Civic Intelligence

Center for Documentary Expression and Art

990 • Fiscal year 2018 • EIN 94-2937284

Jul 01, 2017 to Jun 30, 2018 • Filed on Jan 18, 2019

243 East 400 South Suite 301Salt Lake City, UT 84111-2843

(801) 355-3903

Siviq Scores

Scores are not available for this record yet.

Balance Sheet

Assets

Flat

$212,335

Flat from 2018

Net Assets

Flat

$200,056

Flat from 2018

Liabilities

Flat

$12,279

Flat from 2018

Revenue And Expenses

Revenue

Flat

$170,299

Flat from 2018

Expenses

Flat

$158,857

Flat from 2018

Net Income

Flat

$11,442

Flat from 2018

Historical Trend

Balance Sheet Trend

The highlighted filing sits inside the broader history for assets, liabilities, and net assets.

$400K$300K$200K$100K$0Assets 2011: $288,553Liabilities 2011: $27,481Net Assets 2011: $261,0722011Assets 2012: $138,076Liabilities 2012: $26,768Net Assets 2012: $111,3082012Assets 2013: $125,501Liabilities 2013: $41,200Net Assets 2013: $84,3012013Assets 2014: $158,960Liabilities 2014: $35,931Net Assets 2014: $123,0292014Assets 2015: $185,332Liabilities 2015: $48,337Net Assets 2015: $136,9952015Assets 2016: $188,515Liabilities 2016: $26,714Net Assets 2016: $161,8012016Assets 2017: $186,260Liabilities 2017: $5,296Net Assets 2017: $180,9642017Assets 2018: $212,335Liabilities 2018: $12,279Net Assets 2018: $200,0562018Assets 2018: $212,335Liabilities 2018: $12,279Net Assets 2018: $200,0562018Assets 2019: $238,124Liabilities 2019: $20,307Net Assets 2019: $217,8172019Assets 2020: $259,810Liabilities 2020: $21,623Net Assets 2020: $238,1872020Assets 2021: $235,072Liabilities 2021: $16,350Net Assets 2021: $218,7222021Assets 2022: $281,380Liabilities 2022: $11,302Net Assets 2022: $270,0782022Assets 2023: $300,163Liabilities 2023: $56,685Net Assets 2023: $243,4782023Assets 2024: $362,750Liabilities 2024: $56,047Net Assets 2024: $306,7032024

Highlighted filing

2018

Assets$212,335
Liabilities$12,279
Net Assets$200,056

Operations Trend

Revenue, expenses, and net income across loaded years, with this filing highlighted.

$300K$200K$100K$0-$100KExpenses 2011: $282,9602011Expenses 2012: $199,3742012Expenses 2013: $151,2362013Revenue 2014: $209,418Expenses 2014: $170,690Net Income 2014: $38,7282014Revenue 2015: $181,119Expenses 2015: $167,153Net Income 2015: $13,9662015Revenue 2016: $171,526Expenses 2016: $146,720Net Income 2016: $24,8062016Revenue 2017: $170,519Expenses 2017: $151,356Net Income 2017: $19,1632017Revenue 2018: $170,299Expenses 2018: $158,857Net Income 2018: $11,4422018Revenue 2018: $170,299Expenses 2018: $158,857Net Income 2018: $11,4422018Revenue 2019: $155,753Expenses 2019: $137,992Net Income 2019: $17,7612019Revenue 2020: $136,474Expenses 2020: $116,104Net Income 2020: $20,3702020Revenue 2021: $141,237Expenses 2021: $162,476Net Income 2021: -$21,2392021Revenue 2022: $194,985Expenses 2022: $143,629Net Income 2022: $51,3562022Revenue 2023: $151,368Expenses 2023: $177,968Net Income 2023: -$26,6002023Revenue 2024: $286,727Expenses 2024: $223,501Net Income 2024: $63,2262024

Highlighted filing

2018

Revenue$170,299
Expenses$158,857
Net Income$11,442
Jump To
Filing Snapshot
Filing Period
Jul 1, 2017 to Jun 30, 2018
Signed
Jan 18, 2019
Return Version
2017v2.3
Gross Receipts
$170,299
Mission and Program Overview

Mission

The center for documentary expression and art (cdea) is dedicated to using the tools of documentary workoral history, photography, film making, narrative writing, visual art, and music to help utahns look inward to better understand our state's past and present and to gaze outward to discover our multi-faceted connection to the nation and the world. Cdea creates and supports projects that examine and honor the cultural, spiritual, and ethnic identities of our nation's diverse population in forums wherein we can acknowledge differences, establish common ground, and hence, build community.

Balance Sheet Detail
LineBeginningEndChange
Assets
Savings and Temporary Cash Investments$154,889$155,985▲ $1,096
Cash and Non-Interest-Bearing Accounts$23,623$36,821▲ $13,198
Prepaid Expenses and Deferred Charges$1,451$12,881▲ $11,430
Pledges and Grants Receivable$2,250$3,350▲ $1,100
Land, Buildings, and Equipment, Net$3,642$2,893▼ $749
Total Assets$186,260$212,335▲ $26,075
Other Assets Total$405$405→ $0
Liabilities
Accounts Payable and Accrued Expenses$5,296$12,279▲ $6,983
Total Liabilities$5,296$12,279▲ $6,983
Net Assets / Fund Balance
Unrestricted Net Assets$174,914$194,406▲ $19,492
Temporarily Rstr Net Assets$6,050$5,650▼ $400
Total Net Assets Fund Balance$180,964$200,056▲ $19,092
Total Liabilities and Net Assets / Fund Balance$186,260$212,335▲ $26,075

Asset Categories

AssetBook ValueDepreciationBasis
Equipment$2,893$81,179$84,072
Leasehold Improvements-$9,560$9,560
Compensation and Service Providers

Employees

NameTitleFull / Part TimeBaseTotal
Leslie KelenExecutive DiFT$58,500$58,500

Board Members and Trustees

NameTitle
Hank LieseBoard Chair
Russell Y MinasBoard Chair
Amos N GuioraBoard Member
Brian F PatrickBoard Member
Brittney R NystromBoard Member
David Baddley PhdBoard Member
Kathleen ChristyBoard Member
Larry CesspoochBoard Member
Luis GarzaBoard Member
Natalya RapoportBoard Member
Robert ArchuletaBoard Member
Revenue and Support

