Liabilities / Assets
53rd percentile
Higher debt load relative to assets than 53% of similar nonprofits.
Siviq Scores
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
0.00x
Liabilities / Revenue
52nd percentile
Higher debt load relative to revenue than 52% of similar nonprofits.
Net Margin
84th percentile
Higher net margin than 84% of similar nonprofits.
Top Officer Pay
80th percentile
Higher top officer pay than 80% of similar nonprofits.
Top officer pay equals 13.0% of source-year revenue.
Asset Growth
85th percentile
Faster asset growth than 85% of similar nonprofits.
Revenue Growth
78th percentile
Faster revenue growth than 78% of similar nonprofits.
Balance Sheet
Assets
Up$64,175
Up $26,104 (+69%) from 2018
Net Assets
Up$64,050
Up $26,553 (+71%) from 2018
Liabilities
Down$125
Down $449 (-78%) from 2018
Revenue And Expenses
Revenue
Up$85,965
Up $21,934 (+34%) from 2018
Expenses
Up$59,412
Up $14,981 (+34%) from 2018
Net Income
Up$26,553
Up $6,953 (+35%) from 2018
Historical Trend
Jump To
Filing Snapshot
- Filing Period
- Sep 1, 2018 to Aug 31, 2019
- Signed
- Apr 26, 2020
- Return Version
- 2018v3.1
- Gross Receipts
- $85,965
Mission and Program Overview
Mission
Naked angels ltd. Provides an opportunity for actors, writers, and directors to utilize their artistic skills in a non-commercial environment without the constraints of commercial theater. Additionally, free admission to performances makes productions available to a wider audience than would otherwise be possible.
Naked angels ltd. Provides an opportunity for actors, writers, and directors to utilize their artistic skills in a non-commercial environment without the constraints of commercial theater. Additionally, the low price of admission to performances makes productions available to a wider audience than would otherwise be possible.
Program Services
| Description | Grants | Expenses |
|---|---|---|
| NAKED ANGELS THEATER COMPANY'S MISSION HAS ALWAYS BEEN TO SERVE THE WRITER AND BUILD A DIVERSE COMMUNITY THROUGH THEATER. OUR FREE PROGRAMS SERVED RECORD NUMBERS OF ARTISTS AND YOUTH THIS YEAR.TUESDAYS@9 NOW IN ITS 29TH YEAR, CONTINUES TO BRING IN AN AVERAGE OF 150 ARTISTS AND THEATER GOERS PER NIGHT IN NYC. WRITERS SUBMIT PAGES FROM WORK THEY ARE DEVELOPING AND ACTORS ARE CAST ON THE SPOT FOR COLD READINGS OF FIVE BRAND NEW WORKS EVERY TUESDAY NIGHT, SEPTEMBER THROUGH MAY. EACH EVENING, THE THEATER IS FILLED WITH A POSITIVE, CREATIVE ENERGY THAT IS PALPABLE. THE CHANCE TO SEE AND PARTICIPATE IN NEW THEATRICAL WORKS IS A BIG DRAW. WE ALSO RECOGNIZE THAT THE NEED FOR COMMUNITY IS GREATER THAN EVER.SONGWRITERS ARE ALSO GIVEN A SLOT EACH NIGHT. LOS ANGELES, MIAMI AND CHICAGO HAVE ALL SEEN GROWTH AND CURRENTLY SERVE ABOUT 40-100 PEOPLE A NIGHT. 