Liabilities / Assets
74th percentile
Higher debt load relative to assets than 74% of similar nonprofits.
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
Liabilities / Assets
74th percentile
Higher debt load relative to assets than 74% of similar nonprofits.
Liabilities / Revenue
72nd percentile
Higher debt load relative to revenue than 72% of similar nonprofits.
Net Margin
32nd percentile
Higher net margin than 32% of similar nonprofits.
Top Officer Pay
79th percentile
Higher top officer pay than 79% of similar nonprofits.
Top officer pay equals 0.0% of source-year revenue.
Asset Growth
35th percentile
Faster asset growth than 35% of similar nonprofits.
Revenue Growth
17th percentile
Faster revenue growth than 17% of similar nonprofits.
Assets
Down$174,426
Down $15,277 (-8.1%) from 2023
Net Assets
Down$166,040
Down $19,119 (-10%) from 2023
Liabilities
Up$8,386
Up $3,842 (+85%) from 2023
Revenue
Down$361,864
Down $188,089 (-34%) from 2023
Expenses
Up$380,983
Up $5,111 (+1.4%) from 2023
Net Income
Down-$19,119
Down $193,200 (-111%) from 2023
At crafting the future (ctf), our mission is to increase access to creative enrichment for black and brown artists by connecting them to opportunities that help them thrive.
| Line | Beginning | End | Change |
|---|---|---|---|
| Assets | |||
| Cash and Non-Interest-Bearing Accounts | $189,703 | $174,426 | ▼ $15,277 |
| Total Assets | $189,703 | $174,426 | ▼ $15,277 |
| Liabilities | |||
| Accounts Payable and Accrued Expenses | $4,544 | $8,386 | ▲ $3,842 |
| Total Liabilities | $4,544 | $8,386 | ▲ $3,842 |
| Net Assets / Fund Balance | |||
| Net Assets Without Donor Restrictions | $185,159 | $166,040 | ▼ $19,119 |
| Total Net Assets Fund Balance | $185,159 | $166,040 | ▼ $19,119 |
| Total Liabilities and Net Assets / Fund Balance | $189,703 | $174,426 | ▼ $15,277 |
| Name | Title |
|---|---|
| Che Rhodes | Chair |
| Yolanda Sommer | Vice Chair |
| Adam Cohen | Director |
| Averi Matthews | Director |
| Ila Prouty | Director |
| Kento Saisho | Director |
| Nancy Allison | Director |
| Vince Watchorn | Director |
| Courtney Martin | Secretary |
| Meg Miles | Treasurer |
| Line Item | Amount |
|---|---|
| Other Expenses | $211,038 |
| Grants and Similar Amounts Paid | $169,945 |
| Total Fundraising Expense | $2,536 |
| Professional Fundraising Fees | $0 |
| Salaries, Compensation, and Employee Benefits | $0 |
| Line Item | Program | Management | Fundraising | Total |
|---|---|---|---|---|
| Grants to Domestic Individuals | $144,945 | - | - | $144,945 |
| Fees for Services Other | $107,960 | $11,996 | - | $119,956 |
| Travel | $56,117 | - | - | $56,117 |
| Grants to Domestic Orgs | $25,000 | - | - | $25,000 |
| Office Expenses | $1,069 | $10,754 | - | $11,823 |
| Other Expenses | $3,800 | $2,796 | - | $2,796 |
| Advertising | - | - | $2,536 | $2,536 |
| Fees for Services Accounting | - | $1,325 | - | $1,325 |
| All Other Expenses | - | $799 | - | $799 |
| Insurance | $181 | - | - | $181 |
| Fees for Services Legal | - | $50 | - | $50 |
| Total Functional Expenses | $350,727 | $27,720 | $2,536 | $380,983 |
| Recipient | Location | Category | Purpose | Amount |
|---|---|---|---|---|
| Artworxla | Los Angeles, CA | 501c3 | Project Funding | $10,000 |
| Black Artists Designers Guild | Brooklyn, NY | 501c3 | Project Funding | $10,000 |
| Line Item | Amount |
|---|---|
| Professional Fundraising Fees | $0 |
“No review was or will be conducted.”
“Copies of the tax return is available upon request.”
“Scholarship: crafting the future (ctf) provides emerging, mid-career, and established artists of color with opportunities that help plant their roots in the craft community and propel their careers. A ctf scholarship includes tuition, room and board, travel, materials, a stipend, and a per diem. We aim to eliminate any financial barrier that might stand between a learner and their workshop. We also partner with youth arts organizations around the country to help us identify scholarship recipients, based not on their portfolios and writing skills, but rather on the potential for impact. To date, weve served artists from ages 15-68, and we look forward to expanding that range. And all of the schools we partner with match or subsidize our scholarship funds. So for every scholarship we raise money for, a partnering school augments it, increasing our offerings and proving their own commitment to these efforts.”
