Civic Intelligence

Boston Symphony Orchestra Inc.

990 • Fiscal year 2011 • EIN 04-2103550

Sep 01, 2010 to Aug 31, 2011 • Filed on Jun 06, 2012

301 Massachusetts Avenue02115
Siviq Scores

Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.

Liabilities / Assets

17th percentile

0.11x

Higher debt load relative to assets than 17% of similar nonprofits.

2011 filings • 501(c)3 • $250M-$1B nonprofits • Source year 2011

Liabilities / Revenue

Score unavailable

No value available

Liabilities-to-revenue requires both liabilities and revenue on this filing.

Source year 2011

Net Margin

Score unavailable

No value available

Net margin requires both revenue and expenses on this filing.

Source year 2011

Top Officer Pay

Score unavailable

No value available

This filing does not contain officer compensation rows.

Source year 2011

Asset Growth

56th percentile

7.7%

Faster asset growth than 56% of similar nonprofits.

2011 filings • 501(c)3 • $250M-$1B nonprofits • Annualized from 2010 to 2011

Revenue Growth

Score unavailable

No value available

No valid filing value is available for this score.

Assets

Up

$493,519,685

Up $35,189,591 (+7.7%) from 2010

Net Assets

Up

$438,166,432

Up $41,742,824 (+11%) from 2010

Liabilities

Down

$55,353,253

Down $6,553,233 (-11%) from 2010

Revenue

-

No earlier filing loaded for comparison.

Expenses

Down

$83,582,205

Down $159,536 (-0.2%) from 2010

Net Income

-

No earlier filing loaded for comparison.

Historical Trend

Balance Sheet Trend

The highlighted filing sits inside the broader history for assets, liabilities, and net assets.

$800M$600M$400M$200M$0Assets 2010: $458,330,094Liabilities 2010: $61,906,486Net Assets 2010: $396,423,6082010Assets 2011: $493,519,685Liabilities 2011: $55,353,253Net Assets 2011: $438,166,4322011Assets 2012: $494,201,024Liabilities 2012: $73,671,753Net Assets 2012: $420,529,2712012Assets 2013: $524,519,502Liabilities 2013: $56,670,303Net Assets 2013: $467,849,1992013Assets 2014: $571,114,027Liabilities 2014: $59,428,654Net Assets 2014: $511,685,3732014Assets 2015: $558,346,417Liabilities 2015: $83,071,196Net Assets 2015: $475,275,2212015Assets 2016: $558,309,675Liabilities 2016: $99,319,054Net Assets 2016: $458,990,6212016Assets 2017: $590,620,270Liabilities 2017: $83,582,303Net Assets 2017: $507,037,9672017Assets 2018: $609,309,578Liabilities 2018: $70,740,983Net Assets 2018: $538,568,5952018Assets 2019: $593,071,088Liabilities 2019: $96,820,536Net Assets 2019: $496,250,5522019Assets 2020: $625,657,259Liabilities 2020: $90,624,217Net Assets 2020: $535,033,0422020Assets 2021: $745,262,219Liabilities 2021: $83,441,882Net Assets 2021: $661,820,3372021Assets 2022: $654,476,272Liabilities 2022: $72,730,268Net Assets 2022: $581,746,0042022Assets 2023: $653,461,654Liabilities 2023: $66,374,064Net Assets 2023: $587,087,5902023Assets 2024: $680,310,474Liabilities 2024: $61,931,986Net Assets 2024: $618,378,4882024

Highlighted filing

2011

Assets$493,519,685
Liabilities$55,353,253
Net Assets$438,166,432

Operations Trend

Revenue, expenses, and net income across loaded years, with this filing highlighted.

$150M$100M$50M$0-$50MExpenses 2010: $83,741,7412010Expenses 2011: $83,582,2052011Expenses 2012: $85,844,7582012Revenue 2013: $98,057,222Expenses 2013: $87,208,693Net Income 2013: $10,848,5292013Revenue 2014: $100,653,882Expenses 2014: $88,543,401Net Income 2014: $12,110,4812014Revenue 2015: $106,807,329Expenses 2015: $91,321,051Net Income 2015: $15,486,2782015Revenue 2016: $84,738,790Expenses 2016: $99,336,161Net Income 2016: -$14,597,3712016Revenue 2017: $85,167,757Expenses 2017: $103,630,393Net Income 2017: -$18,462,6362017Revenue 2018: $110,596,695Expenses 2018: $105,633,470Net Income 2018: $4,963,2252018Revenue 2019: $95,876,005Expenses 2019: $109,772,097Net Income 2019: -$13,896,0922019Revenue 2020: $92,537,202Expenses 2020: $82,833,685Net Income 2020: $9,703,5172020Revenue 2021: $89,872,398Expenses 2021: $64,012,623Net Income 2021: $25,859,7752021Revenue 2022: $116,038,188Expenses 2022: $98,574,259Net Income 2022: $17,463,9292022Revenue 2023: $93,229,092Expenses 2023: $110,636,685Net Income 2023: -$17,407,5932023Revenue 2024: $117,090,967Expenses 2024: $123,724,110Net Income 2024: -$6,633,1432024