Revenue Composition

Contributions and Grants
$108,986
Program Service Revenue
$60,068
Investment Income
$1,245
Other Revenue
$0
All Other Contributions
$8,786
Change in Net Assets
$11,442

Audited Revenue Reconciliation

Revenue per Audited Statements
$170,299
Revenue Not Reported on Form 990
$27,596
Total Revenue per Audited Statements
$197,895
Total Revenue per Form 990
$170,299
Expenses and Functional Allocation

Major Expense Lines

Line ItemAmount
Other Expenses$90,234
Salaries, Compensation, and Employee Benefits$67,123
Total Fundraising Expense$5,502
Grants and Similar Amounts Paid$1,500
Professional Fundraising Fees$0

Functional Expense Allocation

Line ItemProgramManagementFundraisingTotal
Current Officers, Directors, Trustees, and Key Employees$43,091$7,248$3,661$54,000
Fees for Services Other$26,547$390-$26,937
Occupancy$20,324$743$1,159$22,226
Fees for Services Accounting-$13,733-$13,733
Office Expenses$8,822$2,982$229$12,033
Other Salaries and Wages$8,385--$8,385
Insurance$4,950$1,817-$6,767
Payroll Taxes$3,910$550$278$4,738
Travel$4,138-$32$4,170
Grants to Domestic Orgs$1,500--$1,500
Fees for Services Legal$1,193--$1,193
Depreciation Depletion$636$114-$750
Other Expenses$438$159$54$651
Conferences and Meetings-$84-$84
Advertising$70--$70
Total Functional Expenses$124,838$28,517$5,502$158,857

Audited Expense Reconciliation

Line ItemAmount
Total Expenses per Audited Statements$178,803
Expenses per Audited Statements$158,857
Total Expenses per Form 990$158,857
Expenses Not Reported on Form 990$19,946
Fundraising, Events, and Gaming
Fundraising activities
No
Gaming activities
No
Professional fundraiser used
No

Fundraising and Gaming Totals

Line ItemAmount
Professional Fundraising Fees$0
Political and Lobbying Activity
Political campaign activity
No
Lobbying activity
No
Subject to proxy tax
No
Governance and Compliance

Governance Checklist

Compiled or reviewed by an accountant
No
Annual disclosure for covered persons
Yes
Audit committee
Yes
Business relationship with family members
No
Business relationship with organization members
No
Material changes to governing documents
No
Compensation from other sources disclosed
No
CEO compensation reviewed
Yes
Other officer compensation reviewed
No
Conflict-of-interest policy
Yes
Audited financial statements prepared
No
Key decisions subject to board approval
No
Management duties delegated
No

Governance Explanations

Form 990, Page 6, Part VI, Line 11B

The center for documentary expression and art's board chair and executive director meet and review the 990. The 990 is also reviewed by the members of the board of directors.

Form 990, Page 6, Part VI, Line 12C

The organization has a written conflict of interest policy. This policy requires that all board members and management annually review the policy and disclose any potential conflict of interest. If potential conflicts of interest are disclosed, the executive committee reviews those conflicts to determine the most appropriate course of action. Typically, this includes recusal from vote on items for which the board member has a real or potential conflict of interest.

Form 990, Page 6, Part VI, Line 15A

The executive director's compensation is determined by the board of directors during the budgeting process each year. The board of directors considers market rates in determining a reasonable level of compensation. The approval of the budget, including the executive director's compensation, is documented.

Form 990, Page 6, Part VI, Line 19

Governing documents are made available upon request.

Filing and Contact Details

Filer

Filer Name
Center for Documentary Expression
EIN
94-2937284
Phone
8013553903
Address
243 EAST 400 SOUTH SUITE 301, SALT LAKE CITY, UT 84111-2843

Signing Officer

Name
Brittney R Nystrom
Title
Board Member
Phone
8013553903
Signed
2019-01-18
Discuss with paid preparer
Yes

Organization Details

Principal Officer
Brittney R Nystrom
Formed
1983
Legal Domicile
Ut
Voting Board Members
10
Independent Board Members
10
Employees
2
Volunteers
5

Preparer

Firm
Shaw & Co Pc
Address
1564 SOUTH 500 WEST SUITE 201, BOUNTIFUL, UT 84010-7400
Preparer
Justin R Shaw CPA Cfe Cgma
Phone
8012943155
Supplemental Narrative

Additional Explanations

FORM 990 - ORGANIZATION'S MISSION

The center for documentary expression and art (cdea) is dedicated to using the tools of documentary workoral history, photography, film making, narrative writing, visual art, and music to help utahns look inward to better understand our state's past and present and to gaze outward to discover our multi-faceted connection to the nation and the world. Cdea creates and supports projects that examine and honor the cultural, spiritual, and ethnic identities of our nation's diverse population in forums wherein we can acknowledge differences, establish common ground, and hence, build community.

