Liabilities / Assets
95th percentile
Higher debt load relative to assets than 95% of similar nonprofits.
Pick Up Performance Company Inc.
990EZ • Fiscal year 2015 • EIN 13-2943022
Siviq Scores
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
1.25x
Liabilities / Revenue
90th percentile
Higher debt load relative to revenue than 90% of similar nonprofits.
Net Margin
8th percentile
Higher net margin than 8% of similar nonprofits.
Top Officer Pay
80th percentile
Higher top officer pay than 80% of similar nonprofits.
Top officer pay equals 7.1% of source-year revenue.
Asset Growth
6th percentile
Faster asset growth than 6% of similar nonprofits.
Revenue Growth
7th percentile
Faster revenue growth than 7% of similar nonprofits.
Balance Sheet
Assets
Down$50,613
Down $96,021 (-65%) from 2014
Net Assets
Down-$12,404
Down $85,622 (-117%) from 2014
Liabilities
Down$63,017
Down $10,399 (-14%) from 2014
Revenue And Expenses
Revenue
Down$172,366
Down $280,103 (-62%) from 2014
Expenses
Down$257,988
Down $74,729 (-22%) from 2014
Net Income
Down-$85,622
Down $205,374 (-171%) from 2014
Historical Trend
Jump To
Filing Snapshot
- Filing Period
- Jul 1, 2014 to Jun 30, 2015
- Signed
- Feb 6, 2016
- Return Version
- 2014v6.0
- Gross Receipts
- $172,366
Mission and Program Overview
Mission
To provide students and audiences with the opportunity to observe and appreciate artistic performances.
Program Services
| Description | Grants | Expenses |
|---|---|---|
| During the Fiscal 2015 programming year, PUPCos went into the development stage and first public workshop performances of David Gordons Live Archiveography a creative residency and public showing of Ain Gordons Elegies for Spirits, Drunks & Raging Queens and Last People I Know at Baryshnikov Arts Center in New York City and the first year of a 2 year residency at the Historical Society of Pennsylvania where he is researching for a new play that includes some Philadelphia history (to premiere in May 2016) and public events about the process Live ArchiveographyDavid Gordon has begun to examine the challenge of constructing an archetype of a living artist's approach to the language of archive systems by examining the relationship of an existing archival methodology to his own 50+ years as a working artist. Live Archiveography is one method to contextualize his work from his own memory as well as the memories of former collaborators and performers. On November 10 & 11, 2014, Gordon presented the first script as work-in-progress performance at the Swiss Institute in New York. Live Archiveography is part of a larger collaborative relationship between PUPCos and the New York Public Library for the Performing Arts (LPA), called ARCHIVEOGRAPHY which will include Gordons gift of his complete moving image collection to the library, the first half (111 videos) of which have recently been made available through the Jerome Robbins Archive of the Recorded Moving Image's new Digital Collections portal. Complementary to the LPAs Digital Collections is PUPCos new archival website ARCHIVEOGRAPHY at davidgordon.nyc, which currently provides the first draft of digital access to Gordons scripts, reference materials, and images and link specifically to the LPA moving image database. Ain Gordon Elegies for Spirits, Drunks & Raging Queens Historical Society of Pennsylvania 1972: the American Psychiatric Association annual meeting convened a panel debating their classification of homosexuality as a disorder. If you sat in the audience that day, you would have seen a man wearing an oversize tuxedo and joke shop mask. Introduced as Dr. Henry Anonymous, he leaned toward a distorting mic to say, I am a homosexual. I am a psychiatrist. One-year later homosexuality was declassified; 20 years later that man publically outed himself as Dr. John E. Fryer. Fryer emerges as a church musician, a procrastinator, a self-proclaimed over-eater, and a soloist who seems never to have found a partner. Philadelphia emerges as a hotbed of the pre-stonewall homophile movement. From 1964-69, it was the site of Reminder Day; a protest at Independence Hall proclaiming NOT everyone had life, liberty, etc. Fall 2015 is the 50th anniversary of Reminder Day. Ain Gordon Last People I Know Baryshnikov Arts Center strives to revivify a cabal of personal icons who helped shape urban creativity in the 70s/80s, but lost their reputation. Who grows invisible, while our backs are turned? Many were felled by AIDS. Others couldn't navigate the winnowing force of the latter 80s professionalizing what were once creative margins. This deluge of human loss, urban fragment and sound forms an abyss of public forgetting we seek to theatrically annotate our cultural record by framing early punk musician David Hahn who died from a dirty needle, club legends John Sex/Klaus Nomi, Bill Vehr (founding artist of Charles Ludlams Ridiculous Theatrical Co), Peter Saul (early Merce Cunningham dancer), Elaine Shipman (dance devotee and pal to performing artist Harry Whittaker Sheppard who also died), etc. This work is being constructed in collaboration with dramaturg Talvin Wilks, composer/performer Josh Quillen and lighting designer Jennifer Tipton. It will manifest as a series of textual/sonic portraits performed as a duet by Gordon and Quillen | $211,561 | - |
