New York City Ballet Inc

“Review of the 990 the 990 is prepared by city ballet's accounting department and reviewed by the auditors and the cfo, then reviewed by the executive director and audit committee. Upon completion of review, copies are provided to the entire board for review and comment prior to the electronic filing with the internal revenue service.”

“Conflict-of-interest policy city ballet regularly and consistently monitors and enforces compliance with the conflict-of-interest policy by requiring all officers, directors, and members of senior management to complete a conflict-of- interest questionnaire annually.”

“The board chair and president review and approve the compensation of the artistic director, associate artistic director and executive director, in addition to changes in other key employees' salaries which are then approved by the full board as part of the annual budget approval process.”

“City ballet's financial statements are available on city ballet's website and its form 990 is available upon request.”

“Programming: new york city ballet was proud to present 21 weeks of programming to 318,203 audience members during our 2023-24 75th anniversary season at the david h. Koch theater at lincoln center. The repertory performance periods were themed to tie into the anniversary. The foundation (fall), the evolution (winter), and the future (spring), in addition to the annual production of george balanchine's the nutcracker. Our fall season (the foundation) was an all-balanchine season, paying tribute to nycb's founding choreographer george balanchine and the incredible repertory he built. The season opened with a week of performances of jewels, and continued with performances of 18 other balanchine works including agon, apollo, la sonnambula, prodigal son, slaughter on tenth avenue, tarantella, theme and variations, and western symphony. During the winter season (the evolution) the company presented ballets from our co-founding choreographers, balanchine and jerome robbins, while presenting new work from the decades following balanchine's death in 1983, showcasing how nycb continued as a center for innovative ballet ideas. The winter season also presented two world premieres, nycb principal dancer tiler peck's first work for nycb concerto for two pianos, and artist in residence alexei ratmansky's solitude. The spring season (the future) focused largely on ballets which have joined our repertory in recent years, demonstrating the importance of collaborating with a diverse group of contemporary artists. Additionally, new works included resident choreographer justin peck's dig the say and amy hall garner's first work for nycb, underneath, there is light. Touring: touring expanded in fy24, with the company resuming its annual summer residency at the saratoga performing arts center in saratoga springs, ny july 17-23. In the spring a partial company toured to sold out houses at sadler's wells theatre in london from march 4-11 and then to the harris theater in chicago, il march 18-24. The season concluded with the annual tour to the john f. Kennedy center in washington, dc june 3-9. Education: new york city ballet (nycb) continued its robust suite of education programs for people of all ages and abilities during the 2023-24 season via school programs, access programs, and public programs. School programs included in-school residencies serving approximately 5,000 elementary students across 200 classrooms in 50 schools. Student matinees are a key component of all residency programs, bringing nycb's choreography and music to life and giving students an experience of attending a performance at the company's remarkable theater. In addition to our residencies, the recently launched studentix program provided 412 free tickets over five performances during nycb's winter and spring seasons to new york city public schools dance educators' middle and high school students and their families. Throughout the season, nycb conducted student tours of the david h. Koch theater as well, reaching 1,456 participants. Access programs included a variety of free, highly customized programming for children, teens, and adults with physical and cognitive disabilities, including workshops led by nycb dancers and teaching artists, artist visits to hospitals and schools, and attendance at performances at our theater. Nycb developed its first access program in 2014 in conjunction with the weinberg family cerebral palsy center at columbia university and has since established partnerships with 15+ organizations. In fy24 we conducted 46 individual access program workshops and bedside visits and two multi-workshop residencies, serving approximately 1,500 people with disabilities and their families. Additionally, nycb's sensory-friendly performances returned with a mixed-repertory program that welcomed over 800 attendees. Public programs provide opportunities for people of all ages to interact with members of the company and learn more about the legacy and innovation of nycb.”

“Change in postemployment and pension benefits 1,264,590. Loss on uncollectible accounts -248,256.”

“New york city ballet remains dedicated to the vision of its founders, george balanchine and lincoln kirstein, as it pursues two primary objectives: to perform the ballets and preserve the dance aesthetic and standards of excellence they created and established; and to develop new work that draws on the creative talents of contemporary choreographers and composers, and speaks to the time in which it is made. This mission is accompanied by a commitment to expand the company's audience and make ballet accessible to the widest possible public through touring, education programs, the creative use of media, and other outreach efforts.”