Form 990, Page 2, Part III, Line 4A

This project presented the civil rights movement through the work and voices of eight men and one woman who documented the national struggle against segregation and other forms of race-based disenfranchisement from within the movement. The exhibit inaugurated the human rights gallery at the leonardo: an art, science, and technology center, in downtown salt lake city, in october 2111, and remained available to the utah public for nine months, or until june 2012. The debut of this light of ours included audio guides for youth and adults that were cell-phone accessible; a six-page, free brochure for use by students and the general public; programs involving local and national activists; and a 251p book published by the university press of mississippi. The organization also developed a month-long symposium on four utah college campuses and partnered with utah's pbs affiliate, kued-tv, to create utah's freedom riders, a thirty-minute film that presented civil rights activists working on utah and national issues. More than 58,000 people in utah visited the display, with about nine percent of total visitors being k-16 school children. In 2013, following the project's debut, the organization's executive director leslie kelen was retained by the utah state board of education (usbe) to create an eight- week, on-line course to introduce utah public school teachers to the civil rights movement. Director kelen has taught the class on an annual basis since 2013. In fall 2013, the exhibit this light of ours: activist photographers of the civil rights movement started traveling outside utah. An initial five-year period (2013-2018) was set aside for the exhibit's national tour. This touring period culminated with the exhibit's successful display at the irving arts center in irving, texas, between january-march 2018. A new five-year tour started in may 2018 and is expected to conclude in may 2023. The organization is formally partnering with the maltz museum of jewish heritage, located in cleveland, ohio, to carry out this second five-year tour. New documentary projects and potential exhibits over the past two years, the organization has carried out research aimed at developing two interrelated documentary projects. The first project is titled, when you live in this world: an oral history. It will use hundreds of oral histories created by the organization between 1982-1989, and 1998- 2003 to convey, in print, the 20th and 21st century story of utah's ethnic and minority people. When you live in this world involves reediting, expanding, and redesigning the organization's foundational book, missing stories: an oral history of ethnic and minority groups in utah, which was first published by the university of utah press in 1995 as a part of utah's centennial celebrations. Unlike missing stories, which used oral histories to present eight, 20th century, community profiles, when you live in this world will use a chronological/thematic format of story presentation to convey a people's history of utah with broad appeal to utah educators and the general public. The second (and interrelated endeavor) is titled, my america: stories of utah's immigrants, migrants, and refugees. My america is conceived of as a series of short (under 8 minutes long) videos that tell the stories of immigrants, migrants, and refugees who left their places of origin in the 1924-1965 and 1965 to-the present periods and relocated to utah because of economic opportunities, government compulsion, or to escape persecution. The organization is preparing to use these videos on a website that features when you live in this world. The goal will be to utilize the videos as an attractive introduction to the more fully-covered subject of migration in the book. New major exhibit under consideration matt herron, guest curator for this light of ours: activist photographers of the civil rights movement, sent the organization a proposal to undertake a new major exhibit similar in scope to this

Form 990, Page 2, Part III, Line 4B

Faces and voices of refugee youth (2002); sacred images: a vision of native american rock art (2007); ceremonies: a tale of sister cities (2008); reawakened beauty: the past, present, and future of the jordan river (2009); and justice-memory-activism (2014). Three of the exhibits (sacred images; reawakened beauty; and justice- memory-activism) are accompanied by cdea-designed artists/scholars-in- residence (asir) programs. Asir programs engage students in intensive, long-term, place-based education projects that promote study of the documentary arts; generate original student art; and integrate arts learning with learning in other subjects. Exhibits that teach displays and accompanying artists/scholars-in-residence programs enable students to create original art while exploring such varied subjects as: utah history, utah's ethnic and cultural diversity, indigenous cultures, indigenous art, ecology, biology, environmental science, immigration, discrimination and racism, cross cultural communication, and resolving conflict nonviolently. Over the past year, sacred images: a vision of native american rock art- artists/scholars-in-residence program was presented at brighton high school in the canyons school district. Reawakened beauty: the past, present, and future of the jordan river-artists/scholars-in-residence program was presented at glendale middle school and taylorsville high school, in, respectively, the salt lake city, and granite school districts. And justice-memory-activism-artists/scholars-in-residence program was presented at east high school in the salt lake city school district. Professional development on-line in 2000, the organization designed a two-semester-long, teacher training course-multiculturalism & storytelling-to expand its education-outreach efforts. Based on the organization's 1995 publication, missing stories: an oral history of ethnic and minority groups in utah, this initiative helped k-12 public school teachers infuse utah-based multicultural content into social studies, language arts, math, and science curricula. In 2008, the organization developed a website from the course's content that also was titled, multiculturalism & storytelling. This site contains selected lesson plans and action research models developed by teachers that took the course between 2000-2006. The aim of this website is twofold: (1) to make multicultural educational tools developed by the class' teachers available to educators statewide, and (2) to enrich dialogue on multicultural education in utah. The website can be currently accessed on the utah education network http://www.uen.org/mcst/index

Form 990, Part IX, Line 11G

Contracted services 26,547 390 0

Financial Statement Notes

Schedule D, Page 3, Part X

The organization is exempt from federal income taxes under section 501(c) (3) of the internal revenue code and therefore has made no provision for federal income taxes in the accompanying financial statements. In addition, the organization has been determined by the internal revenue service not to be a "private foundation" within the meaning of section 509 (a) of the internal revenue code. There was no unrelated business income for the year ended june 30, 2018. The organization's forms 990, return of organization exempt from income tax, for the years ending june 30, 2018, june 30, 2017, june 30, 2016, and june 30, 2015 are subject to examination by the irs, generally for three years after they were filed. Generally accepted accounting principles require tax effects from an uncertain tax position to be recognized in the financial statements only if the position is more likely than not to be sustained if the position were to be challenged by a taxing authority. The assessment of the tax position is based solely on the technical merits of the position, without regard to the likelihood that the tax position may be challenged. If an uncertain tax position meets the more-likely-than-not threshold, the largest amount of tax benefit that is greater than 50% likely to be recognized upon ultimate settlement with the taxing authority is recorded. The organization's primary tax positions relate to its status as a not-for-profit entity exempt from income taxes and classification of activities related to its exempt purpose. Management has evaluated the tax positions reflected in the organization's tax filings and does not believe that any material uncertain tax positions exist.