Highlighted filing

2011

Revenue-
Expenses$83,582,205
Net Income-
Jump To
Filing Snapshot
Filing Period
Sep 1, 2010 to Aug 31, 2011
Signed
Jun 6, 2012
Return Version
2010v3.4
Gross Receipts
$157,321,051
Mission and Program Overview

Mission

The mission of the Boston Symphony Orchestra (BSO) is to foster and maintain an organization dedicated to making music consonant with the highest aspirations of the musical art, creating performances and providing educational and training programs at the highest level of excellence.

Major Activities

Activity 2
Education: Education is integral to the BSO's mission and comprises two main components: 1) training of young professional musicians at the Tanglewood Music Center, the BSO's world-renowned summer academy for advanced musical study; and 2) K-12 in-school and summer education programs that address the need for integrated, high-quality arts education in the public schools, as required by the Massachusetts Education Reform Act of 1993. Over the past seven decades, the Tanglewood Music Center (TMC) has established itself as the preeminent professional music-training center of its kind, and its alumni have shaped and changed the musical landscape in all parts of the world. The TMC program is truly unique, having a fully-integrated relationship with a world-class symphony orchestra, continuously drawing on the musicians, ideas, and resources of the BSO, and enlisting the participation of its artists to create and contribute to the educational experience of young musicians in the most profound manner. The mission of the TMC is to serve as a bridge from the conservatory to the professional world, allowing young musicians of the highest promise to gain access to the guidance of the music world's most esteemed senior professionals. The relationships cultivated at the TMC offer direct entrée to upper levels of the profession. Upon completing their time at TMC, TMC "fellows" are deemed to have all of the requisite skill and training for highly successful careers as performing musicians. Since its inception, the TMC has also functioned as a think tank in which faculty are encouraged to pursue directions that will open new avenues in the field. The principal areas of study and performance at the TMC are orchestral and chamber music, with a heavy emphasis on contemporary music, vocal repertoire including art song and staged opera (also involving instrumentalists), composition, and conducting. In the summer of 2011, 148 accomplished fellows studied and performed for eight weeks under the direction of 60 resident and guest faculty members and members of the Boston Symphony Orchestra. Participating fellows represented 34 states (including the District of Columbia) and 14 foreign countries. Performance and study of new music, always central to the TMC methodology, were programmed throughout the summer, and the TMC fellows played a prominent role in Tanglewood's annual Festival of Contemporary Music, which was directed in 2011 by composer Charles Wuorinen. A centerpiece of the 2011 Festival of Contemporary Music was the world-premiere of Mr. Wuorinen's new cantata It Happens Like This, which featured the talented young vocalists and instrumentalists of the Tanglewood Music Center. The K-12 education programs of the BSO not only provide access to the arts for underserved students and families, they also address the need for integrated high-quality arts exposure and education in the public schools as required by the Massachusetts Education Reform Act of 1993. These initiatives currently serve more than 28,000 students and hundreds of teachers statewide, and are developed in conformity with the National Standards for Arts Education and the Massachusetts Arts Curriculum Framework. The BSO continues to adapt its existing programs and develop new ones that support education reform in Massachusetts. One of the BSO Education Department's primary goals is to ensure that the arts remain a central part of the curriculum in the public schools. This effort has become even more critical as programs in the arts have been decimated by deep cuts to the state's education budget. The BSO offered a total of 14 Youth and Family Concerts in the 2010-11 season during a week of concerts in February 2011. The performances were attended by more than 19,000 students from schools across Massachusetts. Another education highlight is the BSO's Education Resource Center housed at the Boston Arts Academy (BAA). The Center supplements and reinforces the music education initiativ
Activity 3
Historic Preservation and Conservation and Facility Rental: Symphony Hall has long been considered the finest concert hall in the United States, and its spectacular acoustic qualities have earned it a place among the top three concert auditoriums in the world, a fact underscored by the hall's designation as a National Historic Landmark in 1999. Symphony Hall resonates with a century of great performances by leading artists, the musical vibrancy of the 20th century, and the important voices of history. It is a familiar location for millions of viewers nationwide who have watched "Evening at Pops" on PBS. Since 1900, virtually all of the world's great concert artists have appeared (and continue to appear) on the Symphony Hall stage, either with the BSO or in solo recitals. Touring ensembles have also taken advantage of the hall's acoustics, from renowned symphony orchestras to the U.S. Marine Band. The hall is also the main performance venue for a number of ensembles and presenters, including the Handel & Haydn Society, one of the nation's first permanent performing groups, established in 1815. Symphony Hall is also the primary venue for the Celebrity Series of Boston and the Boston Youth Symphony Orchestras. Frequently used as a civic auditorium, Symphony Hall has hosted many non-musical events that bear upon U.S. history and reflect the development of the United States as a world leader. In the early years of the 20th century, the hall served as a place to honor and present the luminaries of that era. World figures in politics and literature have lectured in Symphony Hall regularly, and controversial social issues were also given their due in debates. Tanglewood is the summer performance home of the Boston Symphony Orchestra and is located in Lenox, Massachusetts, amid the scenic splendor of the Berkshire hills. Established in 1936 by then-BSO Music Director Serge Koussevitzky, Tanglewood is now one of the world's preeminent summer music festivals. Tanglewood is also a festival renowned for its vital role in the development of America's contributions to music. Tanglewood attracts more than 350,000 visitors from around the world annually, and presents ten weeks of diverse programming each summer, the central feature of which is approximately two dozen BSO concerts featuring the finest classical music and the most esteemed conductors and soloists. The festival also includes a weekly chamber music series, solo recitals by acclaimed artists, some fifty concerts and recitals by fellows of the Tanglewood Music Center, the weeklong Festival of Contemporary Music, a Popular Artists Series, and a Labor Day jazz festival. Comprising the former Tanglewood and Highwood estates, Tanglewood covers more than 500 scenic acres and remains open to the public year-round, much like a state park. There are 23 buildings on the grounds, including three principal performance venues: the Koussevitzky Music Shed, Seiji Ozawa Concert Hall, and the Tanglewood Theatre. Built in 1938 from plans by Eliel Saarinen, the Koussevitzky Music Shed is a seasonal hall that is open on three sides and has 5,121 seats with additional seating for more than 10,000 on the adjacent lawn. All BSO and visiting orchestra concerts are performed in the shed. Opened in 1994, Seiji Ozawa Hall provides a venue for the Tanglewood festival's solo and chamber music performances, including Friday-evening prelude concerts. The brick and wood structure also provides space for rehearsals by Tanglewood's guest artists, serves as the headquarters of the Tanglewood Music Center, and acts a recording facility. It seats up to 750 audience members on the orchestra level and an additional 450 in the two balconies, as well as hundreds more on the adjacent lawn. The Theatre is the second Tanglewood structure designed by Eero Saarinen. It is used primarily by the TMC for opera and other staged productions not suited for presentation in Ozawa Hall. This wooden structure has a full orchestra pit an
Filing and Contact Details

Filer

EIN
04-2103550
Raw XML AppendixShowing 400 of 1,421 raw XML fields

This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.

