Liabilities / Assets
Score unavailable
Liabilities-to-assets requires both liabilities and assets on this filing.
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
Liabilities / Assets
Score unavailable
Liabilities-to-assets requires both liabilities and assets on this filing.
Liabilities / Revenue
Score unavailable
Liabilities-to-revenue requires both liabilities and revenue on this filing.
Net Margin
42nd percentile
Higher net margin than 42% of similar nonprofits.
Top Officer Pay
78th percentile
Higher top officer pay than 78% of similar nonprofits.
Top officer pay equals 0.0% of source-year revenue.
Asset Growth
92nd percentile
Faster asset growth than 92% of similar nonprofits.
Revenue Growth
42nd percentile
Faster revenue growth than 42% of similar nonprofits.
Assets
Up$1,211
Up $640 (+112%) from 2021
Net Assets
Up$1,211
Up $640 (+112%) from 2021
Liabilities
-
No earlier filing loaded for comparison.
Revenue
Up$72,442
Up $910 (+1.3%) from 2021
Expenses
Up$72,061
Up $1,240 (+1.8%) from 2021
Net Income
Down$381
Down $330 (-46%) from 2021
Chatterbird's primary purpose is to create innovative chamber music experiences that educate and inspire diverse audiences while supporting musicians and composers through new music projects.
| Description | Grants | Expenses |
|---|---|---|
| 2021/22 SEASON PROGRAMMING: CHATTERBIRDS 2021/22 SEASON INCLUDED THE PRESENTATION OF TWO TICKETED MAINSTAGE EVENTS AS THE ENSEMBLE COLLABORATED WITH SOLO ARTISTS LEYLA MCCALLA AND VASILIS KOSTAS. BOTH CONCERTS ALSO FEATURED ACCOMPANYING EDUCATION AND COMMUNITY OUTREACH INITIATIVES IN COLLABORATION WITH LOCAL NONPROFIT PARTNERS. ADDITIONALLY, CHATTERBIRD PRESENTED ONE VIRTUAL PROJECT, TWO TOURING PERFORMANCES (AT BIG EARS FESTIVAL AND BUTLER UNIVERSITY), AND THREE FREE COMMUNITY PERFORMANCES. COMBINED ATTENDANCE AT THESE EVENTS WAS 2,470. ENGAGEMENT WITH FREELY AVAILABLE PREVIOUS SEASON VIDEO CONTENT REMAINED STRONG, WITH MORE THAN 10,000 IMPRESSIONS OVER THE COURSE OF THE FISCAL YEAR. CHATTERBIRD'S WORK IN THE 2021/22 SEASON WAS RECOGNIZED WITH A "BEST OF NASHVILLE" AWARD ALONG WITH MULTIPLE CRITICS' PICKS, REVIEWS, AND MEDIA MENTIONS. THE ENSEMBLE EMPLOYED 45 ARTISTS OVER THE COURSE OF THE FISCAL YEAR AND CONTRIBUTED TO THE VIBRANCY OF THE REGIONAL ARTS SCENE, RECEIVING A "BEST CREATIVE PROGRAMMING" NOD EMPHASIZING THE ENSEMBLE'S ABILITY TO CREATE A "STRONG SENSE OF PLACE AND PERSONAL CONNECTION" IN THE SOUTHERN ARTS LANDSCAPE, PER THE NASHVILLE SCENE. | - | $68,121 |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| CARISSA STOLTING | Board Chair | - | $0 | - | - |
| CELINE THACKSTON | Secretary | - | $0 | - | - |
| PATRICK BLOCK | Treasurer | - | $0 | - | - |
| MATT THACKSTON | Board Member | - | $0 | - | - |
| HUNTER BRANSTETTER | Board Member | - | $0 | - | - |
| MARA MILLER | Board Member | - | $0 | - | - |
| CHRISTY FRINK | Board Member | - | $0 | - | - |
“Expenses advertising and marketing 4,161 supplies 383 travel 4,635 interest 199 catering 1,145 dues and subscriptions 1,476 equipment rental 716 insurance 1,078 loan cost 212 meals 455 musician services 40,935 technical services 9,953 venue 1,774 total 67,122”
“Unsecured notes and loans payable 3,300 0”
“Chatterbird's primary purpose is to create innovative chamber music experiences that educate and inspire diverse audiences while supporting musicians and composers through new music projects.”
