Civic Intelligence

Experiments in Opera

990EZ • Fiscal year 2023 • EIN 46-3775780

Jul 01, 2022 to Jun 30, 2023 • Filed on Sep 22, 2023

205 23rd StreetBrooklyn, NY 11232

(917) 576-1314

Siviq Scores

Scores are not available for this record yet.

Balance Sheet

Assets

Up

$11,976

Up $8,684 (+264%) from 2022

Net Assets

Up

$11,976

Up $8,684 (+264%) from 2022

Liabilities

Flat

$0

Flat from 2022

Revenue And Expenses

Revenue

Down

$145,824

Down $39,214 (-21%) from 2022

Expenses

Down

$112,140

Down $94,837 (-46%) from 2022

Net Income

Up

$33,684

Up $55,623 (+254%) from 2022

Historical Trend

Balance Sheet Trend

The highlighted filing sits inside the broader history for assets, liabilities, and net assets.

$40K$30K$20K$10K$0Assets 2015: $955Liabilities 2015: $02015Assets 2016: $955Liabilities 2016: $02016Assets 2017: $1Liabilities 2017: $02017Assets 2018: $279Liabilities 2018: $02018Assets 2019: $65Liabilities 2019: $02019Assets 2020: $3,160Liabilities 2020: $02020Assets 2021: $25,231Liabilities 2021: $0Net Assets 2021: $25,2312021Assets 2022: $3,292Liabilities 2022: $0Net Assets 2022: $3,2922022Assets 2023: $11,976Liabilities 2023: $0Net Assets 2023: $11,9762023Assets 2024: $28,008Liabilities 2024: $7,589Net Assets 2024: $20,4192024Assets 2025: $30,562Liabilities 2025: $4,000Net Assets 2025: $26,5622025

Highlighted filing

2023

Assets$11,976
Liabilities$0
Net Assets$11,976

Operations Trend

Revenue, expenses, and net income across loaded years, with this filing highlighted.

$300K$200K$100K$0-$100KRevenue 2015: $41,969Expenses 2015: $41,014Net Income 2015: $9552015Revenue 2016: $41,969Expenses 2016: $41,014Net Income 2016: $9552016Revenue 2017: $50,330Expenses 2017: $50,051Net Income 2017: $2792017Revenue 2018: $51,140Expenses 2018: $51,540Net Income 2018: -$4002018Revenue 2019: $96,045Expenses 2019: $95,980Net Income 2019: $652019Revenue 2020: $82,395Expenses 2020: $79,235Net Income 2020: $3,1602020Revenue 2021: $100,523Expenses 2021: $78,452Net Income 2021: $22,0712021Revenue 2022: $185,038Expenses 2022: $206,977Net Income 2022: -$21,9392022Revenue 2023: $145,824Expenses 2023: $112,140Net Income 2023: $33,6842023Revenue 2024: $198,071Expenses 2024: $190,027Net Income 2024: $8,0442024Revenue 2025: $211,152Expenses 2025: $205,009Net Income 2025: $6,1432025

Highlighted filing

2023

Revenue$145,824
Expenses$112,140
Net Income$33,684
Jump To
Filing Snapshot
Filing Period
Jul 1, 2022 to Jun 30, 2023
Signed
Sep 22, 2023
Return Version
2022v5.0
Gross Receipts
$145,824
Mission and Program Overview

Mission

Supporting the creation of new opera by commissioning writers and composers and producing their work.

