Liabilities / Assets
67th percentile
Higher debt load relative to assets than 67% of similar nonprofits.
EIN 56-2537454 • 501(c)3 • Lakeville, CT
Profile
Our mission is to give listeners and performers experiences with classical music that are emotionally and personally meaningful and to cultivate a repertoire that is not usually heard in this region musical gems of early music as well as 20th century and contemporary works.
Precomputed percentiles relative to similar nonprofits. These scores are descriptive rather than judgmental.
Liabilities / Assets
67th percentile
Higher debt load relative to assets than 67% of similar nonprofits.
Liabilities / Revenue
69th percentile
Higher debt load relative to revenue than 69% of similar nonprofits.
Net Margin
16th percentile
Higher net margin than 16% of similar nonprofits.
Top Officer Pay
94th percentile
Higher top officer pay than 94% of similar nonprofits.
Top officer pay equals 18.8% of source-year revenue.
Asset Growth
24th percentile
Faster asset growth than 24% of similar nonprofits.
Revenue Growth
23rd percentile
Faster revenue growth than 23% of similar nonprofits.
Assets
Down$144,695
Down $64,319 (-31%) from 2024
Liabilities
Up$1,939
Up $884 (+84%) from 2024
Net Assets
Down$142,756
Down $65,203 (-31%) from 2024
Revenue
Down$159,382
Down $82,475 (-34%) from 2024
Expenses
Up$224,380
Up $7,916 (+3.7%) from 2024
Net Income
Down-$64,998
Down $90,391 (-356%) from 2024
Most recent year
2025 • Form 990EZDetailed filing. Detailed filing data is available for this year.
Ourmissionistogivelistenersandperformersexperienceswithclassicalmusicthatareemotionallyandpersonallymeaningfulandtocultivatearepertoirethatisnotusuallyheardinthisregion,musicalgemsofearlymusicaswellas20thcenturyandcontemporaryworks.
Our mission is to give listeners and performers experiences with classical music that are emotionally and personally meaningful and to cultivate a repertoire that is not usually heard in this region: musical gems of early music as well as 20th century and contemporary works.
| Description | Grants | Expenses |
|---|---|---|
| Performed Cavalieris "Rappresentatione di Anima et di Corpo" "Body and Soul" the earliest known opera oratorio from the turn of the 17th century and a turning point in music and two balletti by Cavalieri and Cristofano Malvezzi for thirty voices seven choirs composed for the marriage of their patrons Ferdinand I of Medici and Christina of Lorraine. Two semi-staged performances by Crescendo Chorus of thirty five singers drawn from the community augmented by professional singers Crescendo Period Instrument Orchestra and professional soloists of internationally and nationally renowned early music specialists: soprano Paulina Francisco Anima Baritone Anicet Castel Corpo bass-baritone Paul Max Tipton Mondo baritone Jermaine Woodard Jr. Consiglio countertenor Benjamin Rauch Piacere mezzo soprano Salome Sandoval Angel Custode and soprano Jennifer Tyo Oberto Vita Mondana led by Crescendos founding artistic director Christine Gevert. | $0 | $58,100 |
| Performed "Bach-Circle: Christmas Oratorios and Contemporary Female Voices" bringing to our audience 17th and 18th century works by Johann Sebastian Bach and his contemporaries. This program included Bachs fifth cantata of his Christmas Oratorio and lesser known works by his mentor Dietrich Buxtehude and his contemporaries Johann Schelle Johann Rosenmller Philipp Erlebach and Jeremias du Grain. Also part of this program were unaccompanied choral works by the award-winning contemporary female North American composers Emily Drum MaryAnne Muglia and Christine Donkin. Two performances with Crescendo Chorus soloists soprano Paulina Francisco countertenor Nicholas Tamagna tenor Gene Stenger bass-baritone Douglas Williams and Crescendo Period Instrument Orchestra with professional musicians from Connecticut New York City and Boston led by Crescendos founding artistic director Christine Gevert. | $0 | $51,244 |
