Liabilities / Assets
66th percentile
Higher debt load relative to assets than 66% of similar nonprofits.
New Utility Inc.
EIN 82-3997858 • 501(c)3 • New York, NY
Pub. 78 EligibleNTEE A99
Profile
The New Utility Inc. provides cultural dance performances and workshops to engage and inspire the public with hybrid, conceptual movement that challenges perceived limitations and uncovers possibility in the body. The New Utility brings together its choreographer Abby Zbikowski and a diverse set of performers from a vast range of training backgrounds to challenge the orthodoxy of traditional concert dance aesthetics, which are historically sexist, classist, and racist. From this diversity, the New Utility has created a new movement lexicon which triangulates dancing/moving bodies across multiple cultural value systems simultaneously, thus welcoming equally audience members from a range of cultural backgrounds and understandings of dance and movement. By performing, teaching workshops, and engaging in public discussions in a range of venues across multiple communities, the New Utility seeks to enrich the cultural experience of the public through the medium of live dance performance.
Siviq Scores
Precomputed percentiles relative to similar nonprofits. These scores are descriptive rather than judgmental.
0.01x
Liabilities / Revenue
62nd percentile
Higher debt load relative to revenue than 62% of similar nonprofits.
Net Margin
50th percentile
Higher net margin than 50% of similar nonprofits.
Top Officer Pay
85th percentile
Higher top officer pay than 85% of similar nonprofits.
Top officer pay equals 4.8% of source-year revenue.
Asset Growth
75th percentile
Faster asset growth than 75% of similar nonprofits.
Revenue Growth
95th percentile
Faster revenue growth than 95% of similar nonprofits.
Balance Sheet
Assets
Up$40,928
Up $13,712 (+50%) from 2023
Liabilities
Down$446
Down $810 (-64%) from 2023
Net Assets
Up$40,482
Up $14,522 (+56%) from 2023
Revenue
Up$172,213
Up $128,479 (+294%) from 2023
Expenses
Up$157,691
Up $102,882 (+188%) from 2023
Net Income
Up$14,522
Up $25,597 (+231%) from 2023
Trend Graphs
Filings
Most recent year
2024 • Form 990EZDetailed filing. Detailed filing data is available for this year.
- Assets
- $40,928
- Liabilities
- $446
- Net assets
- $40,482
- Revenue
- $172,213
- Expenses
- $157,691
- Net income
- $14,522
Latest Filing Detail
Jump To
Filing Snapshot
- Filing Period
- Jan 1, 2024 to Dec 31, 2024
- Signed
- Nov 16, 2025
- Return Version
- 2024v5.0
- Gross Receipts
- $172,251
Mission and Program Overview
Mission
The New Utility Inc. provides cultural dance performances and workshops to engage and inspire the public with hybrid, conceptual movement that challenges perceived limitations and uncovers possibility in the body. The New Utility brings together its choreographer Abby Zbikowski and a diverse set of performers from a vast range of training backgrounds to challenge the orthodoxy of traditional concert dance aesthetics, which are historically sexist, classist, and racist. From this diversity, the New Utility has created a new movement lexicon which triangulates dancing/moving bodies across multiple cultural value systems simultaneously, thus welcoming equally audience members from a range of cultural backgrounds and understandings of dance and movement. By performing, teaching workshops, and engaging in public discussions in a range of venues across multiple communities, the New Utility seeks to enrich the cultural experience of the public through the medium of live dance performance.