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IRS990/ActivityOrMissionDesc0THE CENTER FOR DOCUMENTARY EXPRESSION AND ART (CDEA) IS DEDICATED TO USING THE TOOLS OF DOCUMENTARY WORKORAL HISTORY, PHOTOGRAPHY, FILM MAKING, NARRATIVE WRITING, VISUAL ART, AND MUSIC TO HELP UTAHNS LOOK INWARD TO BETTER UNDERSTAND OUR STATE'S PAST AND PRESENT AND TO GAZE OUTWARD TO DISCOVER OUR MULTI-FACETED CONNECTION TO THE NATION AND THE WORLD. CDEA CREATES AND SUPPORTS PROJECTS THAT EXAMINE AND HONOR THE CULTURAL, SPIRITUAL, AND ETHNIC IDENTITIES OF OUR NATION'S DIVERSE POPULATION IN FORUMS WHEREIN WE CAN ACKNOWLEDGE DIFFERENCES, ESTABLISH COMMON GROUND, AND HENCE, BUILD COMMUNITY.
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IRS990/Desc0DOCUMENTARY PROJECTS RESULTING IN MAJOR EXHIBITS THE DEVELOPMENT OF DOCUMENTARY PROJECTS THAT CONCLUDE IN MAJOR TRAVELING EXHIBITS WITH BOOKS AND FILMS, OR OTHER EXPRESSIONS OF DOCUMENTARY WORK, IS ONGOING. ON THE AVERAGE, DOCUMENTARY PROJECTS THAT RESULT IN A MAJOR EXHIBIT TAKE FOUR-TO-SIX YEARS TO RESEARCH, DEVELOP, DESIGN, AND PRODUCE. BETWEEN 2006-2011, THE ORGANIZATION COMPLETED A MAJOR EXHIBIT TITLED, THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT. SEE SCHEDULE O THIS PROJECT PRESENTED THE CIVIL RIGHTS MOVEMENT THROUGH THE WORK AND VOICES OF EIGHT MEN AND ONE WOMAN WHO DOCUMENTED THE NATIONAL STRUGGLE AGAINST SEGREGATION AND OTHER FORMS OF RACE-BASED DISENFRANCHISEMENT FROM WITHIN THE MOVEMENT. THE EXHIBIT INAUGURATED THE HUMAN RIGHTS GALLERY AT THE LEONARDO: AN ART, SCIENCE, AND TECHNOLOGY CENTER, IN DOWNTOWN SALT LAKE CITY, IN OCTOBER 2111, AND REMAINED AVAILABLE TO THE UTAH PUBLIC FOR NINE MONTHS, OR UNTIL JUNE 2012. THE DEBUT OF THIS LIGHT OF OURS INCLUDED AUDIO GUIDES FOR YOUTH AND ADULTS THAT WERE CELL-PHONE ACCESSIBLE; A SIX-PAGE, FREE BROCHURE FOR USE BY STUDENTS AND THE GENERAL PUBLIC; PROGRAMS INVOLVING LOCAL AND NATIONAL ACTIVISTS; AND A 251P BOOK PUBLISHED BY THE UNIVERSITY PRESS OF MISSISSIPPI. THE ORGANIZATION ALSO DEVELOPED A MONTH-LONG SYMPOSIUM ON FOUR UTAH COLLEGE CAMPUSES AND PARTNERED WITH UTAH'S PBS AFFILIATE, KUED-TV, TO CREATE UTAH'S FREEDOM RIDERS, A THIRTY-MINUTE FILM THAT PRESENTED CIVIL RIGHTS ACTIVISTS WORKING ON UTAH AND NATIONAL ISSUES. MORE THAN 58,000 PEOPLE IN UTAH VISITED THE DISPLAY, WITH ABOUT NINE PERCENT OF TOTAL VISITORS BEING K-16 SCHOOL CHILDREN. IN 2013, FOLLOWING THE PROJECT'S DEBUT, THE ORGANIZATION'S EXECUTIVE DIRECTOR LESLIE KELEN WAS RETAINED BY THE UTAH STATE BOARD OF EDUCATION (USBE) TO CREATE AN EIGHT- WEEK, ON-LINE COURSE TO INTRODUCE UTAH PUBLIC SCHOOL TEACHERS TO THE CIVIL RIGHTS MOVEMENT. DIRECTOR KELEN HAS TAUGHT THE CLASS ON AN ANNUAL BASIS SINCE 2013. IN FALL 2013, THE EXHIBIT THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT STARTED TRAVELING OUTSIDE UTAH. AN INITIAL FIVE-YEAR PERIOD (2013-2018) WAS SET ASIDE FOR THE EXHIBIT'S NATIONAL TOUR. THIS TOURING PERIOD CULMINATED WITH THE EXHIBIT'S SUCCESSFUL DISPLAY AT THE IRVING ARTS CENTER IN IRVING, TEXAS, BETWEEN JANUARY-MARCH 2018. A NEW FIVE-YEAR TOUR STARTED IN MAY 2018 AND IS EXPECTED TO CONCLUDE IN MAY 2023. THE ORGANIZATION IS FORMALLY PARTNERING WITH THE MALTZ MUSEUM OF JEWISH HERITAGE, LOCATED IN CLEVELAND, OHIO, TO CARRY OUT THIS SECOND FIVE-YEAR TOUR. NEW DOCUMENTARY PROJECTS AND POTENTIAL EXHIBITS OVER THE PAST TWO YEARS, THE ORGANIZATION HAS CARRIED OUT RESEARCH AIMED AT DEVELOPING TWO INTERRELATED DOCUMENTARY PROJECTS. THE FIRST PROJECT IS TITLED, WHEN YOU LIVE IN THIS WORLD: AN ORAL HISTORY. IT WILL USE HUNDREDS OF ORAL HISTORIES CREATED BY THE ORGANIZATION BETWEEN 1982-1989, AND 1998- 2003 TO CONVEY, IN PRINT, THE 20TH AND 21ST CENTURY STORY OF UTAH'S ETHNIC AND MINORITY PEOPLE. WHEN YOU LIVE IN THIS WORLD INVOLVES REEDITING, EXPANDING, AND REDESIGNING THE ORGANIZATION'S FOUNDATIONAL BOOK, MISSING STORIES: AN ORAL HISTORY OF ETHNIC AND MINORITY GROUPS IN UTAH, WHICH WAS FIRST PUBLISHED BY THE UNIVERSITY OF UTAH PRESS IN 1995 AS A PART OF UTAH'S CENTENNIAL CELEBRATIONS. UNLIKE MISSING STORIES, WHICH USED ORAL HISTORIES TO PRESENT EIGHT, 20TH CENTURY, COMMUNITY PROFILES, WHEN YOU LIVE IN THIS WORLD WILL USE A CHRONOLOGICAL/THEMATIC FORMAT OF STORY PRESENTATION TO CONVEY A PEOPLE'S HISTORY OF UTAH WITH BROAD APPEAL TO UTAH EDUCATORS AND THE GENERAL PUBLIC. THE SECOND (AND INTERRELATED ENDEAVOR) IS TITLED, MY AMERICA: STORIES OF UTAH'S IMMIGRANTS, MIGRANTS, AND REFUGEES. MY AMERICA IS CONCEIVED OF AS A SERIES OF SHORT (UNDER 8 MINUTES LONG) VIDEOS THAT TELL THE STORIES OF IMMIGRANTS, MIGRANTS, AND REFUGEES WHO LEFT THEIR PLACES OF ORIGIN IN THE 1924-1965 AND 1965 TO-THE PRESENT PERIODS AND RELOCATED TO UTAH BECAUSE OF ECONOMIC OPPORTUNITIES, GOVERNMENT COMPULS