| Performed "Nature in Vivaldis Sounds": Concertos for solo instruments and chamber orchestra by Antonio Vivaldi. Among the works were the violin concerto Tempesta di mare The Storm at Sea and the flute concertos "La notte" The Night and "Il gardellino" The Goldfinch. A unique version of Vivaldis Concerto for Two Mandolins was performed on two charangos small Andean stringed instruments of the lute family from the Quechua and Aymara peoples with the addition of quenas Andean wood flutes to the string orchestra giving our listeners a taste of the fusion of traditional and folk instruments that might have been heard in the New World. Two performances on period and Andean instruments with Edson Scheid Baroque violin Rodrigo Tarraza traverso Carlos Boltes and Scott Hill charango with strings and basso continuo players of Crescendo Period Instrument Orchestra and Gonzalo Cortes and Rodrigo Tarraza quenas directed by Christine Gevert from the harpsichord. | $0 | $21,075 |
| Two performances of "Revolutionary Renaissance" - Music by six largely unrecognized female composers from the Renaissance plus Afro-Portuguese contemporary Vicente Lusitano. Performed by the 25-member Crescendo chorus accompanying professional singers and musicians playing period instruments. | $0 | $19,432 |
| Offered Summer Sessions to the public. These sessions provided an opportunity to members of the community to sing with a small group exploring the repertoire understanding what was behind the music how the composition was conceived and what it meant. Each session offered some tools of vocal technique and exercises to build or develop participants practical musical skills. | $0 | $5,809 |
| Presented a harpsichord solo recital performed by Kenneth Weiss professor at the Paris Conservatoire France in honor of the legendary harpsichord virtuoso and scholar Wanda Landowska. | $0 | $4,539 |
| Holiday period public service event of Crescendo singers caroling to horses and the public. | $0 | $307 |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| Christine Gevert | Founding And Artistic Director | PT | $30,000 | - | $30,000 |
| Maureen Scannell Bateman | President | - | $0 | - | - |
| Henry Putzel lll | Vice-President | - | $0 | - | - |
| Grace Schalkwyk | Treasurer | - | $0 | - | - |
| Brian Farrell | Secretary | - | $0 | - | - |
| Thomas Schindler | Communications | - | $0 | - | - |
| Kathy Drake | Director | - | $0 | - | - |
| Kathleen Friend | Director | - | $0 | - | - |
| Sarah Melcher | Director | - | $0 | - | - |
| Michael Nesbitt | Director | - | $0 | - | - |
“| Other Expenses:, Amount:| Performance venue rentals, $9025| Musician food performance days, $1693| Performance promotion, $8144| Performance miscellaneous expense, $2144| Legal and licensing, $144| Bank and credit card processing fees, $652| Insurance, $1280| Professional memberships, $928| Performance instrument rentals, $1000| Musician travel allowance, $8887| Software, $2369|”
“| Explanation:, Amount:| Increase in current assets, $1124| Increase in current liabilities, $-1609| Prior period adjustment, $280|”
“| Explanation:, BOYAmount:, EOYAmount:| Fixed assets: Musical instruments $32,000; Prepaid expense $2,517, $33327, $34517|”
“| Explanation:, BOYAmount:, EOYAmount:| Accounts payable $1,722; Credit cards payable $217, $1055, $1939|”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
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| IRS990EZ/PrimaryExemptPurposeTxt | 0 | Our mission is to give listeners and performers experiences with classical music that are emotionally and personally meaningful and to cultivate a repertoire that is not usually heard in this region: musical gems of early music as well as 20th century and contemporary works. |
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| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 0 | Performed Cavalieris "Rappresentatione di Anima et di Corpo" "Body and Soul" the earliest known opera oratorio from the turn of the 17th century and a turning point in music and two balletti by Cavalieri and Cristofano Malvezzi for thirty voices seven choirs composed for the marriage of their patrons Ferdinand I of Medici and Christina of Lorraine. Two semi-staged performances by Crescendo Chorus of thirty five singers drawn from the community augmented by professional singers Crescendo Period Instrument Orchestra and professional soloists of internationally and nationally renowned early music specialists: soprano Paulina Francisco Anima Baritone Anicet Castel Corpo bass-baritone Paul Max Tipton Mondo baritone Jermaine Woodard Jr. Consiglio countertenor Benjamin Rauch Piacere mezzo soprano Salome Sandoval Angel Custode and soprano Jennifer Tyo Oberto Vita Mondana led by Crescendos founding artistic director Christine Gevert. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 1 | Performed "Bach-Circle: Christmas Oratorios and Contemporary Female Voices" bringing to our audience 17th and 18th century works by Johann Sebastian Bach and his contemporaries. This program included Bachs fifth cantata of his Christmas Oratorio and lesser known works by his mentor Dietrich Buxtehude and his contemporaries Johann Schelle Johann Rosenmller Philipp Erlebach and Jeremias du Grain. Also part of this program were unaccompanied choral works by the award-winning contemporary female North American composers Emily Drum MaryAnne Muglia and Christine Donkin. Two performances with Crescendo Chorus soloists soprano Paulina Francisco countertenor Nicholas Tamagna tenor Gene Stenger bass-baritone Douglas Williams and Crescendo Period Instrument Orchestra with professional musicians from Connecticut New York City and Boston led by Crescendos founding artistic director Christine Gevert. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 2 | Performed "Nature in Vivaldis Sounds": Concertos for solo instruments and chamber orchestra by Antonio Vivaldi. Among the works were the violin concerto Tempesta di mare The Storm at Sea and the flute concertos "La notte" The Night and "Il gardellino" The Goldfinch. A unique version of Vivaldis Concerto for Two Mandolins was performed on two charangos small Andean stringed instruments of the lute family from the Quechua and Aymara peoples with the addition of quenas Andean wood flutes to the string orchestra giving our listeners a taste of the fusion of traditional and folk instruments that might have been heard in the New World. Two performances on period and Andean instruments with Edson Scheid Baroque violin Rodrigo Tarraza traverso Carlos Boltes and Scott Hill charango with strings and basso continuo players of Crescendo Period Instrument Orchestra and Gonzalo Cortes and Rodrigo Tarraza quenas directed by Christine Gevert from the harpsichord. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 3 | Presented a harpsichord solo recital performed by Kenneth Weiss professor at the Paris Conservatoire France in honor of the legendary harpsichord virtuoso and scholar Wanda Landowska. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 4 | Offered Summer Sessions to the public. These sessions provided an opportunity to members of the community to sing with a small group exploring the repertoire understanding what was behind the music how the composition was conceived and what it meant. Each session offered some tools of vocal technique and exercises to build or develop participants practical musical skills. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 5 | Two performances of "Revolutionary Renaissance" - Music by six largely unrecognized female composers from the Renaissance plus Afro-Portuguese contemporary Vicente Lusitano. Performed by the 25-member Crescendo chorus accompanying professional singers and musicians playing period instruments. |
| IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt | 6 | Holiday period public service event of Crescendo singers caroling to horses and the public. |
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| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 24 |
| IRS990ScheduleA/InvestmentIncomeAndUBTIGrp/TotalAmt | 0 | 17239 |
| IRS990ScheduleA/InvestmentIncomeCYPct | 0 | 0.0226 |
| IRS990ScheduleA/InvestmentIncomePYPct | 0 | 0.0153 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/NetIncomeFromOtherUBIGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/OtherIncome509Grp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/Post1975UBTIGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/PubliclySupportedOrg509a2Ind | 0 | X |
| IRS990ScheduleA/PublicSupportCY509Pct | 0 | 0.9774 |
| IRS990ScheduleA/PublicSupportPY509Pct | 0 | 0.9541 |
