Ashley Bryan Center

“Daniel lief cynthia lief treasurer director spouse”

“No review was or will be conducted.”

“Ongoing monitoring by the officers and annual review by the full board of directors.”

“Compensation for all paid employees, if any, is reviewed and approved on an annual basis by the independent members of the board of directors.”

“Compensation for all paid employees, if any, is reviewed and approved on an annual basis by the independent members of the board of directors.”

“The organization makes its governing documents, conflict of interest policy, and financial statements available to the public upon request.”

“The organization is organized exclusively for charitable and educational purposes including providing a venue for exhibits of art and artistic collections; sponsoring seminars, lectures and gatherings that encourage and promote the creative arts; and providing an educational setting to describe and celebrate the life and creativity of ashley bryan.”

“In the wake of the winning proposal that was submitted by the university of pennsylvania, the process of finalizing the agreement commenced with the hope formal transfer could take place in the spring of 2019. This was achieved, and the agreement outlined a phased transfer, starting with the materials on deposit in boston and additional material to be reviewed in maine. In july of 2019, a team from penn visited maine and put together another major body of materials to be accepted. This left paintings, puppets, and materials that ashley would want to have with him during his lifetime. In october of 2019, the materials in maine and boston were physically transferred to penn. To celebrate this transfer, penn organized an event that also heralded the publication of ashley's wwii memoir. They organized a "pop-up" exhibition of ashley's drawings, paintings, and letters created and written during his time in the service. There was also a public program that entailed a conversation between ashley and nick clark. Cognizant that penn could not accommodate all of ashley's paintings and desirous of work remaining in maine, nick clark reached out to the major art institutions in the state with enthusiastic response. Such dispersal is contingent upon penn making its choices - so it will be necessarily prolonged process. These discussions also led to exhibition possibilities. The maine state house approached the center about honoring ashley in july of 2020; bowdoin college is including ashley in a major exhibition of maine artists, scheduled to open in june of 2020, and bates college in the wake of a generous gift of work by ashley hopes to mount an exhibition in the fall of 2020. There were continued numerous requests to reproduce ashley's work in magazines ranging from general interest periodicals to more specialized publications. The center cooperated fully to accommodate these various requests as well as other inquiries driven by awareness of the center through the website. The storyteller pavilion re-opened in late june of 2019 with the stained- glass windows still in a temporary but nevertheless elegant display. With docents enhancing the experience, the pavilion welcomed over 1,300 visitors over the course of the summer. The pavilion reduced its hours from 42 hours 10-4 seven days a week after labor day to 20 hours 11-3 five days a week, and after columbus day, it was open by appointment.”

“VARIOUS”