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IRS990/Activity2/Description0Education: Education is integral to the BSO's mission and comprises two main components: 1) training of young professional musicians at the Tanglewood Music Center, the BSO's world-renowned summer academy for advanced musical study; and 2) K-12 in-school and summer education programs that address the need for integrated, high-quality arts education in the public schools, as required by the Massachusetts Education Reform Act of 1993. Over the past seven decades, the Tanglewood Music Center (TMC) has established itself as the preeminent professional music-training center of its kind, and its alumni have shaped and changed the musical landscape in all parts of the world. The TMC program is truly unique, having a fully-integrated relationship with a world-class symphony orchestra, continuously drawing on the musicians, ideas, and resources of the BSO, and enlisting the participation of its artists to create and contribute to the educational experience of young musicians in the most profound manner. The mission of the TMC is to serve as a bridge from the conservatory to the professional world, allowing young musicians of the highest promise to gain access to the guidance of the music world's most esteemed senior professionals. The relationships cultivated at the TMC offer direct entrée to upper levels of the profession. Upon completing their time at TMC, TMC "fellows" are deemed to have all of the requisite skill and training for highly successful careers as performing musicians. Since its inception, the TMC has also functioned as a think tank in which faculty are encouraged to pursue directions that will open new avenues in the field. The principal areas of study and performance at the TMC are orchestral and chamber music, with a heavy emphasis on contemporary music, vocal repertoire including art song and staged opera (also involving instrumentalists), composition, and conducting. In the summer of 2011, 148 accomplished fellows studied and performed for eight weeks under the direction of 60 resident and guest faculty members and members of the Boston Symphony Orchestra. Participating fellows represented 34 states (including the District of Columbia) and 14 foreign countries. Performance and study of new music, always central to the TMC methodology, were programmed throughout the summer, and the TMC fellows played a prominent role in Tanglewood's annual Festival of Contemporary Music, which was directed in 2011 by composer Charles Wuorinen. A centerpiece of the 2011 Festival of Contemporary Music was the world-premiere of Mr. Wuorinen's new cantata It Happens Like This, which featured the talented young vocalists and instrumentalists of the Tanglewood Music Center. The K-12 education programs of the BSO not only provide access to the arts for underserved students and families, they also address the need for integrated high-quality arts exposure and education in the public schools as required by the Massachusetts Education Reform Act of 1993. These initiatives currently serve more than 28,000 students and hundreds of teachers statewide, and are developed in conformity with the National Standards for Arts Education and the Massachusetts Arts Curriculum Framework. The BSO continues to adapt its existing programs and develop new ones that support education reform in Massachusetts. One of the BSO Education Department's primary goals is to ensure that the arts remain a central part of the curriculum in the public schools. This effort has become even more critical as programs in the arts have been decimated by deep cuts to the state's education budget. The BSO offered a total of 14 Youth and Family Concerts in the 2010-11 season during a week of concerts in February 2011. The performances were attended by more than 19,000 students from schools across Massachusetts. Another education highlight is the BSO's Education Resource Center housed at the Boston Arts Academy (BAA). The Center supplements and reinforces the music education initiativ
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IRS990/Activity3/Description0Historic Preservation and Conservation and Facility Rental: Symphony Hall has long been considered the finest concert hall in the United States, and its spectacular acoustic qualities have earned it a place among the top three concert auditoriums in the world, a fact underscored by the hall's designation as a National Historic Landmark in 1999. Symphony Hall resonates with a century of great performances by leading artists, the musical vibrancy of the 20th century, and the important voices of history. It is a familiar location for millions of viewers nationwide who have watched "Evening at Pops" on PBS. Since 1900, virtually all of the world's great concert artists have appeared (and continue to appear) on the Symphony Hall stage, either with the BSO or in solo recitals. Touring ensembles have also taken advantage of the hall's acoustics, from renowned symphony orchestras to the U.S. Marine Band. The hall