“Residency: we support multiple residency programs that aim to provide established and emerging artists with time and space to create. Our biggest residency program is in our home base studio in los angeles. The 2020 los angeles artist census found that around 50% of black and latinx artists surveyed have no studio, while only 24% of white respondents lacked studio space, despite white non-hispanic people making up only 28.5% of the la population. The need for a program like ours is undeniable. For the past four years, the residency program has supported emerging bipoc artists in los angeles by offering free studio space, a material stipend, and an all- expenses-paid one- or two-week workshop at an art/craft school. This year we have extended the length of the residency from 6 months to one year and the proposed expansion in 2025 would increase the number of artists from two to four, increase the stipend from 4000 to 6000, and bring in additional short-term visiting artists.”
“Contractors 107,960 11,996 0”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990/ProgSrvcAccomActy2Grp/Desc | 0 | RESIDENCY: WE SUPPORT MULTIPLE RESIDENCY PROGRAMS THAT AIM TO PROVIDE ESTABLISHED AND EMERGING ARTISTS WITH TIME AND SPACE TO CREATE. OUR BIGGEST RESIDENCY PROGRAM IS IN OUR HOME BASE STUDIO IN LOS ANGELES. THE 2020 LOS ANGELES ARTIST CENSUS FOUND THAT AROUND 50% OF BLACK AND LATINX ARTISTS SURVEYED HAVE NO STUDIO, WHILE ONLY 24% OF WHITE RESPONDENTS LACKED STUDIO SPACE, DESPITE WHITE NON-HISPANIC PEOPLE MAKING UP ONLY 28.5% OF THE LA POPULATION. THE NEED FOR A PROGRAM LIKE OURS IS UNDENIABLE. FOR THE PAST FOUR YEARS, THE RESIDENCY PROGRAM HAS SUPPORTED EMERGING BIPOC ARTISTS IN LOS ANGELES BY OFFERING FREE STUDIO SPACE, A MATERIAL STIPEND, AND AN ALL- EXPENSES-PAID ONE- OR TWO-WEEK WORKSHOP AT AN ART/CRAFT SCHOOL. THIS YEAR WE HAVE EXTENDED THE LENGTH OF THE RESIDENCY FROM 6 MONTHS TO ONE YEAR AND THE PROPOSED EXPANSION IN 2025 WOULD INCREASE THE NUMBER OF ARTISTS FROM TWO TO FOUR, INCREASE THE STIPEND FROM 4000 TO 6000, AND BRING IN ADDITIONAL SHORT-TERM VISITING ARTISTS. |
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| IRS990/ProgSrvcAccomActy3Grp/Desc | 0 | INTERNSHIP: INTERNSHIPS SUPPORT EMERGING ARTISTS WHO HAVE A PASSION FOR THEIR CRAFT AND WOULD BENEFIT FROM ADDITIONAL GUIDANCE ON HOW TO MONETIZE IT. CTF PROGRAMS PROVIDE INTERNS WITH TECHNICAL INSTRUCTION, TIME AND SPACE TO DEVELOP AN ARTISTIC VISION, AND NETWORKING OPPORTUNITIES. IN ADDITION, CTF INTERNSHIPS SET THE PRECEDENT OF PAYING ARTISTS TO WORK, WHICH IS AN OPPORTUNITY OFTEN NOT AVAILABLE FOR EMERGING ARTISTS. |
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| IRS990ScheduleI/GrantsOtherAsstToIndivInUSGrp/GrantTypeTxt | 2 | INTERNSHIP PROGRAM |
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| IRS990ScheduleI/RecipientTable/RecipientBusinessName/BusinessNameLine1Txt | 1 | BLACK ARTISTS DESIGNERS GUILD |
