Civic Intelligence

Center for Latter-Day Saint

EIN 82-0917393 • 501(c)3 • New York, NY

Profile

The center for latter-day saint arts has a threefold mission: 1. To display and perform art by latter-day saints in new york city and elsewhere. 2. To publish scholarship and criticism about our art to reach a wider public. 3. To establish a comprehensive archive of latter-day saint art from 1830 to the present.

PO Box 230465New York, NY 10023

www.centerforlatterdaysaintarts.org

Siviq Scores

Precomputed percentiles relative to similar nonprofits. These scores are descriptive rather than judgmental.

Liabilities / Assets

29th percentile

0.00x

Higher debt load relative to assets than 29% of similar nonprofits.

NTEE A • $500k-$1M nonprofits • Source year 2024

Liabilities / Revenue

28th percentile

0.00x

Higher debt load relative to revenue than 28% of similar nonprofits.

NTEE A • $500k-$1M nonprofits • Source year 2024

Net Margin

5th percentile

-88%

Higher net margin than 5% of similar nonprofits.

NTEE A • $500k-$1M nonprofits • Source year 2024

Top Officer Pay

96th percentile

$144,410

Higher top officer pay than 96% of similar nonprofits.

Top officer pay equals 32.9% of source-year revenue.

NTEE A • $500k-$1M nonprofits • Source year 2024

Asset Growth

7th percentile

-35%

Faster asset growth than 7% of similar nonprofits.

NTEE A • $500k-$1M nonprofits • Annualized from 2023 to 2024

Revenue Growth

65th percentile

22%

Faster revenue growth than 65% of similar nonprofits.

NTEE A • $500k-$1M nonprofits • Annualized from 2023 to 2024

Balance Sheet
Liabilities / Assets29th percentile

Assets

Down

$725,119

Down $386,611 (-35%) from 2023

Liabilities

Up

$59

Up $134 (+179%) from 2023

Net Assets

Down

$725,060

Down $386,745 (-35%) from 2023

Operations
Liabilities / Revenue28th percentileNet Margin5th percentile

Revenue

Up

$438,859

Up $78,524 (+22%) from 2023

Expenses

Up

$825,604

Up $227,880 (+38%) from 2023

Net Income

Down

-$386,745

Down $149,356 (-63%) from 2023

Trend Graphs

Balance Sheet Trend

Asset Growth7th percentile

Grouped bars show assets, liabilities, and net assets across loaded filings.

$1.5M$1.0M$500K$0-$500KAssets 2017: $63,656Liabilities 2017: $0Net Assets 2017: $63,6562017Assets 2018: $89,895Liabilities 2018: $0Net Assets 2018: $89,8952018Assets 2019: $169,876Liabilities 2019: $0Net Assets 2019: $169,8762019Assets 2020: $483,884Liabilities 2020: $0Net Assets 2020: $483,8842020Assets 2021: $1,098,301Liabilities 2021: $0Net Assets 2021: $1,098,3012021Assets 2022: $1,354,495Liabilities 2022: -$89Net Assets 2022: $1,354,5842022Assets 2023: $1,111,730Liabilities 2023: -$75Net Assets 2023: $1,111,8052023Assets 2024: $725,119Liabilities 2024: $59Net Assets 2024: $725,0602024

Highlighted filing

2024

Assets$725,119
Liabilities$59
Net Assets$725,060
Open 2024 Filing

Operations Trend

Revenue Growth65th percentile

Revenue, expenses, and net income by year, with the latest filing highlighted.

$1.5M$1.0M$500K$0-$500KRevenue 2017: $240,717Expenses 2017: $177,061Net Income 2017: $63,6562017Revenue 2018: $181,590Expenses 2018: $155,352Net Income 2018: $26,2382018Revenue 2019: $306,308Expenses 2019: $226,486Net Income 2019: $79,8222019Revenue 2020: $504,922Expenses 2020: $190,914Net Income 2020: $314,0082020Revenue 2021: $1,012,245Expenses 2021: $397,828Net Income 2021: $614,4172021Revenue 2022: $853,629Expenses 2022: $597,346Net Income 2022: $256,2832022Revenue 2023: $360,335Expenses 2023: $597,724Net Income 2023: -$237,3892023Revenue 2024: $438,859Expenses 2024: $825,604Net Income 2024: -$386,7452024

Highlighted filing

2024

Revenue$438,859
Expenses$825,604
Net Income-$386,745
Open 2024 Filing

Filings

Most recent year

2024 • Form 990Detailed filing. Detailed filing data is available for this year.