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IRS990/MissionDesc0THE CENTER FOR DOCUMENTARY EXPRESSION AND ART (CDEA) IS DEDICATED TO USING THE TOOLS OF DOCUMENTARY WORKORAL HISTORY, PHOTOGRAPHY, FILM MAKING, NARRATIVE WRITING, VISUAL ART, AND MUSIC TO HELP UTAHNS LOOK INWARD TO BETTER UNDERSTAND OUR STATE'S PAST AND PRESENT AND TO GAZE OUTWARD TO DISCOVER OUR MULTI-FACETED CONNECTION TO THE NATION AND THE WORLD. CDEA CREATES AND SUPPORTS PROJECTS THAT EXAMINE AND HONOR THE CULTURAL, SPIRITUAL, AND ETHNIC IDENTITIES OF OUR NATION'S DIVERSE POPULATION IN FORUMS WHEREIN WE CAN ACKNOWLEDGE DIFFERENCES, ESTABLISH COMMON GROUND, AND HENCE, BUILD COMMUNITY.
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IRS990/ProgSrvcAccomActy2Grp/Desc0DOCUMENTARY PROJECTS RESULTING IN EXHIBITS THAT TEACH (ETT)- ARTISTS/SCHOLARS-IN-RESIDENCE (ASIR) PROGRAMS EXHIBITS THAT TEACH DISPLAYS ARE SMALLER THAN MAJOR EXHIBITS AND ARE DESIGNED FOR USE IN UTAH'S K-12 PUBLIC SCHOOLS, PUBLIC LIBRARIES, AND RURAL MUSEUMS. EXHIBITS CONTAIN PHOTOGRAPHS AND ORAL HISTORIES (WITH RELATED DIDACTIC TEXT), AND THEY ARE GENERALLY BOOKED FROM FOUR-TO-EIGHT WEEKS AT EACH EDUCATIONAL SITE. FIVE EXHIBITS THAT TEACH DISPLAYS ARE CURRENTLY AVAILABLE. IN ORDER OF THEIR DEVELOPMENT, THEY ARE: SEE SCHEDULE O FACES AND VOICES OF REFUGEE YOUTH (2002); SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART (2007); CEREMONIES: A TALE OF SISTER CITIES (2008); REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER (2009); AND JUSTICE-MEMORY-ACTIVISM (2014). THREE OF THE EXHIBITS (SACRED IMAGES; REAWAKENED BEAUTY; AND JUSTICE- MEMORY-ACTIVISM) ARE ACCOMPANIED BY CDEA-DESIGNED ARTISTS/SCHOLARS-IN- RESIDENCE (ASIR) PROGRAMS. ASIR PROGRAMS ENGAGE STUDENTS IN INTENSIVE, LONG-TERM, PLACE-BASED EDUCATION PROJECTS THAT PROMOTE STUDY OF THE DOCUMENTARY ARTS; GENERATE ORIGINAL STUDENT ART; AND INTEGRATE ARTS LEARNING WITH LEARNING IN OTHER SUBJECTS. EXHIBITS THAT TEACH DISPLAYS AND ACCOMPANYING ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAMS ENABLE STUDENTS TO CREATE ORIGINAL ART WHILE EXPLORING SUCH VARIED SUBJECTS AS: UTAH HISTORY, UTAH'S ETHNIC AND CULTURAL DIVERSITY, INDIGENOUS CULTURES, INDIGENOUS ART, ECOLOGY, BIOLOGY, ENVIRONMENTAL SCIENCE, IMMIGRATION, DISCRIMINATION AND RACISM, CROSS CULTURAL COMMUNICATION, AND RESOLVING CONFLICT NONVIOLENTLY. OVER THE PAST YEAR, SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART- ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT BRIGHTON HIGH SCHOOL IN THE CANYONS SCHOOL DISTRICT. REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT GLENDALE MIDDLE SCHOOL AND TAYLORSVILLE HIGH SCHOOL, IN, RESPECTIVELY, THE SALT LAKE CITY, AND GRANITE SCHOOL DISTRICTS. AND JUSTICE-MEMORY-ACTIVISM-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT EAST HIGH SCHOOL IN THE SALT LAKE CITY SCHOOL DISTRICT. PROFESSIONAL DEVELOPMENT ON-LINE IN 2000, THE ORGANIZATION DESIGNED A TWO-SEMESTER-LONG, TEACHER TRAINING COURSE-MULTICULTURALISM & STORYTELLING-TO EXPAND ITS EDUCATION-OUTREACH EFFORTS. BASED ON THE ORGANIZATION'S 1995 PUBLICATION, MISSING STORIES: AN ORAL HISTORY OF ETHNIC AND MINORITY GROUPS IN UTAH, THIS INITIATIVE HELPED K-12 PUBLIC SCHOOL TEACHERS INFUSE UTAH-BASED MULTICULTURAL CONTENT INTO SOCIAL STUDIES, LANGUAGE ARTS, MATH, AND SCIENCE CURRICULA. IN 2008, THE ORGANIZATION DEVELOPED A WEBSITE FROM THE COURSE'S CONTENT THAT ALSO WAS TITLED, MULTICULTURALISM & STORYTELLING. THIS SITE CONTAINS SELECTED LESSON PLANS AND ACTION RESEARCH MODELS DEVELOPED BY TEACHERS THAT TOOK THE COURSE BETWEEN 2000-2006. THE AIM OF THIS WEBSITE IS TWOFOLD: (1) TO MAKE MULTICULTURAL EDUCATIONAL TOOLS DEVELOPED BY THE CLASS' TEACHERS AVAILABLE TO EDUCATORS STATEWIDE, AND (2) TO ENRICH DIALOGUE ON MULTICULTURAL EDUCATION IN UTAH. THE WEBSITE CAN BE CURRENTLY ACCESSED ON THE UTAH EDUCATION NETWORK HTTP://WWW.UEN.ORG/MCST/INDEX
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IRS990ScheduleD/SupplementalInformationDetail/ExplanationTxt0THE ORGANIZATION IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C) (3) OF THE INTERNAL REVENUE CODE AND THEREFORE HAS MADE NO PROVISION FOR FEDERAL INCOME TAXES IN THE ACCOMPANYING FINANCIAL STATEMENTS. IN ADDITION, THE ORGANIZATION HAS BEEN DETERMINED BY THE INTERNAL REVENUE SERVICE NOT TO BE A "PRIVATE FOUNDATION" WITHIN THE MEANING OF SECTION 509 (A) OF THE INTERNAL REVENUE CODE. THERE WAS NO UNRELATED BUSINESS INCOME FOR THE YEAR ENDED JUNE 30, 2018. THE ORGANIZATION'S FORMS 990, RETURN OF ORGANIZATION EXEMPT FROM INCOME TAX, FOR THE YEARS ENDING JUNE 30, 2018, JUNE 30, 2017, JUNE 30, 2016, AND JUNE 30, 2015 ARE SUBJECT TO EXAMINATION BY THE IRS, GENERALLY FOR THREE YEARS AFTER THEY WERE FILED. GENERALLY ACCEPTED ACCOUNTING PRINCIPLES REQUIRE TAX EFFECTS FROM AN UNCERTAIN TAX POSITION TO BE RECOGNIZED IN THE FINANCIAL STATEMENTS ONLY IF THE POSITION IS MORE LIKELY THAN NOT TO BE SUSTAINED IF THE POSITION WERE TO BE CHALLENGED BY A TAXING