“2021/22 season programming: chatterbirds 2021/22 season included the presentation of two ticketed mainstage events as the ensemble collaborated with solo artists leyla mccalla and vasilis kostas. Both concerts also featured accompanying education and community outreach initiatives in collaboration with local nonprofit partners. Additionally, chatterbird presented one virtual project, two touring performances (at big ears festival and butler university), and three free community performances. Combined attendance at these events was 2,470. Engagement with freely available previous season video content remained strong, with more than 10,000 impressions over the course of the fiscal year. Chatterbird's work in the 2021/22 season was recognized with a "best of nashville" award along with multiple critics' picks, reviews, and media mentions. The ensemble employed 45 artists over the course of the fiscal year and contributed to the vibrancy of the regional arts scene, receiving a "best creative programming" nod emphasizing the ensemble's ability to create a "strong sense of place and personal connection" in the southern arts landscape, per the nashville scene.”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/OrganizationHadUBIInd | 0 | false |
| IRS990EZ/OtherExpensesTotalAmt | 0 | 67122 |
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| IRS990EZ/PartVIOfCompOfHghstPdEmplTxt | 0 | NONE |
| IRS990EZ/PoliticalCampaignActyInd | 0 | false |
| IRS990EZ/PrimaryExemptPurposeTxt | 0 | CHATTERBIRD'S PRIMARY PURPOSE IS TO CREATE INNOVATIVE CHAMBER MUSIC EXPERIENCES THAT EDUCATE AND INSPIRE DIVERSE AUDIENCES WHILE SUPPORTING MUSICIANS AND COMPOSERS THROUGH NEW MUSIC PROJECTS. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | 2021/22 SEASON PROGRAMMING: CHATTERBIRDS 2021/22 SEASON INCLUDED THE PRESENTATION OF TWO TICKETED MAINSTAGE EVENTS AS THE ENSEMBLE COLLABORATED WITH SOLO ARTISTS LEYLA MCCALLA AND VASILIS KOSTAS. BOTH CONCERTS ALSO FEATURED ACCOMPANYING EDUCATION AND COMMUNITY OUTREACH INITIATIVES IN COLLABORATION WITH LOCAL NONPROFIT PARTNERS. ADDITIONALLY, CHATTERBIRD PRESENTED ONE VIRTUAL PROJECT, TWO TOURING PERFORMANCES (AT BIG EARS FESTIVAL AND BUTLER UNIVERSITY), AND THREE FREE COMMUNITY PERFORMANCES. COMBINED ATTENDANCE AT THESE EVENTS WAS 2,470. ENGAGEMENT WITH FREELY AVAILABLE PREVIOUS SEASON VIDEO CONTENT REMAINED STRONG, WITH MORE THAN 10,000 IMPRESSIONS OVER THE COURSE OF THE FISCAL YEAR. CHATTERBIRD'S WORK IN THE 2021/22 SEASON WAS RECOGNIZED WITH A "BEST OF NASHVILLE" AWARD ALONG WITH MULTIPLE CRITICS' PICKS, REVIEWS, AND MEDIA MENTIONS. THE ENSEMBLE EMPLOYED 45 ARTISTS OVER THE COURSE OF THE FISCAL YEAR AND CONTRIBUTED TO THE VIBRANCY OF THE REGIONAL ARTS SCENE, RECEIVING A "BEST CREATIVE PROGRAMMING" NOD EMPHASIZING THE ENSEMBLE'S ABILITY TO CREATE A "STRONG SENSE OF PLACE AND PERSONAL CONNECTION" IN THE SOUTHERN ARTS LANDSCAPE, PER THE NASHVILLE SCENE. |