1ST MONDAYS, OUR FULL LENGTH PLAY READING SERIES, GENERALLY BRINGS IN ABOUT 30-50 AUDIENCE MEMBERS. CHICAGO AND LA BOTH HAD TWO 1ST MONDAYS READINGS AND NYC HAD FOUR.3T WRITING WORKSHOPS ARE THE EDUCATIONAL/INSPIRATIONAL WING OF NAKED ANGELS. CREATED FOR PUBLIC HIGH SCHOOL STUDENTS, WE HAVE EAGERLY EMBRACED THE CHANCE TO ALSO SERVE CHILDREN IN FOSTER CARE AND YOUTH FACING INCARCERATION. IN OUR WORKSHOPS, THE STUDENTS ARE GIVEN THE ENCOURAGEMENT AND OPPORTUNITY TO WRITE FREELY AND SEE THEIR WORK PERFORMED BY PROFESSIONAL ACTORS.TUESDAYS@9 IN MIAMI OUTGREW THEIR SPACE AND MOVED TO THE SPEAKEASY THEATER FOR THE FALL SEASON. CHICAGO DID NOT TAKE A BREAK FOR THE SUMMER LIKE OUR OTHER CITIES AND CELEBRATED ITS FIRST ANNIVERSARY ON SEPT 4, 2019. IT IS GROWING SLOWLY BUT SURELY, A TYPICAL RATE FOR THE FIRST YEAR. LOS ANGELES STRUGGLES TO FIND THE PERFECT THEATER. IT IS CURRENTLY AT THYMELE ARTS BUT IS ALWAYS SEEKING A BETTER VENUE WITH FREE PARKING. THEY RECENTLY PARTNERED WITH ROGUE MACHINE THEATER IN VENICE, CA FOR THEIR 1ST MONDAYS FULL LENGTH READINGS.WE ALSO WORKED TO GROW DIVERSITY IN OUR AUDIENCES, ARTISTS AND STAFF AT T@9. ALL CITIES REPORTED GROWTH IN DIVERSITY (PEOPLE OF COLOR, PEOPLE WITH DISABILITIES, IMMIGRANTS, LGBTQ, NON-BINARY, TRANS, AND MILITARY VETERANS.) AMONG AUDIENCES AND ARTISTS. WHILE WE ARE PLEASED WITH GROWTH, WE KNOW DIVERSITY REMAINS A CHALLENGE AND WE INTEND TO WORK TOWARDS EVER MORE INCLUSIVE COMMUNITIES. MIAMI, CHICAGO AND NYC ALL HAVE DIVERSE STAFFING NOW. LOS ANGELES EXPECTS TO DIVERSIFY ITS STAFF DURING THE UPCOMING SEASON.A NUMBER OF WORKS DEVELOPED THIS YEAR AT TUESDAYS@9 IN NYC WENT ON TO BE PRODUCED OR PUBLISHED. TO NAME A FEW: AMY STAATS'S EDDY AND DAVE WAS PRODUCED AT THE ATLANTIC THEATER, DAVID DEAN BOTRELL'S SOLO ACT MAKING LOVE, A ONE MAN SHOW , IS BECOMING AN AUDIOBOOK AT RANDOM HOUSE, TIMOTHY BRANDOFF'S NOVEL, CORNELIUS SKY WAS PUBLISHED BY AKASHIC BOOKS. MANY SCREENPLAYS WERE MADE INTO FILMS AND FOUND SUCCESS ON THE FESTIVAL CIRCUIT.LA TUESDAYS SAW LARRY CLARKE'S FILM 3 DAYS WITH DAD OPENED IN TEN THEATERS NATIONWIDE IN SEPTEMBER 2019. RAMY YOUSSEFF, PERFORMED NEW MATERIAL FOR THE RAMY COMEDY TV SERIES ON HULU, 2019.AT CHICAGO TUESDAYS , JOSHUA FARDON WAS A SEMI-FINALIST IN THE EUGENE O'NEILL THEATRE CENTER NATIONAL PLAYWRIGHTS CONFERENCE, 2019 WITH HIS PLAY SADIE HURTZ , AND MICHAEL HIGGINS'S PLAY, TRACY AND HER DREAM GUYS WAS PUBLISHED IN THE BEST NEW TEN-MINUTE PLAYS 2019 FROMROWMAN & LITTLEFIELD. STACEY LANE HAD HER PLAY, INSOMNIAC SOCIETY PRODUCED AT OHIO THESPIAN CONFERENCE: BEAUMONT SCHOOL INTERNATIONAL THESPIAN TROUPE #6703: AKRON, OH IN MIAMI, TUESDAYS@9 REGULARS MADE FILMS AND RECORDED ORIGINAL SONGS. WRITER/PRODUCER, LISA WARING, AND HER PRODUCTION COMPANY NXG GLOBAL PRODUCTIONS, SHOT TWO FILMS DEVELOPED AT TUESDAYS, LOVE OFFLINE AND ZOMBIE CHRONICLES.MOST IMPORTANT OF ALL, WE CONTINUED TO BE A WELCOMING COMMUNITY TO ARTISTS AND THEATER GOERS ALIKE, A PLACE WHERE ALL HUMANS, OF EVERY STRIPE, ARE SUPPORTED AND FEEL WELCOME. AS ONE NEW MEMBER TO THE NYC TUESDAYS@9 COMMUNITY PUT IT SO WELL, "THANK YOU FOR LETTING ME BE A PART OF SOMETHING SO BEAUTIFUL, IT SINCERELY HELPS ME TREMENDOUSLY. ---S. GONZALES"THE 3T WRITING WORKSHOPS HELD 35 WORKSHOPS AND SERVED 290 STUDENTS. 