AUTHORITY. THE ASSESSMENT OF THE TAX POSITION IS BASED SOLELY ON THE TECHNICAL MERITS OF THE POSITION, WITHOUT REGARD TO THE LIKELIHOOD THAT THE TAX POSITION MAY BE CHALLENGED. IF AN UNCERTAIN TAX POSITION MEETS THE MORE-LIKELY-THAN-NOT THRESHOLD, THE LARGEST AMOUNT OF TAX BENEFIT THAT IS GREATER THAN 50% LIKELY TO BE RECOGNIZED UPON ULTIMATE SETTLEMENT WITH THE TAXING AUTHORITY IS RECORDED. THE ORGANIZATION'S PRIMARY TAX POSITIONS RELATE TO ITS STATUS AS A NOT-FOR-PROFIT ENTITY EXEMPT FROM INCOME TAXES AND CLASSIFICATION OF ACTIVITIES RELATED TO ITS EXEMPT PURPOSE. MANAGEMENT HAS EVALUATED THE TAX POSITIONS REFLECTED IN THE ORGANIZATION'S TAX FILINGS AND DOES NOT BELIEVE THAT ANY MATERIAL UNCERTAIN TAX POSITIONS EXIST.
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IRS990ScheduleD/TotalRevEtcAuditedFinclStmtAmt0197895
IRS990ScheduleD/TotExpnsEtcAuditedFinclStmtAmt0178803
IRS990/ScheduleJRequiredInd0false
IRS990/ScheduleORequiredInd0true
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt0THE CENTER FOR DOCUMENTARY EXPRESSION AND ART (CDEA) IS DEDICATED TO USING THE TOOLS OF DOCUMENTARY WORKORAL HISTORY, PHOTOGRAPHY, FILM MAKING, NARRATIVE WRITING, VISUAL ART, AND MUSIC TO HELP UTAHNS LOOK INWARD TO BETTER UNDERSTAND OUR STATE'S PAST AND PRESENT AND TO GAZE OUTWARD TO DISCOVER OUR MULTI-FACETED CONNECTION TO THE NATION AND THE WORLD. CDEA CREATES AND SUPPORTS PROJECTS THAT EXAMINE AND HONOR THE CULTURAL, SPIRITUAL, AND ETHNIC IDENTITIES OF OUR NATION'S DIVERSE POPULATION IN FORUMS WHEREIN WE CAN ACKNOWLEDGE DIFFERENCES, ESTABLISH COMMON GROUND, AND HENCE, BUILD COMMUNITY.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt1THIS PROJECT PRESENTED THE CIVIL RIGHTS MOVEMENT THROUGH THE WORK AND VOICES OF EIGHT MEN AND ONE WOMAN WHO DOCUMENTED THE NATIONAL STRUGGLE AGAINST SEGREGATION AND OTHER FORMS OF RACE-BASED DISENFRANCHISEMENT FROM WITHIN THE MOVEMENT. THE EXHIBIT INAUGURATED THE HUMAN RIGHTS GALLERY AT THE LEONARDO: AN ART, SCIENCE, AND TECHNOLOGY CENTER, IN DOWNTOWN SALT LAKE CITY, IN OCTOBER 2111, AND REMAINED AVAILABLE TO THE UTAH PUBLIC FOR NINE MONTHS, OR UNTIL JUNE 2012. THE DEBUT OF THIS LIGHT OF OURS INCLUDED AUDIO GUIDES FOR YOUTH AND ADULTS THAT WERE CELL-PHONE ACCESSIBLE; A SIX-PAGE, FREE BROCHURE FOR USE BY STUDENTS AND THE GENERAL PUBLIC; PROGRAMS INVOLVING LOCAL AND NATIONAL ACTIVISTS; AND A 251P BOOK PUBLISHED BY THE UNIVERSITY PRESS OF MISSISSIPPI. THE ORGANIZATION ALSO DEVELOPED A MONTH-LONG SYMPOSIUM ON FOUR UTAH COLLEGE CAMPUSES AND PARTNERED WITH UTAH'S PBS AFFILIATE, KUED-TV, TO CREATE UTAH'S FREEDOM RIDERS, A THIRTY-MINUTE FILM THAT PRESENTED CIVIL RIGHTS ACTIVISTS WORKING ON UTAH AND NATIONAL ISSUES. MORE THAN 58,000 PEOPLE IN UTAH VISITED THE DISPLAY, WITH ABOUT NINE PERCENT OF TOTAL VISITORS BEING K-16 SCHOOL CHILDREN. IN 2013, FOLLOWING THE PROJECT'S DEBUT, THE ORGANIZATION'S EXECUTIVE DIRECTOR LESLIE KELEN WAS RETAINED BY THE UTAH STATE BOARD OF EDUCATION (USBE) TO CREATE AN EIGHT- WEEK, ON-LINE COURSE TO INTRODUCE UTAH PUBLIC SCHOOL TEACHERS TO THE CIVIL RIGHTS MOVEMENT. DIRECTOR KELEN HAS TAUGHT THE CLASS ON AN ANNUAL BASIS SINCE 2013. IN FALL 2013, THE EXHIBIT THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT STARTED TRAVELING OUTSIDE UTAH. AN INITIAL FIVE-YEAR PERIOD (2013-2018) WAS SET ASIDE FOR THE EXHIBIT'S NATIONAL TOUR. THIS TOURING PERIOD CULMINATED WITH THE EXHIBIT'S SUCCESSFUL DISPLAY AT THE IRVING ARTS CENTER IN IRVING, TEXAS, BETWEEN JANUARY-MARCH 2018. A NEW FIVE-YEAR TOUR STARTED IN MAY 2018 AND IS EXPECTED TO CONCLUDE IN MAY 2023. THE ORGANIZATION IS FORMALLY PARTNERING WITH THE MALTZ MUSEUM OF JEWISH HERITAGE, LOCATED IN CLEVELAND, OHIO, TO CARRY OUT THIS SECOND FIVE-YEAR TOUR. NEW DOCUMENTARY PROJECTS AND POTENTIAL EXHIBITS OVER THE PAST TWO YEARS, THE ORGANIZATION HAS CARRIED OUT RESEARCH AIMED AT DEVELOPING TWO INTERRELATED DOCUMENTARY PROJECTS. THE FIRST PROJECT IS TITLED, WHEN YOU LIVE IN THIS WORLD: AN ORAL HISTORY. IT WILL USE HUNDREDS OF ORAL HISTORIES CREATED BY THE ORGANIZATION BETWEEN 1982-1989, AND 1998- 2003 TO CONVEY, IN PRINT, THE 20TH AND 21ST CENTURY STORY OF UTAH'S ETHNIC AND MINORITY PEOPLE. WHEN YOU LIVE IN THIS WORLD INVOLVES REEDITING, EXPANDING, AND REDESIGNING THE ORGANIZATION'S FOUNDATIONAL BOOK, MISSING STORIES: AN ORAL HISTORY OF ETHNIC AND MINORITY GROUPS IN UTAH, WHICH WAS FIRST PUBLISHED BY THE UNIVERSITY OF UTAH PRESS IN 1995 AS A PART OF UTAH'S CENTENNIAL CELEBRATIONS. UNLIKE MISSING STORIES, WHICH USED ORAL HISTORIES TO PRESENT EIGHT, 20TH CENTURY, COMMUNITY PROFILES, WHEN YOU LIVE IN THIS WORLD WILL USE A CHRONOLOGICAL/THEMATIC FORMAT OF STORY PRESENTATION TO CONVEY A PEOPLE'S HISTORY OF UTAH WITH BROAD APPEAL TO UTAH EDUCATORS AND THE GENERAL PUBLIC. THE SECOND (AND INTERRELATED ENDEAVOR) IS TITLED, MY AMERICA: STORIES OF UTAH'S IMMIGRANTS, MIGRANTS, AND