Open filing
Assets
$725,119
Liabilities
$59
Net assets
$725,060
Revenue
$438,859
Expenses
$825,604
Net income
-$386,745
Balance SheetOperations
YearAssetsLiabilitiesNet AssetsRevenueExpensesNet Income
2024Detailed filing. Detailed filing data is available for this year.$0.73$0.00$0.73$0.44$0.83$0.39
2023Detailed filing. Detailed filing data is available for this year.$1.11$0.00$1.11$0.36$0.60$0.24
2022Detailed filing. Detailed filing data is available for this year.$1.35$0.00$1.35$0.85$0.60$0.26
2021Detailed filing. Detailed filing data is available for this year.$1.10$0.00$1.10$1.01$0.40$0.61
2020Detailed filing. Detailed filing data is available for this year.$0.48$0.00$0.48$0.50$0.19$0.31
2019Summary only. Only limited summary data is available for this year.$0.17$0.00$0.17$0.31$0.23$0.08
2018Summary only. Only limited summary data is available for this year.$0.09$0.00$0.09$0.18$0.16$0.03
2017Summary only. Only limited summary data is available for this year.$0.06$0.00$0.06$0.24$0.18$0.06
Latest Filing Detail
Jump To
Filing Snapshot
Filing Period
Jan 1, 2024 to Dec 31, 2024
Signed
Nov 17, 2025
Return Version
2024v5.1
Gross Receipts
$438,859
Mission and Program Overview

Mission

The Center for Latter-day Saint Arts has a three-fold mission: To display and perform art by Latter-day Saints in New York City and elsewhere; to publish scholarship and criticism about our art to reach a wider public; and to establish a comprehensive archive of Latter-day Saint art, 1830 to the present. Programs include art festivals, weekly mailings, art lessons, art competitions, a gallery in New York City and archival publications. Dozens of volunteers work to plan and execute these functions and raise funds.

Connecting Latter-day Saint artists to a worldwide audience - artistically, intellectually and spiritually.

Balance Sheet Detail
LineBeginningEndChange
Assets
Rtn Earn Endowment Incm Other Fnds$1,111,805$725,060▼ $386,745
Investments in Publicly Traded Securities$990,697$655,901▼ $334,796
Cash and Non-Interest-Bearing Accounts$121,033$69,218▼ $51,815
Receivable From Disqualified Prsn-$0-
Receivables From Officers Etc-$0-
Investments Other Securities$0--
Investments Program Related$0--
Land, Buildings, and Equipment, Net-$0-
Loans From Officers Directors-$0-
Total Assets$1,111,730$725,119▼ $386,611
Other Assets Total$0$0→ $0
Liabilities
Accounts Payable and Accrued Expenses-$59-
Other Liabilities$-75$0▲ $75
Total Liabilities$-75$59▲ $134
Net Assets / Fund Balance
Total Net Assets Fund Balance$1,111,805$725,060▼ $386,745
Total Liabilities and Net Assets / Fund Balance$1,111,730$725,119▼ $386,611
Compensation and Service Providers
Top Officer Pay96th percentile

Employees

NameTitleFull / Part TimeBaseOtherTotal
Mykal UrbinaExecutive DirectorFT$136,998$7,412$144,410

Board Members and Trustees

NameTitle
Stanley HainsworthChairman
David SimmonsInvestment Committee Chair
Brad PeloDirector
Gabriel GonzlezDirector
Mary Ann LeeDirector
Monica HeslingtonDirector
Richard BushmanDirector
Claudia BushmanHistorian
Jennifer WilcoxTreasurer
Revenue and Support

Revenue Composition

Contributions and Grants
$391,473
Program Service Revenue
$7,255
Investment Income
$40,131
Other Revenue
$0
Change in Net Assets
$-386,745
Expenses and Functional Allocation

Major Expense Lines

Line ItemAmount
Other Expenses$533,484
Salaries, Compensation, and Employee Benefits$292,120
Total Fundraising Expense$111,945
Grants and Similar Amounts Paid$0
Professional Fundraising Fees$0