189 OF THESE STUDENTS LIVED IN GROUP FOSTER CARE HOMES, 48 WERE FACING INCARCERATION, 31 IN NYCHA HOUSING, 22 WERE PUBLIC HIGH SCHOOL STUDENTS. WE SERVED MORE CHILDREN IN FOSTER CARE BUT FEWER FROM PUBLIC HIGH SCHOOL. WHILE OUR 3T SUMMER STYLE FOR FILM AND THEATER PROGRAM IS IMMENSELY POPULAR AND ALWAYS GENERATES A WAITING LIST, OUR REGULAR AFTERSCHOOL PROGRAMS HAVE BEEN MORE LIGHTLY ATTENDED. STUDENTS TELL US THE WORKLOAD AND STRESS OF HIGH SCHOOL IS THE CAUSE. THEY ASK US FOR WORKSHOPS DURING WINTER AND SPRING BREAK. WE HOPE TO ADDRESS THIS IN THE UPCOMING TWO YEARS.ALL OF OUR STUDENTS SEEM IN SOME WAY TO BE TRANSFORMED BY THE WORKSHOPS.WE RECEIVED EXTRA FUNDING FROM THE PATRINA FOUNDATION FOR RESTART EUPHRASIAN, A DISTRICT 79 DOE SCHOOL FOR GIRLS IN FOSTER CARE WHO HAVE EXPERIENCED EXTREME TRAUMA AND NEED DIAGNOSIS AND THERAPY. WE WERE ABLE TO BRING WORKSHOPS TO THE GIRLS TWICE A MONTH.SEEING THE GIRLS MORE FREQUENTLY HAD IMPACTS BEYOND OUR IMAGINING. THEY BECAME INVESTED IN THE ACTORS AND TEACHING ARTISTS, REQUESTING THAT FAVORITES RETURN. SOME OF THE GIRLS, KNOWING WE WERE COMING BACK, BROUGHT WORK TO THE WORKSHOP THAT THEY HAD WRITTEN ON THEIR OWN. MANY OF THE STUDENTS AT RESTART STRUGGLE ACADEMICALLY DUE TO YEARS OF NEGLECT. ACCORDING TO THE STAFF, THE WORKSHOPS BUILD CONFIDENCE IN THIS AREA. AS THE STUDENTS BECAME MORE FAMILIAR WITH THE WORKSHOP, THEY TOOK CHANCES WITH THEIR WRITING. MUCH OF THE WRITING BECAME MORE AND MORE IMAGINATIVE. MANY OF THE SCENES SEEMED TO RELEASE A PLAYFULNESS FROM THE GIRLS, A REAL BREAK FROM THEIR ACTUAL SITUATIONS.WE HELD A NEW EXPERIMENTAL VIDEO COLLAGE WORKSHOP AT RESTART. THE TWO GIRLS CHOSEN HAD VASTLY DIFFERENT EXPERIENCES DUE TO THEIR TEMPERAMENTS. WE LEARNED THAT NOT ONLY HAVE THESE GIRLS MISSED OUT ON SO MUCH EDUCATION, THEY ALSO LACK COMPUTER SKILLS. THE CHILD WHO WAS EASILY FRUSTRATED FELL BEHIND AND QUIT. THE MORE RESILIENT CHILD HAD A GREAT EXPERIENCE. WE ARE USING THIS INFORMATION TO BUILD A BETTER WORKSHOP THIS YEAR.OUR 3T SUMMER STYLE FILM AND THEATER WORKSHOP WAS ONE OF OUR BEST EVER. 10 PUBLIC HIGH SCHOOL STUDENTS MADE 4 FILMS AND 10 THEATER SCENES AND HAD AN ABSOLUTE BLAST. ALL FOUR FILMS ARE ON OUR WEBSITE.STACY DAVIDOWITZ, OUR LEAD TEACHING ARTIST AT 3T, WAS OUT ON MATERNITY LEAVE FOR 4 MONTHS, NOVEMBER TO APRIL. THE CIRCUMSTANCE FORCED US TO HIRE NEW TAS. ALL FIVE OF OUR EXCELLENT NEW TA'S ARE PERSONS OF COLOR, THREE ARE FLUENT IN SPANISH. AT EVERY WORKSHOP OUR ACTORS REPRESENT OUR