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| IRS990ScheduleB/ContributorInformationGrp/ContributorBusinessName/BusinessNameLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorNum | 0 | RESTRICTED |
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| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/City | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/State | 0 | RESTRICTED |
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| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | EXPENSES ADVERTISING AND MARKETING 4,161 SUPPLIES 383 TRAVEL 4,635 INTEREST 199 CATERING 1,145 DUES AND SUBSCRIPTIONS 1,476 EQUIPMENT RENTAL 716 INSURANCE 1,078 LOAN COST 212 MEALS 455 MUSICIAN SERVICES 40,935 TECHNICAL SERVICES 9,953 VENUE 1,774 TOTAL 67,122 |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | UNSECURED NOTES AND LOANS PAYABLE 3,300 0 |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 2 | CHATTERBIRD'S PRIMARY PURPOSE IS TO CREATE INNOVATIVE CHAMBER MUSIC EXPERIENCES THAT EDUCATE AND INSPIRE DIVERSE AUDIENCES WHILE SUPPORTING MUSICIANS AND COMPOSERS THROUGH NEW MUSIC PROJECTS. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 3 | 2021/22 SEASON PROGRAMMING: CHATTERBIRDS 2021/22 SEASON INCLUDED THE PRESENTATION OF TWO TICKETED MAINSTAGE EVENTS AS THE ENSEMBLE COLLABORATED WITH SOLO ARTISTS LEYLA MCCALLA AND VASILIS KOSTAS. BOTH CONCERTS ALSO FEATURED ACCOMPANYING EDUCATION AND COMMUNITY OUTREACH INITIATIVES IN COLLABORATION WITH LOCAL NONPROFIT PARTNERS. ADDITIONALLY, CHATTERBIRD PRESENTED ONE VIRTUAL PROJECT, TWO TOURING PERFORMANCES (AT BIG EARS FESTIVAL AND BUTLER UNIVERSITY), AND THREE FREE COMMUNITY PERFORMANCES. COMBINED ATTENDANCE AT THESE EVENTS WAS 2,470. ENGAGEMENT WITH FREELY AVAILABLE PREVIOUS SEASON VIDEO CONTENT REMAINED STRONG, WITH MORE THAN 10,000 IMPRESSIONS OVER THE COURSE OF THE FISCAL YEAR. CHATTERBIRD'S WORK IN THE 2021/22 SEASON WAS RECOGNIZED WITH A "BEST OF NASHVILLE" AWARD ALONG WITH MULTIPLE CRITICS' PICKS, REVIEWS, AND MEDIA MENTIONS. THE ENSEMBLE EMPLOYED 45 ARTISTS OVER THE COURSE OF THE FISCAL YEAR AND CONTRIBUTED TO THE VIBRANCY OF THE REGIONAL ARTS SCENE, RECEIVING A "BEST CREATIVE PROGRAMMING" NOD EMPHASIZING THE ENSEMBLE'S ABILITY TO CREATE A "STRONG SENSE OF PLACE AND PERSONAL CONNECTION" IN THE SOUTHERN ARTS LANDSCAPE, PER THE NASHVILLE SCENE. |
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| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | FORM 990-EZ, PART II, LINE 26 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 2 | FORM 990-EZ, PART III |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 3 | FORM 990-EZ, PART III, LINE 28 |
| ReturnHeader/BuildTS | 0 | 2023-04-26 12:10:37Z |
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| ReturnHeader/TaxPeriodBeginDt | 0 | 2021-07-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2022-06-30 |
| ReturnHeader/TaxYr | 0 | 2021 |
No mirrored PDF or thumbnail assets are attached yet.
Displayed year
2022 • Form 990EZDetailed filing. Detailed filing data is available for this year.