PLAYS FROM ELAINE JARVIK, JENNY KOKAI, MELISSA LEILANI LARSON, AND JENIFER NII THAT WERE REHEARSED AND RECORDED IN COMPLETE ISOLATION, AIRING ON KUAA AS RADIO SLAM (ALL EPISODES AVAILABLE ON OUR FREE APP UNDER RADIO) AND SEVEN SHORT STAGE PLAYS BY TATIAN CHRISTIAN, OLIVIA CUSTODIO, DEE-DEE DARBY -DUFFIN, TITO LIVAS, BRANDAN NGO, IRIS SALAZAR, AND DARRYL STAMP AS PART OF THE NATIONAL PLAY AT HOME INITIATIVE IN RESPONSE TO THE ISOLATION BROUGHT ON BY COVID-19 (ALL SCRIPTS AVAILABLE ON OUR APP UNDER PLAYS). SINCE MARCH 13, THE LAB AND THEATRE ARTISTS OF COLOR WRITING WORKSHOP - OUR COMMUNITIES FOR LOCAL PLAYWRIGHTS - HAVE COLLECTIVELY HELD TEN ZOOM READINGS OF NEW PLAYS BY RACHEL BUBLITZ, OLIVIA CUSTODIO, MELISSA LEILANI LARSON, IRIS SALAZAR, MORAG SHEPHERD, DARRYL STAMP, DEBORA THREEDY, AND CAMILLE WASHINGTON. WE'VE ALSO HELD A ZOOM WORKSHOP OF A NEW PLA Y BY SUE BERGIN & SCOTT SUBLETT AS PART OF OUR SCRIPT-IN-HAND SERIES. THE FINAL TWO MONTHS OF IN-PERSON PERFORMANCES OF OUR 2019/20 FREE ELEMENTARY SCHOOL TOUR OF FLORA MEETS A BEE BY MORAG SHEPHERD HAD TO BE CANCELLED. SO WE ADAPTED THE PLAY INTO A PICTURE BOOK (FEATURING ILLUSTRATIONS BY BRENDA HATTINGH) THAT WAS SENT DIGITALLY TO EVERY K-3 TEACHER IN THE STATE, ACCOMPANIED BY A READ-ALOUD VIDEO, WHICH THE ACTORS FILMED IN COSTUME IN ISOLATION TO ACCOMPANY THE ARCHIVAL VIDEO OF THE PLAY ITSELF. THIS LED TO AN INVITATION FROM SALT LAKE CITY PUBLIC LIBRARY TO SHARE OUR EDUCATIONAL MATERIALS THROUGH THE BIBLIOBOARD SECTION OF THEIR WEBSITE. CLICK HERE TO CHECK OUT BIBLIOBOARD (YOU'LL ALSO FIND VIDEOS OF ALL FREE ELEMENTARY SCHOOL TOURS + STUDY GUIDES + RADIO SLAM) WE CREATED ACCOMPANYING AUDIO RECORDINGS, VIDEOS, AND WORKSHEETS IN ENGLISH AND SPANISH TO SUPPORT "PLAYW
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt1A COPY OF THE FORM 990 IS IS PROVIDED TO ALL BOARD MEMBERS BEFORE IT IS FILED. IN ADDITION, THE FORM 990 IS REVIEWED IN DETAIL BY THE MANAGING DIRECTOR AND BY THE BOARD TREASURER.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt2THE CONFLICT OF INTEREST POLICY IS REQUIRED TO BE REVIEWED ANNUALLY BY THE BOARD OF TRUSTEES AND OFFICERS. EACH INDIVIDUAL SHALL ANNUALLY COMPLETE A DISCLOSURE FORM IDENTIFYING ANY RELATIONSHIPS, POSITIONS, OR CIRCUMSTANCES IN WHICH THEY ARE INVOLVED OR THAT HE OR SHE BELIEVES COULD CONTRIBUTE TO A CONFLICT OF INTEREST ARISING. PRIOR TO BOARD OR COMMITTEE ACTION ON A CONTRACT OR TRANSACTION INVOLVING A CONFLICT OF INTEREST, AN INDIVIDUAL HAVING A CONFLICT OF INTEREST SHALL DISCLOSE ALL FACTS MATERIAL TO THE CONFLICT. A PERSON WHO HAS A CONFLICT OF INTEREST SHALL NOT PARTICIPATE IN OR BE PERMITTED TO HEAR BOARD OR COMMITTEE DISCUSSION OF THE MATTER EXCEPT TO DISCLOSE MATERIAL FACTS AND RESPOND TO QUESTIONS. SUCH PERSON SHALL NOT ATTEMPT TO EXERT HIS OR HER PERSONAL INFLUCE WITH RESPECT TO THE MATTER, EITHER AT OR OUTSIDE THE MEETING. IN ADDITION, THE PERSON HAVING A CONFLICT OF INTEREST MAY NOT VOTE ON THE CONTRACT OR TRANSACTION AND MAY NOT BE PRESENT IN THE MEETING ROOM WHEN THE VOTE IS TAKEN.