CITY WITH 50% OF THE TEAM BEING PEOPLE OF COLOR.DURING THE SUMMER WE WERE ABLE TO BRING A WORKSHOP TO ABBOTT HOUSE BRONX. THE STAFF MEMBER , KHADIJAH AUSTIN, FTC FACILITATOR, [email protected] HAD THIS TO SAY:"WWWOOOOOOWWWWWW!!!!!!!! NAKED ANGELS WAS AH-MAY-ZING!!!!! THE YOUTHS HAD SUCH A GREAT TIME. THE ENERGY, THE LOVE, THE LAUGHTER WAS THROUGH THE ROOF. EVERYONE WANTS TO KNOW WHEN THEY ARE COMING BACK. I BELIEVE THAT THIS HAS LIT A FIRE IN SOME OF THEM TO WRITE AND BE MORE CREATIVE. THANK YOU SO MUCH!"WE GET COMMENTS LIKE THIS A LOT.NAKED ANGELS ADDED TWO NEW MEMBERS TO THE BOARD OF DIRECTORS, BRINGING THE TOTAL NUMBER TO FIVE. THE TWO NEW MEMBERS, MELISSA WOLFE AND JASON NUZZO ARE LONG TIME SUPPORTERS OF THE THEATER COMPANY AND ATTEND ALL OF OUR EVENTS REGULARLY. THEY BOTH HAVE PARTICIPATED IN 3T WRITING WORKSHOPS AND HAVE A UNIQUE PERSPECTIVE TO BRING TO OUR BOARD. HERE TOO, WE ARE ACTIVELY SEEKING MORE DIVERSITY ON OUR BOARD IN THE COMING YEAR.OUR GOAL IS ALWAYS TO KEEP OUR PROGRAMS FREE AND OF THE HIGHEST QUALITY. WE HAVE LEARNED THAT THESE PROGRAMS ARE IN DEMAND BY THE GROWING NUMBER OF PEOPLE, SCHOOLS, AND COMMUNITY CENTERS SEEKING THEM OUT. IN ORDER TO MAINTAIN QUALITY WE ARE FOCUSING ON GROWING OUR OVERWORKED ADMINISTRATIVE STAFF AND NOT ADDING MORE TUESDAYS@9 LOCATIONS BEYOND THE FOUR CITIES WE ARE IN. WE ALSO WILL HOLD OUR 3T WRITING WORKSHOPS TO NO MORE THAN 35 FOR THE 2019-2020 SCHOOL YEAR. WE ARE GRATEFUL TO EVERYONE WHO HELPS NAKED ANGELS TO CONTINUE OUR MISSION OF DEVELOPING NEW WORK WHILE DEVELOPING STRONG COMMUNITIES. | $0 | $44,175 |
Compensation and Service Providers
Employees
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| JEAN MARIE MCKEE | Artistic Director | PT | $11,150 | - | $11,150 |
| JASON NUZZO | Board Member | - | $4,200 | - | $4,200 |
| MELISSA WOLFFE | Board Member | - | $4,200 | - | $4,200 |
| ALYSON BRANDT | Chairman | PT | $0 | - | - |
| BETH EMELSON | Board Member | - | $0 | - | - |
| GEOFFREY NAUFFTS | Board Member | - | $0 | - | - |
Filing and Contact Details
Filer
- Filer Name
- Naked Angels Ltd
- EIN
- 13-3509565
- Phone
- 9173851693
- Address
- 151 BANK STREET, NEW YORK, NY 10014
Signing Officer
- Name
- Jean Marie Mckee
- Title
- Artistic Director
- Phone
- 9173851693
- Signed
- 2020-04-26
- Discuss with paid preparer
- Yes
Preparer
- Firm
- Lutz and Carr Cpas Llp
- Address
- 551 FIFTH AVENUE SUITE 400, NEW YORK, NY 10176
- Preparer
- Frederick Martens
- Phone
- 2126972299
Supplemental Narrative
Additional Explanations
Form 990-ez, Part I, Line 16 - Other Expenses
“Description: travel. Amount: 587. Description: advertising. Amount: 765. Description: insurance. Amount: 1,672. Description: supplies. Amount: 420. Description: licenses and fees. Amount: 1,583. Description: miscellaneous. Amount: 2,668. Total to form 990-ez, line 16: 7,695.”