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| IRS990ScheduleI/SupplementalInformationDetail/ExplanationTxt | 0 | A CTF SCHOLARSHIP INCLUDES TUITION, ROOM AND BOARD, TRAVEL, MATERIALS, A STIPEND, AND A PER DIEM. WE AIM TO ELIMINATE ANY FINANCIAL BARRIER THAT MIGHT STAND BETWEEN A LEARNER AND THEIR WORKSHOP. WE ALSO PARTNER WITH YOUTH ARTS ORGANIZATIONS AROUND THE COUNTRY TO HELP US IDENTIFY SCHOLARSHIP RECIPIENTS, BASED NOT ON THEIR PORTFOLIOS AND WRITING SKILLS, BUT RATHER ON THE POTENTIAL FOR IMPACT. TO DATE, WE'VE SERVED ARTISTS FROM AGES 15-68, AND WE LOOK FORWARD TO EXPANDING THAT RANGE. AND ALL OF THE SCHOOLS WE PARTNER WITH MATCH OR SUBSIDIZE OUR SCHOLARSHIP FUNDS. SO FOR EVERY SCHOLARSHIP WE RAISE MONEY FOR, A PARTNERING SCHOOL AUGMENTS IT, INCREASING OUR OFFERINGS AND PROVING THEIR OWN COMMITMENT TO THESE EFFORTS. INTERNSHIPS SUPPORT EMERGING ARTISTS WHO HAVE A PASSION FOR THEIR CRAFT AND WOULD BENEFIT FROM ADDITIONAL GUIDANCE ON HOW TO MONETIZE IT. CTF PROGRAMS PROVIDE INTERNS WITH TECHNICAL INSTRUCTION, TIME AND SPACE TO DEVELOP AN ARTISTIC VISION, AND NETWORKING OPPORTUNITIES. IN ADDITION, CTF INTERNSHIPS SET THE PRECEDENT OF PAYING ARTISTS TO WORK, WHICH IS AN OPPORTUNITY OFTEN NOT AVAILABLE FOR EMERGING ARTISTS. WE SUPPORT MULTIPLE RESIDENCY PROGRAMS THAT AIM TO PROVIDE ESTABLISHED AND EMERGING ARTISTS WITH TIME AND SPACE TO CREATE. OUR BIGGEST RESIDENCY PROGRAM IS IN OUR HOME BASE STUDIO IN LOS ANGELES. |
| IRS990ScheduleI/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | SCHEDULE I, PAGE 4, PART IV |
| IRS990/ScheduleJRequiredInd | 0 | false |
| IRS990/ScheduleORequiredInd | 0 | false |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | SCHOLARSHIP: CRAFTING THE FUTURE (CTF) PROVIDES EMERGING, MID-CAREER, AND ESTABLISHED ARTISTS OF COLOR WITH OPPORTUNITIES THAT HELP PLANT THEIR ROOTS IN THE CRAFT COMMUNITY AND PROPEL THEIR CAREERS. A CTF SCHOLARSHIP INCLUDES TUITION, ROOM AND BOARD, TRAVEL, MATERIALS, A STIPEND, AND A PER DIEM. WE AIM TO ELIMINATE ANY FINANCIAL BARRIER THAT MIGHT STAND BETWEEN A LEARNER AND THEIR WORKSHOP. WE ALSO PARTNER WITH YOUTH ARTS ORGANIZATIONS AROUND THE COUNTRY TO HELP US IDENTIFY SCHOLARSHIP RECIPIENTS, BASED NOT ON THEIR PORTFOLIOS AND WRITING SKILLS, BUT RATHER ON THE POTENTIAL FOR IMPACT. TO DATE, WEVE SERVED ARTISTS FROM AGES 15-68, AND WE LOOK FORWARD TO EXPANDING THAT RANGE. AND ALL OF THE SCHOOLS WE PARTNER WITH MATCH OR SUBSIDIZE OUR SCHOLARSHIP FUNDS. SO FOR EVERY SCHOLARSHIP WE RAISE MONEY FOR, A PARTNERING SCHOOL AUGMENTS IT, INCREASING OUR OFFERINGS AND PROVING THEIR OWN COMMITMENT TO THESE EFFORTS. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | RESIDENCY: WE SUPPORT MULTIPLE RESIDENCY PROGRAMS THAT AIM TO PROVIDE ESTABLISHED AND EMERGING ARTISTS WITH TIME AND SPACE TO CREATE. OUR BIGGEST RESIDENCY PROGRAM IS IN OUR HOME BASE STUDIO IN LOS ANGELES. THE 2020 LOS ANGELES ARTIST CENSUS FOUND THAT AROUND 50% OF BLACK AND LATINX ARTISTS SURVEYED HAVE NO STUDIO, WHILE ONLY 24% OF WHITE RESPONDENTS LACKED STUDIO SPACE, DESPITE WHITE NON-HISPANIC PEOPLE MAKING UP ONLY 28.5% OF THE LA POPULATION. THE NEED FOR A PROGRAM LIKE OURS IS UNDENIABLE. FOR THE PAST FOUR YEARS, THE RESIDENCY PROGRAM HAS SUPPORTED EMERGING BIPOC ARTISTS IN LOS ANGELES BY OFFERING FREE STUDIO SPACE, A MATERIAL STIPEND, AND AN ALL- EXPENSES-PAID ONE- OR TWO-WEEK WORKSHOP AT AN ART/CRAFT SCHOOL. THIS YEAR WE HAVE EXTENDED THE LENGTH OF THE RESIDENCY FROM 6 MONTHS TO ONE YEAR AND THE PROPOSED EXPANSION IN 2025 WOULD INCREASE THE NUMBER OF ARTISTS FROM TWO TO FOUR, INCREASE THE STIPEND FROM 4000 TO 6000, AND BRING IN ADDITIONAL SHORT-TERM VISITING ARTISTS. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 2 | NO REVIEW WAS OR WILL BE CONDUCTED. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 3 | COPIES OF THE TAX RETURN IS AVAILABLE UPON REQUEST. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 4 | CONTRACTORS 107,960 11,996 0 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | FORM 990, PAGE 2, PART III, LINE 4A |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | FORM 990, PAGE 2, PART III, LINE 4B |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 2 | FORM 990, PAGE 6, PART VI, LINE 11B |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 3 | FORM 990, PAGE 6, PART VI, LINE 19 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 4 | FORM 990, PART IX, LINE 11G |
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| IRS990/TotalFunctionalExpensesGrp/TotalAmt | 0 | 380983 |
| IRS990/TotalGrossUBIAmt | 0 | 0 |
| IRS990/TotalLiabilitiesBOYAmt | 0 | 4544 |
| IRS990/TotalLiabilitiesEOYAmt | 0 | 8386 |
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| IRS990/TotalLiabilitiesGrp/EOYAmt | 0 | 8386 |
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| IRS990/UnrelatedBusIncmOverLimitInd | 0 | false |
| IRS990/UponRequestInd | 0 | X |
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| IRS990/USAddress/CityNm | 0 | LOS ANGELES |
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| IRS990/VotingMembersIndependentCnt | 0 | 10 |
| IRS990/WebsiteAddressTxt | 0 | CRAFTINGTHEFUTURE.ORG |
| IRS990/WhistleblowerPolicyInd | 0 | false |
| ReturnHeader/BuildTS | 0 | 2025-03-06 01:10:19Z |
| ReturnHeader/BusinessOfficerGrp/DiscussWithPaidPreparerInd | 0 | true |
| ReturnHeader/BusinessOfficerGrp/PersonNm | 0 | CHE RHODES |
| ReturnHeader/BusinessOfficerGrp/PersonTitleTxt | 0 | CHAIR |
| ReturnHeader/BusinessOfficerGrp/PhoneNum | 0 | 5712490526 |
| ReturnHeader/BusinessOfficerGrp/SignatureDt | 0 | 2025-11-17 |
| ReturnHeader/Filer/BusinessName/BusinessNameLine1Txt | 0 | CRAFTING THE FUTURE |
| ReturnHeader/Filer/BusinessNameControlTxt | 0 | CRAF |
| ReturnHeader/Filer/EIN | 0 | 853602641 |
| ReturnHeader/Filer/PhoneNum | 0 | 5712490526 |
| ReturnHeader/Filer/USAddress/AddressLine1Txt | 0 | PO BOX 65211 |
| ReturnHeader/Filer/USAddress/CityNm | 0 | LOS ANGELES |
| ReturnHeader/Filer/USAddress/StateAbbreviationCd | 0 | CA |
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| ReturnHeader/IRSResponsiblePrtyInfoCurrInd | 0 | true |
| ReturnHeader/PreparerFirmGrp/PreparerFirmEIN | 0 | 475278347 |
| ReturnHeader/PreparerFirmGrp/PreparerFirmName/BusinessNameLine1Txt | 0 | ALLISON & GIBB LLP |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/AddressLine1Txt | 0 | 31351 VIA COLINAS STE 202 |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/CityNm | 0 | WESTLAKE VILLAGE |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/StateAbbreviationCd | 0 | CA |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/ZIPCd | 0 | 913624561 |
| ReturnHeader/PreparerPersonGrp/PhoneNum | 0 | 8183946689 |
| ReturnHeader/PreparerPersonGrp/PreparationDt | 0 | 2025-11-17 |
| ReturnHeader/PreparerPersonGrp/PreparerPersonNm | 0 | LISA A ALLISON |
| ReturnHeader/ReturnTs | 0 | 2025-11-17T22:17:05-05:00 |
| ReturnHeader/ReturnTypeCd | 0 | 990 |
| ReturnHeader/TaxPeriodBeginDt | 0 | 2024-01-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2024-12-31 |
| ReturnHeader/TaxYr | 0 | 2024 |
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Displayed year
2024 • Form 990Detailed filing. Detailed filing data is available for this year.
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