Program Services

DescriptionGrantsExpenses
There is no more significant marker of our thriving work and community than the recently released television opera, Everything for Dawn, which Opera News raved "stretches the boundaries of genre and storytelling to recalibrate opera for the twenty-first century." This ten-part work was the first major project of our Experiments in Opera Writers' Room, an innovative venture meant to create a more inclusive community of opera makers. This diverse group of 6 librettists and 10 composers worked together to shape the narrative and characters of this moving story about art, loss, family and mental health. The finished product, with each episode written by a different composer/librettist combo, was released in October 2022 on New York-based streaming service All Arts. The series has also been acquired by Washington, DC-based In Series and by Opera Philadelphia for streaming on their own channels. Our estimate is that, in its first year of streaming, Everything for Dawn will have been viewed by more than 12,000 audience members around all 50 states in the U.S. and Canada. We celebrated the launch of Everything for Dawn with a screening of the complete film at Anthology Film Archives on the Lower East Side of Manhattan with an audience of 112.$0$39,983
From June 15-17, 2023, Experiments in Opera premiered a production of Anthony Braxton Theater Improvisations at The Brick Theater in Williamsburg, Brooklyn. This production was conceived as a way of engaging with the complex system of notation and philosophy embedded in the work of MacArthur Genius Anthony Braxton. We worked closely with director/performer Rob Reese, vocalist and EiO Artistic Advisor Kamala Sankaram as well as instrumentalists Nate Wooley, James Fei and Ingrid Laubrock, to create a unified approach to Braxton's Compositions No. 279-282. The production ended up being a sold-out run for 173 audience members and received a rave review in the New York Times who praised us as "Hilarious, Delightful and Delirious." Our big risk paid off and we are looking for further opportunities to share this production in the upcoming seasons both in other parts of the United States and the world.$0$17,194
Starting in September 2022, we launched the latest and third iteration of the EiO Writers' Room with five librettists under the direction of EiO Artistic Director Jason Cady with support from EiO Managing Director Shannon Sindelar. The librettists who were selected from a national call for proposals were Joanie Brittingham, Britt Hewitt, Marcella Murray and Melissa Tien. Over the next four months, Jason led this group through the development of five new librettos (including one by Jason) that will make up the new opera Five Ways to Die. Meeting weekly, these artists shared their story ideas, and read and workshopped each other's sketches and scripts. In this supportive environment, even the three writers working on their first libretto were set up for success. Once the librettos were complete, Artistic Advisor Kamala Sankaram joined the leadership team to support the selection of five composers from a national call for scores. Composers Anthony Gatto, Jesse Gelaznik, Song Ae Kim and Del'Shawn Taylor were chosen and each paired with one librettist to start work on writing the music for the new operas in Five Ways to Die. We convened a workshop rehearsal for each of the operas, with music director Dmitry Glivinskiy and six singers to read through all of the new music. The singers selected for the workshop from open auditions were Alize Rozsnyai, Kannan Vasudevan, Lisa Neher, Seth Gilman, Abigail Raiford, and Melisa Bonetti. This workshop took place at the A.R.T. New York South Oxford Space in Brooklyn on Friday May 26, 2023 and culminated in run-throughs of each piece. Five Ways to Die will premiere in Spring 2024 as part of our 2023-2024 season.$0$12,005
This past year, EiO welcomed the artist Alexa Dexa as a resident artist as part of a two-year grant from Creatives Rebuild New York. Alexa set up and facilitated a wide range of activities that are specifically focused on engaging with Deaf and Disabled audience members, especially those who are still isolating because of the COVID-19 pandemic or for whom in-person performances may not be accessible. Here is Alexa's note about their work this year: "Every time I meet with my Disabled community online, the mutual gratitude is so life-affirming. Again and again I am nourished by the generosity and wisdom that surfaces as we hold space for practices of co-creation that honor the value we each have to share with ourselves and with each other." As part of their work this year, Alexa facilitated 16 one-on-one Zoom sessions of their electroacoustic toy opera, Bewitch Yourself. Alexa also facilitated a three-part workshop series called Creating Access that focused on Disability Justice & Accessibility Basics, Making Our Social Media More Accessible, and Reimagining Our Projects & Gatherings Towards Radical Inclusivity. These workshops were attended by 73 community members. Lastly, Alexa facilitated an eight-part online series for 45 community members called Shaping Sound Worlds. These workshops were geared towards nonmusicians and musicians alike and explored techniques and approaches for creating music and sound using online creative tools.$0$6,187
Compensation and Service Providers

Employees

NameTitleFull / Part TimeBaseOtherTotal
Aaron SiegelExecutive DirectorPT$5,000-$5,000
Jason CadyArtistic DirectorPT$5,000-$5,000
Kamala SankaramArtistic DirectorPT$4,000-$4,000
Nadia BerensteinBoard Member-$0--
Erin FlanneryBoard Member-$0--
Todd MarcusBoard Member-$0--
Dalia LevineBoard Member-$0--
A M HomesBoard Member-$0--
James C HortonMember-$0--
Audrey CoxMember-$0--
Filing and Contact Details

Filer

Filer Name
Experiments in Opera
EIN
46-3775780
Phone
9175761314
Address
205 23rd Street, Brooklyn, NY 11232

Signing Officer

Name
Aaron Siegel
Title
Executive Director
Phone
9175761314
Signed
2023-09-22
Supplemental Narrative

Additional Explanations

Form 990-EZ, Part I, Line 16

Advertising and Marketing Costs. Insurance Costs. Conference, convention and meeting Costs.

Form 990-EZ, Part I, Line 20

Loan Repayment

Raw XML Appendix211 raw XML fields

This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.