Program Services
| Description | Grants | Expenses |
|---|---|---|
| Performance of Dance Work. We continued our second phase of touring "Radioactive Practice," Abby Z and the New Utility's second evening-length work, in Swarthmore, PA with 1 performance at Lang Performing Arts Center as part of a week residency with the Dance department. We sold out the 150 seats available. We performed 3 shows at the Fusebox Festival April 12-14 in the University of Texas at Austin's B. Iden Payne Theatre for a total audience of 358 people. May 15-18, we performed 4 shows at the Walker Art Center in Minneapolis, MN for a total audience of 761 people. We concluded the second phase of the tour in London, UK for the international premiere of the work. One of the cast members was not available to perform abroad in October, so we sought a dancer to replace that role: training him, teaching him the choreography, adjusting and adapting material to showcase his identity, not asking him to impersonate the previous dancer. The development of this dancer totaled 150 hours of rehearsal time, including one-on-one sessions, small groups to learn sections, and finally bringing the whole group together to work as a team. Dance Umbrella presented "Radioactive Practice" at Sadler's Wells Theatre October 18-19 for a total audience of 663 people. The Guardian gave the performance a 5 star review, and at the end of the year, named it the number one dance performance of the year. | $0 | $99,888 |
| Creation and Development of Dance Work. Abby Zbikowski and a diverse set of performers from a range of personal and movement backgrounds create layered, nuanced works of live dance performance that grapple with multiple cultural and aesthetic value systems. Utilizing fatigue, struggle, strength of will, and reliance on each other for support, the performers persevere in the brutal and beautiful parameters of the work, as a means of representing the complex dynamics of the world in which we live. By utilizing and combining different dance forms, the New Utility showcases how diversity and inclusivity can create beautiful hybrid movement forms that are greater than any one individual style or type of work. The Irish Modern Dance Theatre commissioned Abby Zbikowski through The New Utility, Inc to create a 30 min work for five dancers in Dublin, Ireland to be premiered at the Dublin Fringe Festival 2024. The commission involved three trips to Dublin in 2024: classes and auditions in March, two weeks of creation in June, two weeks of creation in August, followed immediately by two weeks of performances in Dublin and Cork in September. Three New Utility dancers and the dramaturg assisted throughout the rigorous process. The final work "The Future is on the Way" received two 5 star reviews and was nominated for best ensemble in the Dublin Fringe Festival. Utah Valley University contracted The New Utility, Inc. to create a work for their students replicating the process the company uses to create work. Rehearsal Director and Dancer Fiona Lundie and Dancer Benjamin Roach represented the company at this commission residency. They worked with students 4-6 hours per day, 6 days per week to teach, create, and compose the 15 minute work "Ground the chaos." (Due to its timing in the year, and the slowness of the University payment system, the payment for this program came through in January of 2025) Abby held a two week residency at the Wexner Center for the Arts in June with seven dancers to research and create new work to be premiered at the American Dance Festival. In August and December, she worked with three dancers, totaling 100 hours of studio creation for the new work in 2024. Abby Zbikowski donated her Guggenheim Award funds to the company to support the new work, including this residency. | $0 | $51,476 |
| Teaching Workshops. In her classes, Abby Zbikowski utilizes an intercultural approach to the practice of contemporary dance, placing her methods in direct dialogue with the African Diasporic and African forms that have shaped her perspective as a dance-maker and educator, as a means to identify the confluence of aesthetic worlds and cultural information embedded in the practice of contemporary dance. Participants experiment with pushing their bodies past perceived limits of speed, range of motion, strength, coordination, and endurance, as well as challenge their own held views on conventions of established forms. Abby Zbikowski taught masterclasses in conjunction with the company's performances, including two classes of 30 students each on January 24th and 25th at Swarthmore, four days of classes and auditions in Dublin for 15 to 35 dancers March 9-12, a class of 60 at the University to Texas at Austin on April 12th, and a masterclass for 15 on May 14th in Minneapolis. Funds and fees for these workshops are included in the Performance Work grants/allocations and expenses. | $0 | $0 |