Form 990-ez, Part II, Line 24 - Other Assets
“Description: grants receivable. Beg. Of year amount: 0. End of year amount: 35,300.”
Form 990-ez, Part II, Line 26 - Other Liabilities
“Description: accounts payable. Beg. Of year amount: 574. End of year amount: 125.”
Raw XML Appendix179 raw XML fields
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/PrimaryExemptPurposeTxt | 0 | NAKED ANGELS LTD. PROVIDES AN OPPORTUNITY FOR ACTORS, WRITERS, AND DIRECTORS TO UTILIZE THEIR ARTISTIC SKILLS IN A NON-COMMERCIAL ENVIRONMENT WITHOUT THE CONSTRAINTS OF COMMERCIAL THEATER. ADDITIONALLY, THE LOW PRICE OF ADMISSION TO PERFORMANCES MAKES PRODUCTIONS AVAILABLE TO A WIDER AUDIENCE THAN WOULD OTHERWISE BE POSSIBLE. |
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | NAKED ANGELS THEATER COMPANY'S MISSION HAS ALWAYS BEEN TO SERVE THE WRITER AND BUILD A DIVERSE COMMUNITY THROUGH THEATER. OUR FREE PROGRAMS SERVED RECORD NUMBERS OF ARTISTS AND YOUTH THIS YEAR.TUESDAYS@9 NOW IN ITS 29TH YEAR, CONTINUES TO BRING IN AN AVERAGE OF 150 ARTISTS AND THEATER GOERS PER NIGHT IN NYC. WRITERS SUBMIT PAGES FROM WORK THEY ARE DEVELOPING AND ACTORS ARE CAST ON THE SPOT FOR COLD READINGS OF FIVE BRAND NEW WORKS EVERY TUESDAY NIGHT, SEPTEMBER THROUGH MAY. EACH EVENING, THE THEATER IS FILLED WITH A POSITIVE, CREATIVE ENERGY THAT IS PALPABLE. THE CHANCE TO SEE AND PARTICIPATE IN NEW THEATRICAL WORKS IS A BIG DRAW. WE ALSO RECOGNIZE THAT THE NEED FOR COMMUNITY IS GREATER THAN EVER.SONGWRITERS ARE ALSO GIVEN A SLOT EACH NIGHT. LOS ANGELES, MIAMI AND CHICAGO HAVE ALL SEEN GROWTH AND CURRENTLY SERVE ABOUT 40-100 PEOPLE A NIGHT. 1ST MONDAYS, OUR FULL LENGTH PLAY READING SERIES, GENERALLY BRINGS IN ABOUT 30-50 AUDIENCE MEMBERS. CHICAGO AND LA BOTH HAD TWO 1ST MONDAYS READINGS AND NYC HAD FOUR.3T WRITING WORKSHOPS ARE THE EDUCATIONAL/INSPIRATIONAL WING OF NAKED ANGELS. CREATED FOR PUBLIC HIGH SCHOOL STUDENTS, WE HAVE EAGERLY EMBRACED THE CHANCE TO ALSO SERVE CHILDREN IN FOSTER CARE AND YOUTH FACING INCARCERATION. IN OUR WORKSHOPS, THE STUDENTS ARE GIVEN THE ENCOURAGEMENT AND OPPORTUNITY TO WRITE FREELY AND SEE THEIR WORK PERFORMED BY PROFESSIONAL ACTORS.TUESDAYS@9 IN MIAMI OUTGREW THEIR SPACE AND MOVED TO THE SPEAKEASY THEATER FOR THE FALL SEASON. CHICAGO DID NOT TAKE A BREAK FOR THE SUMMER LIKE OUR OTHER CITIES AND CELEBRATED ITS FIRST ANNIVERSARY ON SEPT 4, 2019. IT IS GROWING SLOWLY BUT SURELY, A TYPICAL RATE FOR THE FIRST YEAR. LOS ANGELES STRUGGLES TO FIND THE PERFECT THEATER. IT IS CURRENTLY AT THYMELE ARTS BUT IS ALWAYS SEEKING A BETTER VENUE WITH FREE PARKING. THEY RECENTLY PARTNERED WITH ROGUE MACHINE THEATER IN VENICE, CA FOR THEIR 1ST MONDAYS FULL LENGTH READINGS.WE ALSO WORKED TO GROW DIVERSITY IN OUR AUDIENCES, ARTISTS AND STAFF AT T@9. ALL CITIES REPORTED GROWTH IN DIVERSITY (PEOPLE OF COLOR, PEOPLE WITH DISABILITIES, IMMIGRANTS, LGBTQ, NON-BINARY, TRANS, AND