Arteeast Inc.

“The 990 form and the related schedules are provided to and reviewed by select members of the board as well as management prior to submittal to the respective tax agencies.”

“All board members as well as key employees and management are required to annually read and confirm in writing they have no conflicts of interest or otherwise disclose them and to immediately disclose any relationship that may potentially give rise to a conflict of interest. The finance committee is responsible for reviewing any issues that arise.”

“All compensation for personnel is approved through the budget process by the board of directors which is evaluated and reviewed annually.”

“All compensation for personnel is approved through the budget process by the board of directors which is evaluated and reviewed annually.”

“The organization makes available its governing documents, conflict of interest policy and other policies and procedures upon request. The financial statements are also made available upon request. The 990 filing and the related schedules are made available upon request and can also be found on Guidestar.com, which is an independent entity that makes available via their website certain nonprofit information including but not limited to the Form 990.”

“Rounding difference.”

“Artist and performance fees $5,940, Event Production $8,274, Graphic design $375, Honorarium $291, Consulting $4,000.”

“Form 990, Part III, Line 4b) Audio tour contributions by: William Andersen (United States/Kuwait), Mohamed Ben Soltane (Tunisia), Aissa Deebi(Palestine/Switzerland), Ahmad Hammoud (Egypt), Shuruq Harb (Palestine), Alexandra Stock (Egypt), and Negar Tahsili (Iran).New Program Partners in 2019: Lower Manhattan Cultural Council (LMCC)ArteEast partnered with LMCC on an October 2019 tour of their exhibition on Governors Island: The Power of Two Suns, led by artist Yto Barrada and curator Omar Berrada.Yto Barrada was born in Paris in 1971. Her work, which began by exploring the peculiar situation of her hometown Tangier, Morocco, combines the strategies of documentary film with a metaphorical approach to imagery in her photographs, installations, and sculptures. Engaging with the performativity of archival practices and public interventions, Barradas installations reinterpret social relationships, uncover subaltern histories, and reveal the prevalence of fiction in institutionalized narratives. Her work is held in the collections of Centre Pompidou, Paris; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; and Tate Modern, London. She was the 2011 Deutsche Bank Artist of the Year, the 2013 Robert Gardner Fellow in Photography (Peabody Museum at Harvard University), the 2015 Abraaj Group Art Prize winner, and the 2019 Roy R. Neuberger Prize winner. She is the founding director of the Tangier Cinematheque. New Program Partners in 2019: The MacDowell Colony and Pen America Artists at Risk Coalition In October 2019, ArteEast partnered with PEN Americas Artists at Risk Connection, and the MacDowell Colony to present Art, Activism and Migration: An Evening with Khaled Barakehin conversation with artist Dahlia Elsayed.Khaled Barakeh is a conceptual artist and cultural activist. He graduated from the Faculty of Fine Arts in Damascus, Syria in 2005, received his MFA at Funen Art Academy in Odense, Denmark in 2010 and in 2013, he completed a Meisterschuler studies at the Stdelschule Art Academy in Frankfurt a.M., Germany. The geographical shift in Khaled Barakehs life moving from Syria to Europe resulted in major changes in his approach towards his work; originally trained as a painter, he then developed a stronger focus on contemporary art practices, working with a variety of media and topics. Barakeh is considered part of a global artivism movement; he approaches creative practices as a tool of social changes and cultural preservation. As a continuation of these activities outside of his artistic practice, he has recently founded a non-profit organisation, coculture e.V., through which he manages several initiatives, such as SYRIA Cultural Index and the Syrian Biennale, focused on connecting and empowering displaced cultural producers in the Middle East, Europe and beyond. Dahlia Elsayed makes fictional landscapes in pictorial spaces that are simultaneously flat and real, creating myth pictures for placelessness. Her work has been exhibited widely including the 12th Cairo Biennale, Robert Miller Gallery, BravinLee Programs, The New Jersey State Museum and Aljira Center for Contemporary Art, and is in the public collections of the Newark Museum, the Zimmerli Museum, Johnson & Johnson Corporation, the US Department of State, amongst others. Dahlia has received awards from the Joan Mitchell Foundation, the MacDowell Colony, Womens Studio Workshop, Headlands Center for the Arts, and the NJ State Council on the Arts. New Program Partners in 2019: The Center for Human Rights in Iran and Grey Art Gallery In November 2019, ArteEast presented A Bridge Between You and Everything, a panel discussion moderated by acclaimed Iranian artist Shirin Neshat, in collaboration with the Center for Human Rights in Iran at NYUs Grey Art Gallery. In addition, ArteEast presented a tour of the exhibition A Bridge Between You and Everything: An Exhibition of Iranian Women Artists at the High Line Nine Gallery, led by participating artists:”