| Public Discussions. The New Utility is invested in rigorous conversations in the dance and arts fields regarding ethical cultural practices, inclusivity, diversity, and aesthetic experimentation. The New Utility advocates for live and performance arts in education and as a vital part of the human experience in this world. During the "Radioactive Practice" tour, post-performance discussions are one of the key ways we connect with the public regarding the conceptual underpinnings of the our work. At Swarthmore on January 24th, we held a public screening of the film "Radioactive Practice(2022)" with a 30 minute question and answer with the 30 attendees. At the Fusebox Festival in Austin, TX, we held two post-performance discussions on April 12th and 13th in which about 75 audience members stayed to participate. Abby also participated in a public discussion called "Invisible Borders: Conversation about border and body politics in the work of artists Tania El Khoury and Abby Z" held at an outdoor cafe and moderated by Sanchita Sharma. It was attended by about 50 people, filling the space nicely. On Friday May 17th, another post-performance discussion took place at the Walker Art Center, attended by approximately 120 people. On Friday October 18th, we held a post-performance discussion following the international premiere of the work. The 374 member audience for the show was partly onstage and partly in the auditorium seating, but all were moved to the auditorium seating for the discussion for which at least 200 stayed to participate. Funds and fees for these discussions are included in the Performance Work grants/allocations and expenses. | $0 | $0 |
Compensation and Service Providers
Employees
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| Abby Zbikowski | Artistic Director | PT | $8,212 | - | $8,212 |
| Fiona Lundie | Company Manager | PT | $4,716 | - | $4,716 |
| Rashana Smith | Member Of Board Of Directors | - | $0 | - | - |
Filing and Contact Details
Filer
- Filer Name
- New Utility Inc
- EIN
- 82-3997858
- Phone
- 4084970076
- Address
- 244 Fifth Avenue Suite F273, New York, NY 10001
Signing Officer
- Name
- Fiona Lundie
- Title
- Company Manager
- Phone
- 4084970076
- Signed
- 2025-11-16
Supplemental Narrative
Additional Explanations
Form 990-EZ, Part I, Line 16
“Description;Amount^Costumes;627|Performance Travel;59616|Performance Per Diem;13772|Bank Charges and Foreign Transaction Fees;202|Insurance Domestic and International General Liability;3378|New Work Materials;904|Meals;95|Website and Online Storage;1017|Filing Taxes;38|Rehearsal Travel;8363|Rehearsal Per Diem;15621|Cost of Shirts purchased but not yet sold;817^Total;104450^”
Form 990-EZ, Part II, Line 26
“Description;EOY Amount^Credit Card;446^Total;446^”
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This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/PrimaryExemptPurposeTxt | 0 | The New Utility Inc. provides cultural dance performances and workshops to engage and inspire the public with hybrid, conceptual movement that challenges perceived limitations and uncovers possibility in the body. The New Utility brings together its choreographer Abby Zbikowski and a diverse set of performers from a vast range of training backgrounds to challenge the orthodoxy of traditional concert dance aesthetics, which are historically sexist, classist, and racist. From this diversity, the New Utility has created a new movement lexicon which triangulates dancing/moving bodies across multiple cultural value systems simultaneously, thus welcoming equally audience members from a range of cultural backgrounds and understandings of dance and movement. By performing, teaching workshops, and engaging in public discussions in a range of venues across multiple communities, the New Utility seeks to enrich the cultural experience of the public through the medium of live dance performance. |
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | Performance of Dance Work. We continued our second phase of touring "Radioactive Practice," Abby Z and the New Utility's second evening-length work, in Swarthmore, PA with 1 performance at Lang Performing Arts Center as part of a week residency with the Dance department. We sold out the 150 seats available. We performed 3 shows at the Fusebox Festival April 12-14 in the University of Texas at Austin's B. Iden Payne Theatre for a total audience of 358 people. May 15-18, we performed 4 shows at the Walker Art Center in Minneapolis, MN for a total audience of 761 people. We concluded the second phase of the tour in London, UK for the international premiere of the work. One of the cast members was not available to perform abroad in October, so we sought a dancer to replace that role: training him, teaching him the choreography, adjusting and adapting material to showcase his identity, not asking him to impersonate the previous dancer. The development of this dancer totaled 150 hours of rehearsal time, including one-on-one sessions, small groups to learn sections, and finally bringing the whole group together to work as a team. Dance Umbrella presented "Radioactive Practice" at Sadler's Wells Theatre October 18-19 for a total audience of 663 people. The Guardian gave the performance a 5 star review, and at the end of the year, named it the number one dance performance of the year. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 1 | Creation and Development of Dance Work. Abby Zbikowski and a diverse set of performers from a range of personal and movement backgrounds create layered, nuanced works of live dance performance that grapple with multiple cultural and aesthetic value systems. Utilizing fatigue, struggle, strength of will, and reliance on each other for support, the performers persevere in the brutal and beautiful parameters of the work, as a means of representing the complex dynamics of the world in which we live. By utilizing and combining different dance forms, the New Utility showcases how diversity and inclusivity can create beautiful hybrid movement forms that are greater than any one individual style or type of work. The Irish Modern Dance Theatre commissioned Abby Zbikowski through The New Utility, Inc to create a 30 min work for five dancers in Dublin, Ireland to be premiered at the Dublin Fringe Festival 2024. The commission involved three trips to Dublin in 2024: classes and auditions in March, two weeks of creation in June, two weeks of creation in August, followed immediately by two weeks of performances in Dublin and Cork in September. Three New Utility dancers and the dramaturg assisted throughout the rigorous process. The final work "The Future is on the Way" received two 5 star reviews and was nominated for best ensemble in the Dublin Fringe Festival. Utah Valley University contracted The New Utility, Inc. to create a work for their students replicating the process the company uses to create work. Rehearsal Director and Dancer Fiona Lundie and Dancer Benjamin Roach represented the company at this commission residency. They worked with students 4-6 hours per day, 6 days per week to teach, create, and compose the 15 minute work "Ground the chaos." (Due to its timing in the year, and the slowness of the University payment system, the payment for this program came through in January of 2025) Abby held a two week residency at the Wexner Center for the Arts in June with seven dancers to research and create new work to be premiered at the American Dance Festival. In August and December, she worked with three dancers, totaling 100 hours of studio creation for the new work in 2024. Abby Zbikowski donated her Guggenheim Award funds to the company to support the new work, including this residency. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 2 | Teaching Workshops. In her classes, Abby Zbikowski utilizes an intercultural approach to the practice of contemporary dance, placing her methods in direct dialogue with the African Diasporic and African forms that have shaped her perspective as a dance-maker and educator, as a means to identify the confluence of aesthetic worlds and cultural information embedded in the practice of contemporary dance. Participants experiment with pushing their bodies past perceived limits of speed, range of motion, strength, coordination, and endurance, as well as challenge their own held views on conventions of established forms. Abby Zbikowski taught masterclasses in conjunction with the company's performances, including two classes of 30 students each on January 24th and 25th at Swarthmore, four days of classes and auditions in Dublin for 15 to 35 dancers March 9-12, a class of 60 at the University to Texas at Austin on April 12th, and a masterclass for 15 on May 14th in Minneapolis. Funds and fees for these workshops are included in the Performance Work grants/allocations and expenses. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 3 | Public Discussions. The New Utility is invested in rigorous conversations in the dance and arts fields regarding ethical cultural practices, inclusivity, diversity, and aesthetic experimentation. The New Utility advocates for live and performance arts in education and as a vital part of the human experience in this world. During the "Radioactive Practice" tour, post-performance discussions are one of the key ways we connect with the public regarding the conceptual underpinnings of the our work. At Swarthmore on January 24th, we held a public screening of the film "Radioactive Practice(2022)" with a 30 minute question and answer with the 30 attendees. At the Fusebox Festival in Austin, TX, we held two post-performance discussions on April 12th and 13th in which about 75 audience members stayed to participate. Abby also participated in a public discussion called "Invisible Borders: Conversation about border and body politics in the work of artists Tania El Khoury and Abby Z" held at an outdoor cafe and moderated by Sanchita Sharma. It was attended by about 50 people, filling the space nicely. On Friday May 17th, another post-performance discussion took place at the Walker Art Center, attended by approximately 120 people. On Friday October 18th, we held a post-performance discussion following the international premiere of the work. The 374 member audience for the show was partly onstage and partly in the auditorium seating, but all were moved to the auditorium seating for the discussion for which at least 200 stayed to participate. Funds and fees for these discussions are included in the Performance Work grants/allocations and expenses. |