is also the main performance venue for a number of ensembles and presenters, including the Handel & Haydn Society, one of the nation's first permanent performing groups, established in 1815. Symphony Hall is also the primary venue for the Celebrity Series of Boston and the Boston Youth Symphony Orchestras. Frequently used as a civic auditorium, Symphony Hall has hosted many non-musical events that bear upon U.S. history and reflect the development of the United States as a world leader. In the early years of the 20th century, the hall served as a place to honor and present the luminaries of that era. World figures in politics and literature have lectured in Symphony Hall regularly, and controversial social issues were also given their due in debates. Tanglewood is the summer performance home of the Boston Symphony Orchestra and is located in Lenox, Massachusetts, amid the scenic splendor of the Berkshire hills. Established in 1936 by then-BSO Music Director Serge Koussevitzky, Tanglewood is now one of the world's preeminent summer music festivals. Tanglewood is also a festival renowned for its vital role in the development of America's contributions to music. Tanglewood attracts more than 350,000 visitors from around the world annually, and presents ten weeks of diverse programming each summer, the central feature of which is approximately two dozen BSO concerts featuring the finest classical music and the most esteemed conductors and soloists. The festival also includes a weekly chamber music series, solo recitals by acclaimed artists, some fifty concerts and recitals by fellows of the Tanglewood Music Center, the weeklong Festival of Contemporary Music, a Popular Artists Series, and a Labor Day jazz festival. Comprising the former Tanglewood and Highwood estates, Tanglewood covers more than 500 scenic acres and remains open to the public year-round, much like a state park. There are 23 buildings on the grounds, including three principal performance venues: the Koussevitzky Music Shed, Seiji Ozawa Concert Hall, and the Tanglewood Theatre. Built in 1938 from plans by Eliel Saarinen, the Koussevitzky Music Shed is a seasonal hall that is open on three sides and has 5,121 seats with additional seating for more than 10,000 on the adjacent lawn. All BSO and visiting orchestra concerts are performed in the shed. Opened in 1994, Seiji Ozawa Hall provides a venue for the Tanglewood festival's solo and chamber music performances, including Friday-evening prelude concerts. The brick and wood structure also provides space for rehearsals by Tanglewood's guest artists, serves as the headquarters of the Tanglewood Music Center, and acts a recording facility. It seats up to 750 audience members on the orchestra level and an additional 450 in the two balconies, as well as hundreds more on the adjacent lawn. The Theatre is the second Tanglewood structure designed by Eero Saarinen. It is used primarily by the TMC for opera and other staged productions not suited for presentation in Ozawa Hall. This wooden structure has a full orchestra pit an
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IRS990/ActivityOrMissionDescription0The mission of the Boston Symphony Orchestra is to foster and maintain an organization dedicated to the making of music consonant with the highest aspirations of the musical art, creating performances and providing educational and training programs at the highest level of excellence and presenting this music to the widest audience possible. BSO concerts include: the Boston Symphony winter season at Symphony Hall in Boston; the Boston Symphony's summer festival at Tanglewood, its outdoor summer home in Lenox and Stockbridge, Massachusetts; and Boston Pops concerts in Symphony Hall that reach a third audience for whom orchestral music may not be as familiar. The concerts also include fourteen Boston Symphony Youth and Family Concerts, the core component of the orchestra's K-12 educational programs serving over 28,000 children annually. Tanglewood also houses the Tanglewood Music Center, an in-depth musical experience for emerging professional musicians of exceptional ability.
IRS990/ActivityOther/Description0Electronic Media: During FY '11, the BSO was featured in live local broadcasts of weekly Symphony Hall and Tanglewood Concerts on 99.5 Classical New England (formerly WCRB, now a subsidiary of public radio station WGBH). The BSO's website (www.bso.org) continued to prove its value as one of the orchestra's most vital business assets, receiving more than 7 million visits in FY'11, 15 percent of which were international. This generated more than 48 million page views. The BSO's website continues to be the largest and most-visited orchestral website in the country. The website is also essential to executing the orchestra's educational and outreach mission. For each of the BSO's winter season programs, the orchestra releases a concert-overview podcast that offers insight into how listeners may approach given compositions, as well as audio or video clips from the BSO's archives and live interviews, when applicable. Currently, the BSO's podcast series has 118,000 subscribers, of which 112,000 (95 percent) are active. Additionally, the BSO's Classical Companion series (successor to the Online Conservatory) and video podcasts offer interactive exploration of select BSO programs through the BSO Media Center, which is available at www.bso.org and also via download as an iPhone or iPad app. More than 1.5 million people visited the Classical Companion during FY '11; more than 7 million people have visited the Classical Companion or its predecessor since FY '04.