| IRS990ScheduleA/PublicSupportTotal509Amt | 0 | 745646 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstAndDsqlfyPrsnsTotGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/SubstantialContributorsAmtGrp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus1YearAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 0 |
| IRS990ScheduleA/TaxRevLeviedOrgnztnlBnft509Grp/TotalAmt | 0 | 0 |
| IRS990ScheduleA/ThirtyThrPctSuprtTestsCY509Ind | 0 | X |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearAmt | 0 | 153193 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus1YearAmt | 0 | 184717 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus2YearsAmt | 0 | 172689 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus3YearsAmt | 0 | 132226 |
| IRS990ScheduleA/Total509Grp/CurrentTaxYearMinus4YearsAmt | 0 | 102821 |
| IRS990ScheduleA/Total509Grp/TotalAmt | 0 | 745646 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearAmt | 0 | 159382 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus1YearAmt | 0 | 191858 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus2YearsAmt | 0 | 176084 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus3YearsAmt | 0 | 132716 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/CurrentTaxYearMinus4YearsAmt | 0 | 102845 |
| IRS990ScheduleA/TotalSupportCalendarYearGrp/TotalAmt | 0 | 762885 |
| IRS990ScheduleB/ContributorInformationGrp/ContributorBusinessName/BusinessNameLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorNum | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine1 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/AddressLine2 | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/City | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/State | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/ContributorUSAddress/ZIPCode | 0 | RESTRICTED |
| IRS990ScheduleB/ContributorInformationGrp/TotalContributionsAmt | 0 | RESTRICTED |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 0 | | Other Expenses:, Amount:| Performance venue rentals, $9025| Musician food performance days, $1693| Performance promotion, $8144| Performance miscellaneous expense, $2144| Legal and licensing, $144| Bank and credit card processing fees, $652| Insurance, $1280| Professional memberships, $928| Performance instrument rentals, $1000| Musician travel allowance, $8887| Software, $2369| |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 1 | | Explanation:, Amount:| Increase in current assets, $1124| Increase in current liabilities, $-1609| Prior period adjustment, $280| |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 2 | | Explanation:, BOYAmount:, EOYAmount:| Fixed assets: Musical instruments $32,000; Prepaid expense $2,517, $33327, $34517| |
| IRS990ScheduleO/SupplementalInformationDetail/ExplanationTxt | 3 | | Explanation:, BOYAmount:, EOYAmount:| Accounts payable $1,722; Credit cards payable $217, $1055, $1939| |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 0 | Part I, line 16 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 1 | Part I, line 20 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 2 | Part II, line 24 |
| IRS990ScheduleO/SupplementalInformationDetail/FormAndLineReferenceDesc | 3 | Part II, line 26 |
| ReturnHeader/BuildTS | 0 | 2025-03-06 01:10:19Z |
| ReturnHeader/BusinessOfficerGrp/PersonNm | 0 | Grace Schalkwyk |
| ReturnHeader/BusinessOfficerGrp/PersonTitleTxt | 0 | Treasurer |
| ReturnHeader/BusinessOfficerGrp/PhoneNum | 0 | 8604354866 |
| ReturnHeader/BusinessOfficerGrp/SignatureDt | 0 | 2025-11-06 |
| ReturnHeader/Filer/BusinessName/BusinessNameLine1Txt | 0 | CRESCENDO INC |
| ReturnHeader/Filer/BusinessNameControlTxt | 0 | CRES |
| ReturnHeader/Filer/EIN | 0 | 562537454 |
| ReturnHeader/Filer/ForeignPhoneNum | 0 | 8604354866 |
| ReturnHeader/Filer/USAddress/AddressLine1Txt | 0 | PO BOX 245 |
| ReturnHeader/Filer/USAddress/CityNm | 0 | LAKEVILLE |
| ReturnHeader/Filer/USAddress/StateAbbreviationCd | 0 | CT |
| ReturnHeader/Filer/USAddress/ZIPCd | 0 | 060390245 |
| ReturnHeader/ReturnTs | 0 | 2025-11-05T14:04:23-05:00 |
| ReturnHeader/ReturnTypeCd | 0 | 990EZ |
| ReturnHeader/TaxPeriodBeginDt | 0 | 2024-07-01 |
| ReturnHeader/TaxPeriodEndDt | 0 | 2025-06-30 |
| ReturnHeader/TaxYr | 0 | 2024 |
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