Functional Expense Allocation

Line ItemProgramManagementFundraisingTotal
Current Officers, Directors, Trustees, and Key Employees$48,137$48,137$48,137$144,411
Other Salaries and Wages$42,688$42,688$42,688$128,064
Payroll Taxes$6,548$6,548$6,549$19,645
Fees for Services Accounting-$16,074-$16,074
Other Expenses$67,718-$9,360$9,360
Fees for Services Other$0$4,581$4,581$9,162
Office Expenses$4,269$4,419-$8,688
Information Technology$784$7,279-$8,063
Advertising-$2,710-$2,710
Travel-$1,860-$1,860
Insurance-$1,351-$1,351
Conferences and Meetings-$365-$365
Total Functional Expenses$577,647$136,012$111,945$825,604
Fundraising, Events, and Gaming
Fundraising activities
No
Gaming activities
No
Professional fundraiser used
No

Fundraising and Gaming Totals

Line ItemAmount
Professional Fundraising Fees$0
Political and Lobbying Activity
Political campaign activity
No
Lobbying activity
No
Subject to proxy tax
No
Insider Transactions and Loans

Loans and Receivables

Line ItemBeginningEndChange
Loans from Officers, Directors, Trustees, and Key Employees-$0-
Receivables from Disqualified Persons-$0-
Receivables from Officers, Directors, Trustees, and Key Employees-$0-
Governance and Compliance

Governance Checklist

Compiled or reviewed by an accountant
No
Annual disclosure for covered persons
Yes
Backup withholding compliance
Yes
Business relationship with 35% controlled entity
No
Business relationship with family members
No
Business relationship with organization members
No
Material changes to governing documents
No
Compensation from other sources disclosed
No
CEO compensation reviewed
No
Other officer compensation reviewed
No
Conflict-of-interest policy
Yes
Audited financial statements prepared
No
Key decisions subject to board approval
No
Management duties delegated
No

Governance Explanations

Form 990, Part VI, Line 2 Family/business relationships amongst interested persons

“RICHARD BUSHMAN - Family relationship, CLAUDIA BUSHMAN - Family relationship”

Form 990, Part VI, Line 11B Review of form 990 by governing body

“The return is reviewed by the executive director and accountant and distributed to the board of directors. The board's approval is requested before the form 990 is filed.”

Form 990, Part VI, Line 12C Conflict of interest policy

“The board regularly discusses the conflict of interest policy and is mindful of the previously disclosed conflicts prior to making a decision that may result in a conflict of interest. Board members who have a conflict of interest are recused from participating in discussions about the conflicts. A conflict of interest statement is signed by the board members annually.”

Form 990, Part VI, Line 19 Required documents available to the public

“The governing documents, conflict of interest policy, and financial statements are available to the public upon request.”

Filing and Contact Details

Filer

Filer Name
Center for Latter-Day Saint Arts Inc
EIN
82-0917393
Phone
6462457093
Address
PO BOX 230465, New York, NY 10023

Signing Officer

Name
Mykal Urbina
Title
Executive Director
Phone
4803295457
Signed
2025-11-17
Discuss with paid preparer
Yes

Organization Details

Formed
2017
Legal Domicile
Ny
Voting Board Members
9
Independent Board Members
9
Employees
3
Volunteers
59

Preparer

Firm
Larson & Company PC
Address
11240 S River Heights Dr Ste 300, South Jordan, UT 84095-5123
Preparer
Richard Scoresby
Phone
8013131900
Supplemental Narrative

Additional Explanations

Form 990, Part III, Line 1

“The center for latter-day saint arts has a threefold mission: 1. To display and perform art by latter-day saints in new york city and elsewhere. 2. To publish scholarship and criticism about our art to reach a wider public. 3. To establish a comprehensive archive of latter-day saint art from 1830 to the present.”

Raw XML AppendixShowing 400 of 432 raw XML fields

This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.

