Client Note 1
“Client Note 1 - The Organization's foreign phone number in Cambodia is: (855 23) 220 424”
990EZ • Fiscal year 2015 • EIN 68-0486721
Scores are not available for this record yet.
Assets
Down$18,895
Down $15,558 (-45%) from 2014
Net Assets
Down$18,895
Down $15,558 (-45%) from 2014
Liabilities
-
No earlier filing loaded for comparison.
Revenue
Down$170,548
Down $10,736 (-5.9%) from 2014
Expenses
Up$186,106
Up $4,499 (+2.5%) from 2014
Net Income
Down-$15,558
Down $15,235 (-4717%) from 2014
Amrita Performing Arts is an international NGO with US Nonprofit status. Amrita is committed to the creation of Cambodian contemporary dance and theater, responding to the creative drive of a young generation of artists who have taken on the task of ushering Cambodia's ancient performing arts heritage into the future. Amrita Performing Arts develops fully staged productions of contemporary Cambodian dance and theater in collaboration with international collaborators, featuring professional Cambodian performers through a process of intensive workshop and dialogue. Capacity building underpins all of Amrita's activities as we assist in nurturing a new generation of Cambodian choreographers, directors and practitioners in all areas of arts management.
| Description | Grants | Expenses |
|---|---|---|
| Amrita continues to work as a leading contemporary performing arts and production NGO in Cambodia. Whilst continuing to develop and nurture our company of 18 emerging contemporary artists, our priority this year has been to build on the work that has taken place over the last twelve years in bringing Cambodian contemporary art to regional and international arts communities. We have been honing our Artist Development Program, expanding our production and administration team as well as investing time into forging connections with other regional and international artists and arts practitioners.Amrita believes in the holistic process-based capacity building that comes from providing our artists with opportunities for training in Cambodia and internationally, through artistic collaborations and residencies. This year, Amrita collaborated with the Elizabeth Streb Dance Company; ASWARA faculty member and Director of The Temple of Fine Arts Malaysia (TFA), Umesh Shetty; Malaysian Dramaturge, Lim How Ngean; and award-winning Cambodian composer, Chinnary Ung. We also supported our artists to attend international residences. One of our artists joined the South East Asia Choreolab in Malaysia, with international facilitator, choreographer Arco Renz of Kobalt Works.Amrita continued to promote Cambodian contemporary arts through regional and international performances. Chey Chankethya performed My Mother and I at World Dance Alliance, Singapore; Ojai Playwrights Conference, California; as well as at Bangkok Arts and Culture Centre. She also performed a new collaborative piece Transporting Rituals along with Berlin-based media artist, Blake Shaw, at ArtScience Museum in November. Chy Ratana also returned to work with Peter Chin of Tribal Crackling Wind in Toronto, Canada for a performance of Through the Mask at Dusk Dances. Two works by Amrita were also featured at TARI Festival November 2014 in Kuala Lampur, Malaysia. Brothers, and The Goddess, The Contemporary Dance Platform has been integral to the evolution of Amritas dance company as a whole and to our emerging choreographers as individuals. November 2014 and May 2015 Contemporary Dance Platforms saw our artists continue to push boundaries in creating new, ground-breaking work of uniquely Cambodian choreography. With two sold out performances, we were also able to witness our aspiring choreographers grow in confidence in articulating their works through post-show discussions with the audience of mostly young Cambodians and invited regional experts.Amrita has continued to develop and expand our outreach as a leading production company. We assisted Sophiline Arts Ensemble in the production of three performances at Phnom Penhs iconic Chaktomuk hall. Amrita facilitated the pre tour logistics for Her Royal Highness Princess Buppha Devis Royal Ballet Troupe. Amrita was also delighted to be involved as the local partner for Dance Motion USASM, a program run by the US State Department along with the Brooklyn Academy of Music (BAM), in hosting and facilitating two weeks of cross-cultural exchange with US based acclaimed dance company the Mark Morris Dance Group. Amrita also collaborated with Mozart at Angkor in the first phase of a project to bring a Cambodian inspired version of The Magic Flute to the temples at Siem Reap in 2017. As line producer for this performance, Amrita oversaw logistics for auditions and workshops of over 60 Cambodian dancers, musicians and singers.Finally, Amrita worked hard to continue to strengthen the performing arts sector in Cambodia through forging connections with the regional and international performing arts community through attending performing arts conferences and events. Our Executive Director, Kang Rithisal, began the year in New York attending the 2015 International Society for Performing Arts (ISPA) congress: Dynamic Leadership: Creating the Future. In February, Sal, with support from the Japan Foundation Asia Center, represented Amrita at the Tokyo Performing Arts Meeting (TPAM) in Yokohama. Sal also joined the Shared Spaces meeting in Zurich, Switzerland.As we look towards the next fiscal year, we continue to work towards nurturing our artists in becoming pioneers of Cambodian contemporary art. With an expanded project and communications team, a newly formed Artistic Leadership Team, and a large network of artistic collaborators, we look forward to the next year of strengthening the performing arts sector in Cambodia through nurturing, performing, producing and connecting. | $160,000 | $5,281 |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| Fred Frumberg | Board Chair | PT | $0 | - | - |
| Rion Dugan | Treasurer | PT | $0 | - | - |
| Mary Slawson | Director | - | $0 | - | - |
| Judilee Reed | Director | - | $0 | - | - |