MILITARY VETERANS.) AMONG AUDIENCES AND ARTISTS. WHILE WE ARE PLEASED WITH GROWTH, WE KNOW DIVERSITY REMAINS A CHALLENGE AND WE INTEND TO WORK TOWARDS EVER MORE INCLUSIVE COMMUNITIES. MIAMI, CHICAGO AND NYC ALL HAVE DIVERSE STAFFING NOW. LOS ANGELES EXPECTS TO DIVERSIFY ITS STAFF DURING THE UPCOMING SEASON.A NUMBER OF WORKS DEVELOPED THIS YEAR AT TUESDAYS@9 IN NYC WENT ON TO BE PRODUCED OR PUBLISHED. TO NAME A FEW: AMY STAATS'S EDDY AND DAVE WAS PRODUCED AT THE ATLANTIC THEATER, DAVID DEAN BOTRELL'S SOLO ACT MAKING LOVE, A ONE MAN SHOW , IS BECOMING AN AUDIOBOOK AT RANDOM HOUSE, TIMOTHY BRANDOFF'S NOVEL, CORNELIUS SKY WAS PUBLISHED BY AKASHIC BOOKS. MANY SCREENPLAYS WERE MADE INTO FILMS AND FOUND SUCCESS ON THE FESTIVAL CIRCUIT.LA TUESDAYS SAW LARRY CLARKE'S FILM 3 DAYS WITH DAD OPENED IN TEN THEATERS NATIONWIDE IN SEPTEMBER 2019. RAMY YOUSSEFF, PERFORMED NEW MATERIAL FOR THE RAMY COMEDY TV SERIES ON HULU, 2019.AT CHICAGO TUESDAYS , JOSHUA FARDON WAS A SEMI-FINALIST IN THE EUGENE O'NEILL THEATRE CENTER NATIONAL PLAYWRIGHTS CONFERENCE, 2019 WITH HIS PLAY SADIE HURTZ , AND MICHAEL HIGGINS'S PLAY, TRACY AND HER DREAM GUYS WAS PUBLISHED IN THE BEST NEW TEN-MINUTE PLAYS 2019 FROMROWMAN & LITTLEFIELD. STACEY LANE HAD HER PLAY, INSOMNIAC SOCIETY PRODUCED AT OHIO THESPIAN CONFERENCE: BEAUMONT SCHOOL INTERNATIONAL THESPIAN TROUPE #6703: AKRON, OH IN MIAMI, TUESDAYS@9 REGULARS MADE FILMS AND RECORDED ORIGINAL SONGS. WRITER/PRODUCER, LISA WARING, AND HER PRODUCTION COMPANY NXG GLOBAL PRODUCTIONS, SHOT TWO FILMS DEVELOPED AT TUESDAYS, LOVE OFFLINE AND ZOMBIE CHRONICLES.MOST IMPORTANT OF ALL, WE CONTINUED TO BE A WELCOMING COMMUNITY TO ARTISTS AND THEATER GOERS ALIKE, A PLACE WHERE ALL HUMANS, OF EVERY STRIPE, ARE SUPPORTED AND FEEL WELCOME. AS ONE NEW MEMBER TO THE NYC TUESDAYS@9 COMMUNITY PUT IT SO WELL, "THANK YOU FOR LETTING ME BE A PART OF SOMETHING SO BEA |
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| IRS990EZ/StatesWhereCopyOfReturnIsFldCd | 0 | NY |
| IRS990EZ/StatesWhereCopyOfReturnIsFldCd | 1 | CA |
| IRS990EZ/SubjectToProxyTaxInd | 0 | 0 |
| IRS990EZ/SumOfTotalLiabilitiesGrp/BOYAmt | 0 | 574 |
| IRS990EZ/SumOfTotalLiabilitiesGrp/EOYAmt | 0 | 125 |
| IRS990EZ/TanningServicesProvidedInd | 0 | 0 |
| IRS990EZ/TaxImposedOnOrganizationMgrAmt | 0 | 0 |
| IRS990EZ/TaxImposedUnderIRC4911Amt | 0 | 0 |
| IRS990EZ/TaxImposedUnderIRC4912Amt | 0 | 0 |
| IRS990EZ/TaxImposedUnderIRC4955Amt | 0 | 0 |
| IRS990EZ/TaxReimbursedByOrganizationAmt | 0 | 0 |
| IRS990EZ/TotalExpensesAmt | 0 | 59412 |
| IRS990EZ/TotalProgramServiceExpensesAmt | 0 | 44175 |
| IRS990EZ/TotalRevenueAmt | 0 | 85965 |
| IRS990EZ/TrnsfrExmptNonChrtblRltdOrgInd | 0 | 0 |
| IRS990EZ/TypeOfOrganizationCorpInd | 0 | X |