IRS990/ActivityOther/Description1Merchandise Sales: The Boston Symphony operates retail shops at both Symphony Hall and Tanglewood. These shops sell recordings of the BSO and other featured performers, books, music, posters and clothing and other items that serve to promote and disseminate the name and music of the Boston Symphony, Boston Pops and Tanglewood.
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IRS990/Description0Orchestra Music Programs: Founded in 1881, the mission of the Boston Symphony Orchestra (BSO) is to foster and maintain an organization dedicated to the making of music consonant with the highest aspirations of the musical art, creating performances and providing educational and training programs at the highest level of excellence. Recognized as one of the world's finest orchestras, the BSO presents an average of 27 programs in approximately 100 concerts at Symphony Hall between September and April each year that embrace the full range of orchestral repertoire. Another 33 concerts are presented each summer at Tanglewood, the BSO's summer music festival in western Massachusetts. The BSO also offers an annual series of concerts in New York's Carnegie Hall and 14 Youth and Family Concerts, including a new series of three open rehearsals for high school students. Following the close of the BSO's winter season through early July and during the December holiday season, the Boston Pops give approximately seventy concerts. All told, the BSO is the world's largest orchestral operation and the fourth-largest performing arts institution in the United States. The BSO's 2010-11 subscription season marked the orchestra's 130th year. The 2010-11 season featured some of the most ambitious, seminal pieces within the classical repertoire, including an all-Wagner program on opening night (October 2, 2010) featuring a rare US appearance by renowned bass-baritone Bryn Terfel, the inaugural concerts of a complete John Harbison symphony cycle, the 40th anniversary celebration of the Tanglewood Festival Chorus which, joined the BSO for Mahler's Resurrection, Stravinksy's Oedipus Rex, music from Falla's Atlantida, Bach's St. John Passion, and the launch of the BSO's new "UnderScore Fridays" series, a new concert format, offering an earlier start time, a slightly shorter program, and the opportunity for concert-goers to hear the conductor speak directly from the podium about each program during the performance. The BSO took highlights of the BSO's 2010-2011 Symphony Hall season on a tour of the east coast in March, 2011, performing at Carnegie Hall, the New Jersey Performing Arts Center, and at the Kennedy Center in Washington, DC. Several distinguished guest conductors appeared with the orchestra during the 2010-11 season, including Rafael Frühbeck de Burgos, Kurt Masur, Sir Mark Elder, Lorin Maazel, and Christoph von Dohnanyi; guest soloists included pianists Nelson Freire and Peter Serkin and violinist Joshua Bell. Throughout its history, the BSO has enabled the creation of hundreds of works, many of which have become landmarks in orchestral repertoire. The BSO has commissioned and presented more than 400 U.S. and world premieres, including major works by Sergei Prokofiev, Igor Stravinsky, Samuel Barber, Bela Bartok, Elliott Carter, Aaron Copland, George Gershwin and John Harbison, among many others. Several BSO commissions have become landmarks of the 20th Century orchestral repertoire, including Stravinsky's Symphony of Psalms, Bartok's Concerto for Orchestra, and Bernstein's Symphony No. 3, Kaddish. More recently, Yehudi Wyner's piano concerto, Chiavi in mano, was recognized with the Pulitzer Prize, and Peter Lieberson's Neruda Songs has become a commercial success. During the 2010-11 BSO season in Symphony Hall, the orchestra presented the American premiere of Unsuk Chin's Cello Concerto as well as the world premiere of a Harrison Birtwistle's Violin Concerto (a BSO commission). For all BSO (Boston, Tanglewood, and Carnegie Hall) and Boston Pops concerts, attendance was approximately 1.2 million. BSO concerts from Symphony Hall (Saturday evenings) and Tanglewood (Saturdays and Sundays) were also heard throughout southern New England in weekly live radio broadcasts over Classical New England 99.5 (formerly WCRB, now a subsidiary of WGBH), in addition to reaching a global audience through live, online streaming on the WGBH website. Saturday-evenin
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Filings