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt3COMPENSATION FOR THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR IS DETERMINED BY THE BOARD OF DIRECTORS. THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR DO NOT VOTE ON THEIR OWN COMPENSATION. THE ORGANIZATION IS AWARE OF THE MARKET RATES FOR SIMILAR POSITIONS, BUT DOES NOT PERFORM A FORMAL ANALYSIS AS THE ORGANIZATION COULD NOT AFFORD TO COMPENSATE ITS DIRECTORS AT MARKET RATES. DELIBERATION AND DETERMINATION OF DIRECTOR COMPENSATION IS DOCUMENTED AND APPROVED BY THE BOARD.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt4COMPENSATION FOR THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR IS DETERMINED BY THE BOARD OF DIRECTORS. THE MANAGING DIRECTOR AND THE PRODUCING DIRECTOR DO NOT VOTE ON THEIR OWN COMPENSATION. THE ORGANIZATION IS AWARE OF THE MARKET RATES FOR SIMILAR POSITIONS, BUT DOES NOT PERFORM A FORMAL ANALYSIS AS THE ORGANIZATION COULD NOT AFFORD TO COMPENSATE ITS DIRECTORS AT MARKET RATES. DELIBERATION AND DETERMINATION OF DIRECTOR COMPENSATION IS DOCUMENTED AND APPROVED BY THE BOARD.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt5THE ORGANIZATION'S GOVERNING DOCUMENTS, FINANCIAL STATEMENTS, AND CONFLICT OF INTEREST POLICY MADE AVAILABLE TO THE PUBLIC UPON REQUEST AT THE ORGANIZATION'S OFFICES.
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc0FORM 990, PAGE 2, PART III, LINE 4A
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc1FORM 990, PAGE 6, PART VI, LINE 11B
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc2FORM 990, PAGE 6, PART VI, LINE 12C
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc3FORM 990, PAGE 6, PART VI, LINE 15A
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc4FORM 990, PAGE 6, PART VI, LINE 15B
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc5FORM 990, PAGE 6, PART VI, LINE 19
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Filings

Balance SheetOperations
YearAssetsLiabilitiesNet AssetsRevenueExpensesNet Income
2025Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.77$0.23$1.54$5.15$4.63$0.52
2023Summary only. Only limited summary data is available for this year.$1.16$0.14$1.02$4.31$4.48$0.17
2022XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$1.29$0.10$1.19$4.52$5.18$0.65
2021XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$2.01$0.16$1.85$3.04$2.75$0.28
2020Detailed filing. Detailed filing data is available for this year.$2.11$0.55$1.56$3.57$3.52$0.05
2019XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$1.78$0.26$1.52$2.80$2.89$0.09
2018Summary only. Only limited summary data is available for this year.$1.81$0.20$1.61$2.49$2.67$0.18
2017Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.99$0.20$1.79$2.38$2.45$0.07
2016Detailed filing. Detailed filing data is available for this year.$2.08$0.22$1.86$2.07$2.39$0.32
2015Detailed filing. Detailed filing data is available for this year.$2.41$0.23$2.18$2.75$2.39$0.35
2014Summary only. Only limited summary data is available for this year.$2.11$0.28$1.83$2.48$2.47$0.01
2013Facts available. Structured filing facts are available, but richer extracted sections are limited.$2.08$0.26$1.82$2.40
2012Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.56$0.23$1.34$2.76
2011Summary only. Only limited summary data is available for this year.$1.88$0.27$1.60$2.94$2.55$0.40
2010Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.51$0.31$1.21$2.11$2.17$0.06