| IRS990EZ/WebsiteAddressTxt | 0 | NAKEDANGELS.COM |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/CurrentTaxYearAmt | 0 | 83758 |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/CurrentTaxYearMinus1YearAmt | 0 | 47419 |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/CurrentTaxYearMinus2YearsAmt | 0 | 35685 |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/CurrentTaxYearMinus3YearsAmt | 0 | 54935 |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/CurrentTaxYearMinus4YearsAmt | 0 | 155806 |
| IRS990ScheduleA/GiftsGrantsContriRcvd170Grp/TotalAmt | 0 | 377603 |
| IRS990ScheduleA/GrossReceiptsRltdActivitiesAmt | 0 | 144499 |
| IRS990ScheduleA/PublicOrganization170Ind | 0 | X |
| IRS990ScheduleA/PublicSupportCY170Pct | 0 | 0.53320 |
| IRS990ScheduleA/PublicSupportPY170Pct | 0 | 0.64640 |
| IRS990ScheduleA/PublicSupportTotal170Amt | 0 | 201347 |
| IRS990ScheduleA/SubstantialContributorsTotAmt | 0 | 176256 |
| IRS990ScheduleA/ThirtyThrPctSuprtTestsCY170Ind | 0 | X |
| IRS990ScheduleA/TotalCalendarYear170Grp/CurrentTaxYearAmt | 0 | 83758 |
| IRS990ScheduleA/TotalCalendarYear170Grp/CurrentTaxYearMinus1YearAmt | 0 | 47419 |
| IRS990ScheduleA/TotalCalendarYear170Grp/CurrentTaxYearMinus2YearsAmt | 0 | 35685 |
| IRS990ScheduleA/TotalCalendarYear170Grp/CurrentTaxYearMinus3YearsAmt | 0 | 54935 |
| IRS990ScheduleA/TotalCalendarYear170Grp/CurrentTaxYearMinus4YearsAmt | 0 | 155806 |
| IRS990ScheduleA/TotalCalendarYear170Grp/TotalAmt | 0 | 377603 |
| IRS990ScheduleA/TotalSupportAmt | 0 | 377603 |
| IRS990ScheduleB/ContributorInformationGrp/ContributorBusinessName/BusinessNameLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorNum | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine2 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/City | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/State | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/ZIPCode | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/TotalContributionsAmt | 0 | RESTRICTED |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | DESCRIPTION: TRAVEL. AMOUNT: 587. DESCRIPTION: ADVERTISING. AMOUNT: 765. DESCRIPTION: INSURANCE. AMOUNT: 1,672. DESCRIPTION: SUPPLIES. AMOUNT: 420. DESCRIPTION: LICENSES AND FEES. AMOUNT: 1,583. DESCRIPTION: MISCELLANEOUS. AMOUNT: 2,668. TOTAL TO FORM 990-EZ, LINE 16: 7,695. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | DESCRIPTION: GRANTS RECEIVABLE. BEG. OF YEAR AMOUNT: 0. END OF YEAR AMOUNT: 35,300. |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 2 | DESCRIPTION: ACCOUNTS PAYABLE. BEG. OF YEAR AMOUNT: 574. END OF YEAR AMOUNT: 125. |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | FORM 990-EZ, PART I, LINE 16 - OTHER EXPENSES |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | FORM 990-EZ, PART II, LINE 24 - OTHER ASSETS |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 2 | FORM 990-EZ, PART II, LINE 26 - OTHER LIABILITIES |