Balance SheetOperations
YearAssetsLiabilitiesNet AssetsRevenueExpensesNet Income
2024Facts available. Structured filing facts are available, but richer extracted sections are limited.$680$61.9$618$117$124$6.63
2023Detailed filing. Detailed filing data is available for this year.$653$66.4$587$93.2$111$17.4
2022XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$654$72.7$582$116$98.6$17.5
2021XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$745$83.4$662$89.9$64.0$25.9
2020XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$626$90.6$535$92.5$82.8$9.70
2019Detailed filing. Detailed filing data is available for this year.$593$96.8$496$95.9$110$13.9
2018XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$609$70.7$539$111$106$4.96
2017Facts available. Structured filing facts are available, but richer extracted sections are limited.$591$83.6$507$85.2$104$18.5
2016Detailed filing. Detailed filing data is available for this year.$558$99.3$459$84.7$99.3$14.6
2015Detailed filing. Detailed filing data is available for this year.$558$83.1$475$107$91.3$15.5
2014Detailed filing. Detailed filing data is available for this year.$571$59.4$512$101$88.5$12.1
2013Import issue. A filing source exists for this year, but detailed import did not complete cleanly.$525$56.7$468$98.1$87.2$10.8
2012Facts available. Structured filing facts are available, but richer extracted sections are limited.$494$73.7$421$85.8
2011Facts available. Structured filing facts are available, but richer extracted sections are limited.$494$55.4$438$83.6
2010Facts available. Structured filing facts are available, but richer extracted sections are limited.$458$61.9$396$83.7