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| IRS990ScheduleA/GrossReceiptsNonUnrltBusGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/GrossReceiptsNonUnrltBusGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/GrossReceiptsNonUnrltBusGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/GrossReceiptsNonUnrltBusGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomeCYPct | 0 | 0 |
| IRS990ScheduleA/InvestmentIncomePYPct | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/PubliclySupportedOrg509a2Ind | 0 | X |
| IRS990ScheduleA/PublicSupportCY509Pct | 0 | 0.69584 |
| IRS990ScheduleA/PublicSupportPY509Pct | 0 | 0.72080 |
| IRS990ScheduleA/PublicSupportTotal509Amt | 0 | 376248 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearAmt | 0 | 53369 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus1YearAmt | 0 | 20500 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus2YearsAmt | 0 | 82153 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus3YearsAmt | 0 | 1438 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus4YearsAmt | 0 | 7000 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/TotalAmt | 0 | 164460 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearAmt | 0 | 53369 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus1YearAmt | 0 | 20500 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus2YearsAmt | 0 | 82153 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus3YearsAmt | 0 | 1438 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus4YearsAmt | 0 | 7000 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/TotalAmt | 0 | 164460 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/ThirtyThrPctSuprtTestsCY509Ind | 0 | X |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearAmt | 0 | 172251 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus1YearAmt | 0 | 43335 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 124801 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 78338 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 121983 |
| IRS990ScheduleA/Total509Grp/TotalAmt | 0 | 540708 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearAmt | 0 | 172251 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus1YearAmt | 0 | 43335 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus2YearsAmt | 0 | 124801 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus3YearsAmt | 0 | 78338 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus4YearsAmt | 0 | 121983 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/TotalAmt | 0 | 540708 |
| IRS990ScheduleB/ContributorInformationGrp/ContributorBusinessName/BusinessNameLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorNum | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine2 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/City | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/State | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/ZIPCode | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/TotalContributionsAmt | 0 | RESTRICTED |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | Description;Amount^Costumes;627|Performance Travel;59616|Performance Per Diem;13772|Bank Charges and Foreign Transaction Fees;202|Insurance Domestic and International General Liability;3378|New Work Materials;904|Meals;95|Website and Online Storage;1017|Filing Taxes;38|Rehearsal Travel;8363|Rehearsal Per Diem;15621|Cost of Shirts purchased but not yet sold;817^Total;104450^ |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | Description;EOY Amount^Credit Card;446^Total;446^ |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | Form 990-EZ, Part I, Line 16 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | Form 990-EZ, Part II, Line 26 |
| ReasonableCauseExplanation/ExplanationTxt | 0 | This filing is not late, as the deadline is Monday November 17, 2025. |
| ReturnHeader/BuildTS | 0 | 2025-03-06 01:10:19Z |
| ReturnHeader/BusinessOfficerGrp/PersonNm | 0 | Fiona Lundie |
| ReturnHeader/BusinessOfficerGrp/PersonTitleTxt | 0 | Company Manager |
| ReturnHeader/BusinessOfficerGrp/PhoneNum | 0 | 4084970076 |
| ReturnHeader/BusinessOfficerGrp/SignatureDt | 0 | 2025-11-16 |
| ReturnHeader/Filer/BusinessName/BusinessNameLine1Txt | 0 | NEW UTILITY INC |
| ReturnHeader/Filer/BusinessNameControlTxt | 0 | NEWU |
| ReturnHeader/Filer/EIN | 0 | 823997858 |
| ReturnHeader/Filer/PhoneNum | 0 | 4084970076 |
| ReturnHeader/Filer/USAddress/AddressLine1Txt | 0 | 244 Fifth Avenue Suite F273 |
| ReturnHeader/Filer/USAddress/CityNm | 0 | New York |
| ReturnHeader/Filer/USAddress/StateAbbreviationCd | 0 | NY |
| ReturnHeader/Filer/USAddress/ZIPCd | 0 | 10001 |
| ReturnHeader/IRSResponsiblePrtyInfoCurrInd | 0 | 1 |
| ReturnHeader/ReturnTs | 0 | 2025-11-17T00:14:24-07:00 |
| ReturnHeader/ReturnTypeCd | 0 | 990EZ |
| ReturnHeader/TaxPeriodBeginDt | 0 | 2024-01-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2024-12-31 |
| ReturnHeader/TaxYr | 0 | 2024 |
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