| TransferPrsnlBnftContractsDecl/DeclarationDesc | 0 | THE ORGANIZATION DID NOT, DURING THE YEAR, RECEIVE ANY FUNDS, DIRECTLY,OR INDIRECTLY, TO PAY PREMIUMS ON A PERSONAL BENEFIT CONTRACT.THE ORGANIZATION, DID NOT, DURING THE YEAR, PAY ANY PREMIUMS, DIRECTLY,OR INDIRECTLY, ON A PERSONAL BENEFIT CONTRACT. |
| ReturnHeader/BuildTS | 0 | 2021-01-29 14:40:06Z |
| ReturnHeader/BusinessOfficerGrp/DiscussWithPaidPreparerInd | 0 | 1 |
| ReturnHeader/BusinessOfficerGrp/PersonNm | 0 | JEAN MARIE MCKEE |
| ReturnHeader/BusinessOfficerGrp/PersonTitleTxt | 0 | ARTISTIC DIRECTOR |
| ReturnHeader/BusinessOfficerGrp/PhoneNum | 0 | 9173851693 |
| ReturnHeader/BusinessOfficerGrp/SignatureDt | 0 | 2020-04-26 |
| ReturnHeader/Filer/BusinessName/BusinessNameLine1Txt | 0 | NAKED ANGELS LTD |
| ReturnHeader/Filer/BusinessNameControlTxt | 0 | NAKE |
| ReturnHeader/Filer/EIN | 0 | 133509565 |
| ReturnHeader/Filer/PhoneNum | 0 | 9173851693 |
| ReturnHeader/Filer/USAddress/AddressLine1Txt | 0 | 151 BANK STREET |
| ReturnHeader/Filer/USAddress/CityNm | 0 | NEW YORK |
| ReturnHeader/Filer/USAddress/StateAbbreviationCd | 0 | NY |
| ReturnHeader/Filer/USAddress/ZIPCd | 0 | 10014 |
| ReturnHeader/FilingSecurityInformation/AtSubmissionCreationDeviceId | 0 | 59DB2DCED2F0F031B1229EEE1E2D2F031B4345D1 |
| ReturnHeader/FilingSecurityInformation/AtSubmissionFilingDeviceId | 0 | 03E3EECF7E65A1A7F99EA68D2AC92F3596A19EA3 |
| ReturnHeader/FilingSecurityInformation/FilingLicenseTypeCd | 0 | P |
| ReturnHeader/FilingSecurityInformation/IPAddress/IPv4AddressTxt | 0 | 38.142.140.186 |
| ReturnHeader/FilingSecurityInformation/IPDt | 0 | 2020-04-26 |
| ReturnHeader/FilingSecurityInformation/IPTimezoneCd | 0 | ED |
| ReturnHeader/FilingSecurityInformation/IPTm | 0 | 09:52:28 |
| ReturnHeader/PreparerFirmGrp/PreparerFirmEIN | 0 | 131655065 |
| ReturnHeader/PreparerFirmGrp/PreparerFirmName/BusinessNameLine1Txt | 0 | LUTZ AND CARR CPAS LLP |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/AddressLine1Txt | 0 | 551 FIFTH AVENUE SUITE 400 |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/CityNm | 0 | NEW YORK |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/StateAbbreviationCd | 0 | NY |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/ZIPCd | 0 | 10176 |
| ReturnHeader/PreparerPersonGrp/PhoneNum | 0 | 2126972299 |
| ReturnHeader/PreparerPersonGrp/PreparerPersonNm | 0 | FREDERICK MARTENS |
| ReturnHeader/ReturnTs | 0 | 2020-06-15T08:58:50-05:00 |
| ReturnHeader/ReturnTypeCd | 0 | 990EZ |
| ReturnHeader/TaxPeriodBeginDt | 0 | 2018-09-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2019-08-31 |
| ReturnHeader/TaxYr | 0 | 2018 |
Document Assets
No mirrored PDF or thumbnail assets are attached yet.
Filings
Displayed year
2019 • Form 990EZDetailed filing. Detailed filing data is available for this year.
- Assets
- $64,175
- Liabilities
- $125
- Net assets
- $64,050
- Revenue
- $85,965
- Expenses
- $59,412
- Net income
- $26,553