REFUGEES. MY AMERICA IS CONCEIVED OF AS A SERIES OF SHORT (UNDER 8 MINUTES LONG) VIDEOS THAT TELL THE STORIES OF IMMIGRANTS, MIGRANTS, AND REFUGEES WHO LEFT THEIR PLACES OF ORIGIN IN THE 1924-1965 AND 1965 TO-THE PRESENT PERIODS AND RELOCATED TO UTAH BECAUSE OF ECONOMIC OPPORTUNITIES, GOVERNMENT COMPULSION, OR TO ESCAPE PERSECUTION. THE ORGANIZATION IS PREPARING TO USE THESE VIDEOS ON A WEBSITE THAT FEATURES WHEN YOU LIVE IN THIS WORLD. THE GOAL WILL BE TO UTILIZE THE VIDEOS AS AN ATTRACTIVE INTRODUCTION TO THE MORE FULLY-COVERED SUBJECT OF MIGRATION IN THE BOOK. NEW MAJOR EXHIBIT UNDER CONSIDERATION MATT HERRON, GUEST CURATOR FOR THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT, SENT THE ORGANIZATION A PROPOSAL TO UNDERTAKE A NEW MAJOR EXHIBIT SIMILAR IN SCOPE TO THIS
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt2FACES AND VOICES OF REFUGEE YOUTH (2002); SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART (2007); CEREMONIES: A TALE OF SISTER CITIES (2008); REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER (2009); AND JUSTICE-MEMORY-ACTIVISM (2014). THREE OF THE EXHIBITS (SACRED IMAGES; REAWAKENED BEAUTY; AND JUSTICE- MEMORY-ACTIVISM) ARE ACCOMPANIED BY CDEA-DESIGNED ARTISTS/SCHOLARS-IN- RESIDENCE (ASIR) PROGRAMS. ASIR PROGRAMS ENGAGE STUDENTS IN INTENSIVE, LONG-TERM, PLACE-BASED EDUCATION PROJECTS THAT PROMOTE STUDY OF THE DOCUMENTARY ARTS; GENERATE ORIGINAL STUDENT ART; AND INTEGRATE ARTS LEARNING WITH LEARNING IN OTHER SUBJECTS. EXHIBITS THAT TEACH DISPLAYS AND ACCOMPANYING ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAMS ENABLE STUDENTS TO CREATE ORIGINAL ART WHILE EXPLORING SUCH VARIED SUBJECTS AS: UTAH HISTORY, UTAH'S ETHNIC AND CULTURAL DIVERSITY, INDIGENOUS CULTURES, INDIGENOUS ART, ECOLOGY, BIOLOGY, ENVIRONMENTAL SCIENCE, IMMIGRATION, DISCRIMINATION AND RACISM, CROSS CULTURAL COMMUNICATION, AND RESOLVING CONFLICT NONVIOLENTLY. OVER THE PAST YEAR, SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART- ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT BRIGHTON HIGH SCHOOL IN THE CANYONS SCHOOL DISTRICT. REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT GLENDALE MIDDLE SCHOOL AND TAYLORSVILLE HIGH SCHOOL, IN, RESPECTIVELY, THE SALT LAKE CITY, AND GRANITE SCHOOL DISTRICTS. AND JUSTICE-MEMORY-ACTIVISM-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT EAST HIGH SCHOOL IN THE SALT LAKE CITY SCHOOL DISTRICT. PROFESSIONAL DEVELOPMENT ON-LINE IN 2000, THE ORGANIZATION DESIGNED A TWO-SEMESTER-LONG, TEACHER TRAINING COURSE-MULTICULTURALISM & STORYTELLING-TO EXPAND ITS EDUCATION-OUTREACH EFFORTS. BASED ON THE ORGANIZATION'S 1995 PUBLICATION, MISSING STORIES: AN ORAL HISTORY OF ETHNIC AND MINORITY GROUPS IN UTAH, THIS INITIATIVE HELPED K-12 PUBLIC SCHOOL TEACHERS INFUSE UTAH-BASED MULTICULTURAL CONTENT INTO SOCIAL STUDIES, LANGUAGE ARTS, MATH, AND SCIENCE CURRICULA. IN 2008, THE ORGANIZATION DEVELOPED A WEBSITE FROM THE COURSE'S CONTENT THAT ALSO WAS TITLED, MULTICULTURALISM & STORYTELLING. THIS SITE CONTAINS SELECTED LESSON PLANS AND ACTION RESEARCH MODELS DEVELOPED BY TEACHERS THAT TOOK THE COURSE BETWEEN 2000-2006. THE AIM OF THIS WEBSITE IS TWOFOLD: (1) TO MAKE MULTICULTURAL EDUCATIONAL TOOLS DEVELOPED BY THE CLASS' TEACHERS AVAILABLE TO EDUCATORS STATEWIDE, AND (2) TO ENRICH DIALOGUE ON MULTICULTURAL EDUCATION IN UTAH. THE WEBSITE CAN BE CURRENTLY ACCESSED ON THE UTAH EDUCATION NETWORK HTTP://WWW.UEN.ORG/MCST/INDEX
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt3THE CENTER FOR DOCUMENTARY EXPRESSION AND ART'S BOARD CHAIR AND EXECUTIVE DIRECTOR MEET AND REVIEW THE 990. THE 990 IS ALSO REVIEWED BY THE MEMBERS OF THE BOARD OF DIRECTORS.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt4THE ORGANIZATION HAS A WRITTEN CONFLICT OF INTEREST POLICY. THIS POLICY REQUIRES THAT ALL BOARD MEMBERS AND MANAGEMENT ANNUALLY REVIEW THE POLICY AND DISCLOSE ANY POTENTIAL CONFLICT OF INTEREST. IF POTENTIAL CONFLICTS OF INTEREST ARE DISCLOSED, THE EXECUTIVE COMMITTEE REVIEWS THOSE CONFLICTS TO DETERMINE THE MOST APPROPRIATE COURSE OF ACTION. TYPICALLY, THIS INCLUDES RECUSAL FROM VOTE ON ITEMS FOR WHICH THE BOARD MEMBER HAS A REAL OR POTENTIAL CONFLICT OF INTEREST.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt5THE EXECUTIVE DIRECTOR'S COMPENSATION IS DETERMINED BY THE BOARD OF DIRECTORS DURING THE BUDGETING PROCESS EACH YEAR. THE BOARD OF DIRECTORS CONSIDERS MARKET RATES IN DETERMINING A REASONABLE LEVEL OF COMPENSATION. THE APPROVAL OF THE BUDGET, INCLUDING THE EXECUTIVE DIRECTOR'S COMPENSATION, IS DOCUMENTED.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt6GOVERNING DOCUMENTS ARE MADE AVAILABLE UPON REQUEST.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt7CONTRACTED SERVICES 26,547 390 0
IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc0FORM 990 - ORGANIZATION'S MISSION