Compensation and Service Providers
Employees
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| David Gordon | Board Member | PT | $1,750 | $10,488 | $12,238 |
| Katherine Brown | Co-Chair | - | $0 | - | - |
| Rhoda Cerritelli | Secretary/Treas | PT | $0 | - | - |
| Robert Gottlieb | Board Member | - | $0 | - | - |
| Rhoda Grauer | Board Member | - | $0 | - | - |
| Kim Chan | Board Member | - | $0 | - | - |
| Nadine Bertin Stearns | Board Member | - | $0 | - | - |
| Suzanne Weil | Board Member | - | $0 | - | - |
| Catherine Wyler | Board Member | - | $0 | - | - |
Filing and Contact Details
Filer
- Filer Name
- Pick Up Performance Co Inc
- EIN
- 13-2943022
- Phone
- 2122447622
- Address
- 440 W 34th Street, New York, NY 10001
Signing Officer
- Name
- Rhoda Cerritelli
- Title
- Secretary/Treas
- Signed
- 2016-02-06
- Discuss with paid preparer
- Yes
Preparer
- Firm
- Mary G Sormeley CPA
- Address
- 560 Day Ave, Ridgefield, NJ 07657
- Preparer
- Mary G Sormeley
- Phone
- 2018328922
Supplemental Narrative
Additional Explanations
Other Expenses.1001
“Advertising and Promotion $4932”
Other Expenses.1002
“Office Expenses $15022”
Other Expenses.1005
“Travel $7801”
Other Expenses.1008
“Interest $1537”
Other Expenses.1009
“Depreciation $3722”
Other Expenses.1012
“Insurance $1843”
Other Expenses.1
“Production costs $48865”
Other Expenses.2
“Telephone and internet $4874”
Other Expenses.3
“Dues and subscriptions $3319”
Other Expenses.4
“Miscellaneous $1837”
Other Expenses.5
“Storage and studio rental $1566”
Other Expenses.6
“Utilities $1416”
Other Expenses.8
“Bank and finance charges $460”
Other Assets.1002
“Furniture and Fixtures - Beginning $1018 Furniture and Fixtures - Ending $3729”
Other Assets.1004
“Miscellaneous - Beginning $6146 Miscellaneous - Ending $6148”
Other Assets.1006
“Pledges and Grants Receivable - Beginning $54413 Pledges and Grants Receivable - Ending $30000”
Other Assets.1011
“Prepaid Expenses and Deferred Charges - Beginning $5211 Prepaid Expenses and Deferred Charges - Ending $8053”
Total Liabilities.1001
“Accounts Payable and Accrued Expenses - Beginning $19825 Accounts Payable and Accrued Expenses - Ending $23351”
Total Liabilities.1003
“Deferred Revenue - Beginning $7500 Deferred Revenue - Ending $0”
Total Liabilities.1006
“Payable to Officers, Directors, Etc. - Beginning $44091 Payable to Officers, Directors, Etc. - Ending $0”
Total Liabilities.1007
“Secured Mortgages and Notes Payable - Beginning $2000 Secured Mortgages and Notes Payable - Ending $39666”
Raw XML Appendix217 raw XML fields
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | During the Fiscal 2015 programming year, PUPCos went into the development stage and first public workshop performances of David Gordons Live Archiveography a creative residency and public showing of Ain Gordons Elegies for Spirits, Drunks & Raging Queens and Last People I Know at Baryshnikov Arts Center in New York City and the first year of a 2 year residency at the Historical Society of Pennsylvania where he is researching for a new play that includes some Philadelphia history (to premiere in May 2016) and public events about the process Live ArchiveographyDavid Gordon has begun to examine the challenge of constructing an archetype of a living artist's approach to the language of archive systems by examining the relationship of an existing archival methodology to his own 50+ years as a working artist. Live Archiveography is one method to contextualize his work from his own memory as well as the memories of former collaborators and performers. On November 10 & 11, 2014, Gordon presented the first script as work-in-progress performance at the Swiss Institute in New York. Live Archiveography is part of a larger collaborative relationship between PUPCos and the New York Public Library for the Performing Arts (LPA), called ARCHIVEOGRAPHY which will include Gordons gift of his complete moving image collection to the library, the first half (111 videos) of which have recently been made available through the Jerome Robbins Archive of the Recorded Moving Image's new Digital Collections portal. Complementary to the LPAs Digital Collections is PUPCos new archival website ARCHIVEOGRAPHY at davidgordon.nyc, which currently provides the