Other Expenses.1002
“Office Expenses $104”
Scores are not available for this record yet.
Assets
Up$23,563
Up $11,455 (+95%) from 2015
Net Assets
Up$22,616
Up $10,508 (+87%) from 2015
Liabilities
$947
No earlier filing loaded for comparison.
Revenue
Up$99,124
Up $25,984 (+36%) from 2015
Expenses
Up$88,616
Up $12,314 (+16%) from 2015
Net Income
Up$10,508
Up $13,670 (+432%) from 2015
Earplay nurtures new chamber music linking audiences, performers, and composers through concerts, commissions, and recordings of the finest music of our time.
| Description | Grants | Expenses |
|---|---|---|
| Earplays Season 31 Test of Time ran from February 1 May 16, 2016, and honored the legacy of composers weve lost, while celebrating the promise and artistry of accomplished composers in the early part of their careers. Earplay made its enthusiastic return to San Franciscos beautifully remodeled Herbst Theater for the season opening concert on Monday February 1, with a program that featured the world premiere of Eric Sawyers Masquerade for viola and percussion; Shulamit Rans Perfect Storm (2010) for viola; a reprisal of Andrew Imbries Earplay Fantasy (1995) for flute, clarinet, violin, cello, piano and percussion; and Stefan Wolpes Sonata fr Klavier (1925). Wolpe was Earplays Season 31 Featured Composer, and the creator of a profound aesthetic: expanding twelve-tone techniques to include tonality, jazz, and modal music. Earplays Surprise & Enigma concert took place on March 14, with the legacy portion of the program reflected in the world premiere of Drone on D, the last work written by Bay Area composer Herb Bielawa (and commissioned by Earplay), who passed away in December 2015. Also on the program was a reprise of The Four-Handed Game, a work by the late Donald Aird, for whom Earplays annual Aird Composers Competition is namedFeatured composer Stefan Wolpes Trio in Two Parts further honored the legacy of some of the pioneering composers of the 20th and 21st centuries who are no longer with us, but who have been an important part of Earplay history. Celebrating early career composers, the concert also featured the Earplay-commissioned world premiere of Ursula Kwong- Browns Unwinding, along with Shiuan Changs Monk (the 2015 Aird competition winner).Our finale concert on May 16, 2016 at ODC Theater transported the players and the audience from the comet-like radiance and intensity of Wolpes From Here on Farther; to Vivian Fungs Birdsong, which showcased the virtuosity of both piano and violin, with quick runs, intense rhythmic passages, and exploration of improvisational moments; and finally, Lee Hylas My Life on the Plains. Concert 3 also marked a world premiere by young composer Nick Bacchetto for flute, violin, viola, and cello.Other activities during the season included an outreach lecture and performance at the San Francisco Main Public Library on January 14, a performance of the Earplay String Trio as part of the San Francisco State University 1pm Concert Series, and a performance at UC Davis Mondavi Center as part of their noontime concerts.The second year of our Earplay Shapes the Future Campaign a three-year initiative to raise funds for an operating reserve was fantastically successful, and we surpassed our goal for the year. We launched discussions with West Edge Opera, which lead to Earplay participating in their August 2016 production of Powder Her Face. The administrative and operational part of Earplay remained stable. | $88,616 | - |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| LORI ZOOK | Executive Director | PT | $16,000 | - | $16,000 |
| TERRIE BAUNE | At Large/Key Ee | - | $5,850 | - | $5,850 |
| MARY CHUN | Music Director | - | $5,525 | - | $5,525 |
| STEPHEN NESS | Secretary/Treas | - | $0 | - | - |
| LARISSA KOEHLER | At Large | - | $0 | - | - |
| BRUCE C BENNETT | At Large | - | $0 | - | - |
| MAY M LUKE | Co-Chair | - | $0 | - | - |
| RICHARD FESTINGER | At Large | - | $0 | - | - |
| LAURA ROSENBERG | Co-Chair | PT | $0 | - | - |
| ELLEN RUTH ROSE | At Large | - | $0 | - | - |
“Office Expenses $104”
“Bank fees & payroll processing $1758”
“Workers compensation insurance $1477”
“LICENSES & FEES $282”
“Accounts Payable and Accrued Expenses - Beginning $0 Accounts Payable and Accrued Expenses - Ending $947”
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | Earplays Season 31 Test of Time ran from February 1 May 16, 2016, and honored the legacy of composers weve lost, while celebrating the promise and artistry of accomplished composers in the early part of their careers. Earplay made its enthusiastic return to San Franciscos beautifully remodeled Herbst Theater for the season opening concert on Monday February 1, with a program that featured the world premiere of Eric Sawyers Masquerade for viola and percussion; Shulamit Rans Perfect Storm (2010) for viola; a reprisal of Andrew Imbries Earplay Fantasy (1995) for flute, clarinet, violin, cello, piano and percussion; and Stefan Wolpes Sonata fr Klavier (1925). Wolpe was Earplays Season 31 Featured Composer, and the creator of a profound aesthetic: expanding twelve-tone techniques to include tonality, jazz, and modal music. Earplays Surprise & Enigma concert took place on March 14, with the legacy portion of the program reflected in the world premiere of Drone on D, the last work written by Bay Area composer Herb Bielawa (and commissioned by Earplay), who passed away in December 2015. Also on the program was a reprise of The Four-Handed Game, a work by the late Donald Aird, for whom Earplays annual Aird Composers Competition is namedFeatured composer Stefan Wolpes Trio in Two Parts further honored the legacy of some of the pioneering composers of the 20th and 21st centuries who are no longer with us, but who have been an important part of Earplay history. Celebrating early career composers, the concert also featured the Earplay-commissioned world premiere of Ursula Kwong- Browns Unwinding, along with Shiuan Changs Monk (the 2015 Aird competition winner).Our finale concert on May 16, 2016 at ODC Theater transported the players and the audience from the comet-like radiance and intensity of Wolpes From Here on Farther; to Vivian Fungs Birdsong, which showcased the virtuosity of both piano and violin, with quick runs, intense rhythmic passages, and exploration of improvisational moments; and finally, Lee Hylas My Life on the Plains. Concert 3 also marked a world premiere by young composer Nick Bacchetto for flute, violin, viola, and cello.Other activities during the season included an outreach lecture and performance at the San Francisco Main Public Library on January 14, a performance of the Earplay String Trio as part of the San Francisco State University 1pm Concert Series, and a performance at UC Davis Mondavi Center as part of their noontime concerts.The second year of our Earplay Shapes the Future Campaign a three-year initiative to raise funds for an operating reserve was fantastically successful, and we surpassed our goal for the year. We launched discussions with West Edge Opera, which lead to Earplay participating in their August 2016 production of Powder Her Face. The administrative and operational part of Earplay remained stable. |
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No mirrored PDF or thumbnail assets are attached yet.
Displayed year
2016 • Form 990EZDetailed filing. Detailed filing data is available for this year.