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IRS990/Desc0The Intersection of Cultural Relevance and Divine Creativity: The Artists Residency at the Center The second Residency cohort joined us in New York October 9-14, 2024: * Vanessa Cook, Switzerland, choreography * Dylan Findley, Ohio, music composition * Michelle Nixon, Utah, visual art * Isaac Richards, Utah, literature * Justin Wheatley, Utah, visual art * Darlene Young, Utah, poetry They were chosen by a notable jury: Tacey M. Atsitty, Richard Bushman, Rose Datoc Dall, Nancy Heuston, Susan Elizabeth Howe, Jared Oaks, and Aaron Toronto. The artists spent one week sharing a townhouse in New York City, advancing work on discipline-specific projects of their own design, participating in group outings including a Broadway show, a walking tour through art galleries in Chelsea, guest speakers, communal meals, and professional development activities. As one 2024 resident reflected, "for me was the people... The biggest highlight of the residency for me was the people...The connections I made were truly meaningful and inspiring. I especially enjoyed the conversations we had while traveling to different events or winding down in the evenings. Sharing experiences like a Broadway musical or exploring new foods added an extra layer of connection. Beyond that, I also cherished the creative space the Residency gave me -time to try new things and dedicate myself fully to my project. My favorite painting moment was painting on the street; despite the risk, it was exhilarating and rewarding." Artist Professional Development The Center championed and connected artists through workshops and virtual webinars, including: * Masterclass for vocal students from BYU and UTSA with Rachel Willis-Srensen and Darrell Babidge, her mentor and chair of voice at The Juilliard School * Webinar with Ben Taylor on Portfolio Preparation * Webinar with Jackie Leishman and Steve L. Peck on cross-disciplinary collaboration * "One Plus One Equals Three," special virtual workshop for Artists Residency applicants Work & Wonder: 200 Years of Latter-day Saint Art Retrospective Exhibition This landmark exhibition at the Church History Museum included 120+ works representing three centuries of Latter-day Saint art and objects and ran from September 26, 2024 through March 1, 2025. For nearly 200 years the rich doctrine, history, and culture of The Church of Jesus Christ of Latter-day Saints have inspired artists to create artworks of diverse and profound expression. As the Church nears the bicentennial of its organization in 1830, this exhibition presented a broad survey of the visual art created by individuals connected to the faith. This exhibition was the largest and most comprehensive attempt to show the variety of works by Latter-day Saint artists around the world from the Church's founding to the present. It included imagery from a broad array of backgrounds, materials, and styles and invited audiences to consider both the historical traditions and future trajectories of Latter-day Saint art. Rather than telling a story chronologically or geographically, the exhibition was organized into four thematic sections: Memory and Archive; Individual and Church; Sacred Spaces; and Identity. Work and Wonder: 200 Years of Latter-day Saint Art was curated by Heather Belnap, Ashlee Whitaker Evans, and Bront Hebdon, organized by the Church History Museum and the Center for Latter-day Saint Arts, and made possible by the generous support of Center donors. Leadership support for the exhibition was provided by The Kahlert Foundation, The Larry H. & Gail Miller Family Foundation, and the George S. and Dolores Dore Eccles Foundation. In total, 91,100 people visited the exhibition. Materializing Mormonism: Trajectories in Contemporary Latter-day Saint Art An exhibition at the Mesa Contemporary Arts Museum in Mesa, Arizona, showcased a broad spectrum of contemporary art created by artists affiliated with and adjacent to the faith. These objects explore ideas such as community and belongin
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IRS990/PrincipalOfcrBusinessName/BusinessNameLine1Txt0STANLEY HAINSWORTH
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IRS990/ProgSrvcAccomActy2Grp/Desc0Cultural Relevance Latter-day Saint Art: A Critical Reader The Center published its landmark volume of visual art of the Latter-day Saints from the nineteenth-century to the present, including art by, for, or about Mormons. Scholars from various disciplines, perspectives, and backgrounds contributed individual chapters with rigorous research and analysis of Latter-day Saint artistic production and culture. Together, the twenty-two chapters covered panorama paintings, quilts, architecture, sculpture, and cartoons, to film, gallery installations, indigenous works and more to offer a complex and comprehensive picture of Mormon visual art with unprecedented breadth and depth. Highlighting a broad range of critical approaches from scholars both inside and