| Stephen Pierce | Director | - | $0 | - | - |
| Lynda Martin | Director | - | $0 | - | - |
| Ralph Samuelson | Director | - | $0 | - | - |
| Samuel Miller | Director | - | $0 | - | - |
| Jessica Auerbach | Director | - | $0 | - | - |
| Suppya Nut | Director | - | $0 | - | - |
| Dickon Verey | Director | - | $0 | - | - |
“Client Note 1 - The Organization's foreign phone number in Cambodia is: (855 23) 220 424”
“Advertising and Promotion $1826”
“Office Expenses $7960”
“Travel $32626”
“Conferences, Conventions, and Meetings $1062”
“Depreciation $257”
“Insurance $1062”
“Salaries: Cambodian nationals $56063”
“Production expenses $9077”
“Visa expense $8943”
“Hospitality $4754”
“Furniture and Fixtures - Beginning $199 Furniture and Fixtures - Ending $199”
“Machinery and Equipment - Beginning $1776 Machinery and Equipment - Ending $1519”
“Accounts Receivable - Beginning $650 Accounts Receivable - Ending $2564”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/PrimaryExemptPurposeTxt | 0 | Amrita Performing Arts is an international NGO with US Nonprofit status. Amrita is committed to the creation of Cambodian contemporary dance and theater, responding to the creative drive of a young generation of artists who have taken on the task of ushering Cambodia's ancient performing arts heritage into the future. Amrita Performing Arts develops fully staged productions of contemporary Cambodian dance and theater in collaboration with international collaborators, featuring professional Cambodian performers through a process of intensive workshop and dialogue. Capacity building underpins all of Amrita's activities as we assist in nurturing a new generation of Cambodian choreographers, directors and practitioners in all areas of arts management. |
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | Amrita continues to work as a leading contemporary performing arts and production NGO in Cambodia. Whilst continuing to develop and nurture our company of 18 emerging contemporary artists, our priority this year has been to build on the work that has taken place over the last twelve years in bringing Cambodian contemporary art to regional and international arts communities. We have been honing our Artist Development Program, expanding our production and administration team as well as investing time into forging connections with other regional and international artists and arts practitioners.Amrita believes in the holistic process-based capacity building that comes from providing our artists with opportunities for training in Cambodia and internationally, through artistic collaborations and residencies. This year, Amrita collaborated with the Elizabeth Streb Dance Company; ASWARA faculty member and Director of The Temple of Fine Arts Malaysia (TFA), Umesh Shetty; Malaysian Dramaturge, Lim How Ngean; and award-winning Cambodian composer, Chinnary Ung. We also supported our artists to attend international residences. One of our artists joined the South East Asia Choreolab in Malaysia, with international facilitator, choreographer Arco Renz of Kobalt Works.Amrita continued to promote Cambodian contemporary arts through regional and international performances. Chey Chankethya performed My Mother and I at World Dance Alliance, Singapore; Ojai Playwrights Conference, California; as well as at Bangkok Arts and Culture Centre. She also performed a new collaborative piece Transporting Rituals along with Berlin-based media artist, Blake Shaw, at ArtScience Museum in November. Chy Ratana also returned to work with Peter Chin of Tribal Crackling Wind in Toronto, Canada for a performance of Through the Mask at Dusk Dances. Two works by Amrita were also featured at TARI Festival November 2014 in Kuala Lampur, Malaysia. Brothers, and The Goddess, The Contemporary Dance Platform has been integral to the evolution of Amritas dance company as a whole and to our emerging choreographers as individuals. November 2014 and May 2015 Contemporary Dance Platforms saw our artists continue to push boundaries in creating new, ground-breaking work of uniquely Cambodian choreography. With two sold out performances, we were also able to witness our aspiring choreographers grow in confidence in articulating their works through post-show discussions with the audience of mostly young Cambodians and invited regional experts.Amrita has continued to develop and expand our outreach as a leading production company. We assisted Sophiline Arts Ensemble in the production of three performances at Phnom Penhs iconic Chaktomuk hall. Amrita facilitated the pre tour logistics for Her Royal Highness Princess Buppha Devis Royal Ballet Troupe. Amrita was also delighted to be involved as the local partner for Dance Motion USASM, a program run by the US State Department along with the Brooklyn Academy of Music (BAM), in hosting and facilitating two weeks of cross-cultural exchange with US based acclaimed dance company the Mark Morris Dance Group. Amrita also collaborated with Mozart at Angkor in the first phase of a project to bring a Cambodian inspired version of The Magic Flute to the temples at Siem Reap in 2017. As line producer for this performance, Amrita oversaw logistics for auditions and workshops of over 60 Cambodian dancers, musicians and singers.Finally, Amrita worked hard to continue to strengthen the performing arts sector in Cambodia through forging connections with the regional and international performing arts community through attending performing arts conferences and events. Our Executive Director, Kang Rithisal, began the year in New York attending the 2015 International Society for Performing Arts (ISPA) congress: Dynamic Leadership: Creating the Future. In February, Sal, with support from the Japan Foundation Asia Center, represented Amrita at the Tokyo Perf |
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| ReturnHeader/BuildTS | 0 | 2016-02-25 16:41:14Z |
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No mirrored PDF or thumbnail assets are attached yet.
Displayed year
2015 • Form 990EZDetailed filing. Detailed filing data is available for this year.