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Filings

Balance SheetOperations
YearAssetsLiabilitiesNet AssetsRevenueExpensesNet Income
2024XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$3.63$0.56$3.07$2.87$2.24$0.63
2023XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$3.00$0.57$2.43$1.51$1.78$0.27
2022Detailed filing. Detailed filing data is available for this year.$2.81$0.11$2.70$1.95$1.44$0.51
2021Facts available. Structured filing facts are available, but richer extracted sections are limited.$2.35$0.16$2.19$1.41$1.62$0.21
2020XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$2.60$0.22$2.38$1.36$1.16$0.20
2019XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$2.38$0.20$2.18$1.56$1.38$0.18
2018Detailed filing. Detailed filing data is available for this year.$2.12$0.12$2.00$1.70$1.59$0.11
2018XML pending. An XML filing is linked for this year, but detailed extraction is still pending.$2.12$0.12$2.00$1.70$1.59$0.11
2017Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.86$0.05$1.81$1.71$1.51$0.19
2016Detailed filing. Detailed filing data is available for this year.$1.89$0.27$1.62$1.72$1.47$0.25
2015Detailed filing. Detailed filing data is available for this year.$1.85$0.48$1.37$1.81$1.67$0.14
2014Detailed filing. Detailed filing data is available for this year.$1.59$0.36$1.23$2.09$1.71$0.39
2013Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.26$0.41$0.84$1.51
2012Facts available. Structured filing facts are available, but richer extracted sections are limited.$1.38$0.27$1.11$1.99
2011Facts available. Structured filing facts are available, but richer extracted sections are limited.$2.89$0.27$2.61$2.83