first draft of digital access to Gordons scripts, reference materials, and images and link specifically to the LPA moving image database. Ain Gordon Elegies for Spirits, Drunks & Raging Queens Historical Society of Pennsylvania 1972: the American Psychiatric Association annual meeting convened a panel debating their classification of homosexuality as a disorder. If you sat in the audience that day, you would have seen a man wearing an oversize tuxedo and joke shop mask. Introduced as Dr. Henry Anonymous, he leaned toward a distorting mic to say, I am a homosexual. I am a psychiatrist. One-year later homosexuality was declassified; 20 years later that man publically outed himself as Dr. John E. Fryer. Fryer emerges as a church musician, a procrastinator, a self-proclaimed over-eater, and a soloist who seems never to have found a partner. Philadelphia emerges as a hotbed of the pre-stonewall homophile movement. From 1964-69, it was the site of Reminder Day; a protest at Independence Hall proclaiming NOT everyone had life, liberty, etc. Fall 2015 is the 50th anniversary of Reminder Day. Ain Gordon Last People I Know Baryshnikov Arts Center strives to revivify a cabal of personal icons who helped shape urban creativity in the 70s/80s, but lost their reputation. Who grows invisible, while our backs are turned? Many were felled by AIDS. Others couldn't navigate the winnowing force of the latter 80s professionalizing what were once creative margins. This deluge of human loss, urban fragment and sound forms an abyss of public forgetting we seek to theatrically annotate our cultural record by framing early punk musician David Hahn who died from a dirty needle, club legends John Sex/Klaus Nomi, Bill Vehr (founding artist of Charles Ludlams Ridiculous Theatrical Co), Peter Saul (early Merce Cunningham dancer), Elaine Shipman (dance devotee and pal to performing artist Harry Whittaker Sheppard who also died), etc. This work is being constructed in collaboration with dramaturg Talvin Wilks, composer/performer Josh Quillen and lighting designer Jennifer Tipton. It will manifest as a series of textual/sonic portraits performed as a duet by Gordon and Quillen |
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| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 15 | Other Assets.1006 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 16 | Other Assets.1011 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 17 | Total Liabilities.1001 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 18 | Total Liabilities.1003 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 19 | Total Liabilities.1006 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 20 | Total Liabilities.1007 |
| ReturnHeader/BuildTS | 0 | 2016-08-17 19:52:53Z |
| ReturnHeader/BusinessOfficerGrp/DiscussWithPaidPreparerInd | 0 | true |
| ReturnHeader/BusinessOfficerGrp/PersonNm | 0 | Rhoda Cerritelli |
| ReturnHeader/BusinessOfficerGrp/PersonTitleTxt | 0 | Secretary/Treas |
| ReturnHeader/BusinessOfficerGrp/SignatureDt | 0 | 2016-02-06 |
| ReturnHeader/Filer/BusinessName/BusinessNameLine1Txt | 0 | Pick Up Performance Co Inc |
| ReturnHeader/Filer/BusinessName/BusinessNameLine2Txt | 0 | dba Pick Up Performance Cos |
| ReturnHeader/Filer/BusinessNameControlTxt | 0 | PICK |
| ReturnHeader/Filer/EIN | 0 | 132943022 |
| ReturnHeader/Filer/PhoneNum | 0 | 2122447622 |
| ReturnHeader/Filer/USAddress/AddressLine1Txt | 0 | 440 W 34th Street |
| ReturnHeader/Filer/USAddress/CityNm | 0 | New York |
| ReturnHeader/Filer/USAddress/StateAbbreviationCd | 0 | NY |
| ReturnHeader/Filer/USAddress/ZIPCd | 0 | 10001 |
| ReturnHeader/PreparerFirmGrp/PreparerFirmName/BusinessNameLine1Txt | 0 | Mary G Sormeley CPA |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/AddressLine1Txt | 0 | 560 Day Ave |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/CityNm | 0 | Ridgefield |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/StateAbbreviationCd | 0 | NJ |
| ReturnHeader/PreparerFirmGrp/PreparerUSAddress/ZIPCd | 0 | 07657 |
| ReturnHeader/PreparerPersonGrp/PhoneNum | 0 | 2018328922 |
| ReturnHeader/PreparerPersonGrp/PreparerPersonNm | 0 | Mary G Sormeley |
| ReturnHeader/PreparerPersonGrp/SelfEmployedInd | 0 | X |
| ReturnHeader/ReturnTs | 0 | 2016-02-06T09:48:35-08:00 |
| ReturnHeader/ReturnTypeCd | 0 | 990EZ |
| ReturnHeader/TaxPeriodBeginDt | 0 | 2014-07-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2015-06-30 |
| ReturnHeader/TaxYr | 0 | 2014 |
Document Assets
No mirrored PDF or thumbnail assets are attached yet.
Filings
Displayed year
2015 • Form 990EZDetailed filing. Detailed filing data is available for this year.
- Assets
- $50,613
- Liabilities
- $63,017
- Net assets
- -$12,404
- Revenue
- $172,366
- Expenses
- $257,988
- Net income
- -$85,622