outside the faith tradition, this publication was the first of its kind about Latter-day Saint art. The volume was published by Oxford University Press on August 27, 2024, edited by Amanda Beardsley and Mason Kamana Allred, and featured a foreword from Center co-founders, Richard L. Bushman and Glen Nelson. Carnegie Hall Performance On April 9th, 2024, the celebrated soprano Rachel Willis-Srensen made her New York recital debut at Carnegie Hall's Zankel Hall as a guest of the Center for Latter-day Saint Arts. Willis-Srensen is a regular at leading opera houses around the world, from the LA Opera to Opera national de Paris. At Zankel Hall, Willis-Srensen sang works by Strauss and song cycles by Rachmaninoff, Beach, and Sibelius. She gave the world premiere of S. Andrew Lloyd's Amaranthine, winner of the 2022 Prize of The Ariel Bybee Endowment at the Center for Latter-day Saint Arts, an endowment created to honor the legacy of Metropolitan Opera mezzo Ariel Bybee (1943-2018). The Ariel Bybee Endowment at the Center for Latter-day Saint Arts The Ariel Bybee Endowment at the Center for Latter-day Saint Arts is delighted to announce the winner of the 2024 Prize: Music Education. Mia Black, a music educator currently living in Utah Valley and with multiple experiences living abroad is developing a curriculum for elementary-aged students through a book, titled American Harmon. American Harmony will function as an organized collection of folk songs to be used in a classroom setting organized by the story of immigration to America. The book will adhere to Kodaly music education theory, which suggests that students should learn music through the folk songs of their history and culture. Black, in particular, understands both the benefits and challenges of applying this theory to her work. Each unit will include songs, lessons and historical context to help elementary-aged students understand and celebrate the inherent multicultural nature of the United States. Folk music from local Native American cultures, Southern slave songs, Latin American music, Asian music, Irish music, and more will be included in the book. Of the broad inclusion of culture and ethnicity in the curriculum, Black says, "They should all have a place within American folk music - as they represent the diversity of our students that makes up our true American heritage." Claremont Graduate University Exhibition The Delicate Ties That Bind was a visual art exhibition held at Claremont Graduate University in the Peggy Phelps Gallery and East Gallery in Claremont, California from October 19, 2024 - November 1, 2024. It explored the precariousness of post-pandemic existence and assessed the complex and often fragile relationships that shape our lives now. These threads make up the nature of our reality and serve as metaphors for both a tattered society and the essential connections between us. They both have the power to hurt but also the power to heal. The exhibition delved into the intersections of social and geographic communities, religious institutions, political systems, environmental concerns, and personal connections. The Delicate Ties That Bind was curated by Megan Knobloch Geilman and sponsored by Chloe Ross. The seve
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IRS990/ProgSrvcAccomActy3Grp/Desc0Divine Creativity Come Follow Me - Art Companion Our pioneering resource The Come Follow Me (Art Companion) continued to provide an artistic supplement to weekly Gospel learning for every age and to spark thoughtful discussion through the Book of Mormon, featuring 52 artistic creations throughout the year.
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IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt0THE CENTER FOR LATTER-DAY SAINT ARTS HAS A THREEFOLD MISSION: 1. TO DISPLAY AND PERFORM ART BY LATTER-DAY SAINTS IN NEW YORK CITY AND ELSEWHERE. 2. TO PUBLISH SCHOLARSHIP AND CRITICISM ABOUT OUR ART TO REACH A WIDER PUBLIC. 3. TO ESTABLISH A COMPREHENSIVE ARCHIVE OF LATTER-DAY SAINT ART FROM 1830 TO THE PRESENT.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt1RICHARD BUSHMAN - Family relationship, CLAUDIA BUSHMAN - Family relationship
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt2THE RETURN IS REVIEWED BY THE EXECUTIVE DIRECTOR AND ACCOUNTANT AND DISTRIBUTED TO THE BOARD OF DIRECTORS. THE BOARD'S APPROVAL IS REQUESTED BEFORE THE FORM 990 IS FILED.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt3THE BOARD REGULARLY DISCUSSES THE CONFLICT OF INTEREST POLICY AND IS MINDFUL OF THE PREVIOUSLY DISCLOSED CONFLICTS PRIOR TO MAKING A DECISION THAT MAY RESULT IN A CONFLICT OF INTEREST. BOARD MEMBERS WHO HAVE A CONFLICT OF INTEREST ARE RECUSED FROM PARTICIPATING IN DISCUSSIONS ABOUT THE CONFLICTS. A CONFLICT OF INTEREST STATEMENT IS SIGNED BY THE BOARD MEMBERS ANNUALLY.
IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt4THE GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE AVAILABLE TO THE PUBLIC UPON REQUEST.
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