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IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt0There is no more significant marker of our thriving work and community than the recently released television opera, Everything for Dawn, which Opera News raved "stretches the boundaries of genre and storytelling to recalibrate opera for the twenty-first century." This ten-part work was the first major project of our Experiments in Opera Writers' Room, an innovative venture meant to create a more inclusive community of opera makers. This diverse group of 6 librettists and 10 composers worked together to shape the narrative and characters of this moving story about art, loss, family and mental health. The finished product, with each episode written by a different composer/librettist combo, was released in October 2022 on New York-based streaming service All Arts. The series has also been acquired by Washington, DC-based In Series and by Opera Philadelphia for streaming on their own channels. Our estimate is that, in its first year of streaming, Everything for Dawn will have been viewed by more than 12,000 audience members around all 50 states in the U.S. and Canada. We celebrated the launch of Everything for Dawn with a screening of the complete film at Anthology Film Archives on the Lower East Side of Manhattan with an audience of 112.
IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt1Starting in September 2022, we launched the latest and third iteration of the EiO Writers' Room with five librettists under the direction of EiO Artistic Director Jason Cady with support from EiO Managing Director Shannon Sindelar. The librettists who were selected from a national call for proposals were Joanie Brittingham, Britt Hewitt, Marcella Murray and Melissa Tien. Over the next four months, Jason led this group through the development of five new librettos (including one by Jason) that will make up the new opera Five Ways to Die. Meeting weekly, these artists shared their story ideas, and read and workshopped each other's sketches and scripts. In this supportive environment, even the three writers working on their first libretto were set up for success. Once the librettos were complete, Artistic Advisor Kamala Sankaram joined the leadership team to support the selection of five composers from a national call for scores. Composers Anthony Gatto, Jesse Gelaznik, Song Ae Kim and Del'Shawn Taylor were chosen and each paired with one librettist to start work on writing the music for the new operas in Five Ways to Die. We convened a workshop rehearsal for each of the operas, with music director Dmitry Glivinskiy and six singers to read through all of the new music. The singers selected for the workshop from open auditions were Alize Rozsnyai, Kannan Vasudevan, Lisa Neher, Seth Gilman, Abigail Raiford, and Melisa Bonetti. This workshop took place at the A.R.T. New York South Oxford Space in Brooklyn on Friday May 26, 2023 and culminated in run-throughs of each piece. Five Ways to Die will premiere in Spring 2024 as part of our 2023-2024 season.
IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt2From June 15-17, 2023, Experiments in Opera premiered a production of Anthony Braxton Theater Improvisations at The Brick Theater in Williamsburg, Brooklyn. This production was conceived as a way of engaging with the complex system of notation and philosophy embedded in the work of MacArthur Genius Anthony Braxton. We worked closely with director/performer Rob Reese, vocalist and EiO Artistic Advisor Kamala Sankaram as well as instrumentalists Nate Wooley, James Fei and Ingrid Laubrock, to create a unified approach to Braxton's Compositions No. 279-282. The production ended up being a sold-out run for 173 audience members and received a rave review in the New York Times who praised us as "Hilarious, Delightful and Delirious." Our big risk paid off and we are looking for further opportunities to share this production in the upcoming seasons both in other parts of the United States and the world.
IRS990EZ/ProgramSrvcAccomplishmentGrp/DescriptionProgramSrvcAccomTxt3This past year, EiO welcomed the artist Alexa Dexa as a resident artist as part of a two-year grant from Creatives Rebuild New York. Alexa set up and facilitated a wide range of activities that are specifically focused on engaging with Deaf and Disabled audience members, especially those who are still isolating because of the COVID-19 pandemic or for whom in-person performances may not be accessible. Here is Alexa's note about their work this year: "Every time I meet with my Disabled community online, the mutual gratitude is so life-affirming. Again and again I am nourished by the generosity and wisdom that surfaces as we hold space for practices of co-creation that honor the value we each have to share with ourselves and with each other." As part of their work this year, Alexa facilitated 16 one-on-one Zoom sessions of their electroacoustic toy opera, Bewitch Yourself. Alexa also facilitated a three-part workshop series called Creating Access that focused on Disability Justice & Accessibility Basics, Making Our Social Media More Accessible, and Reimagining Our Projects & Gatherings Towards Radical Inclusivity. These workshops were attended by 73 community members. Lastly, Alexa facilitated an eight-part online series for 45 community members called Shaping Sound Worlds. These workshops were geared towards nonmusicians and musicians alike and explored techniques and approaches for creating music and sound using online creative tools.
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ReturnHeader/TaxPeriodEndDt02023-06-30
ReturnHeader/TaxYr02022

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