Liabilities / Assets
4th percentile
Tied with the lowest-debt nonprofits in its peer group.
990 • Fiscal year 2017 • EIN 23-1367631
Precomputed percentiles for this filing year versus similar nonprofits in the same peer cohort.
Liabilities / Assets
4th percentile
Tied with the lowest-debt nonprofits in its peer group.
Liabilities / Revenue
4th percentile
Tied with the lowest-debt nonprofits in its peer group.
Net Margin
12th percentile
Higher net margin than 12% of similar nonprofits.
Top Officer Pay
Score unavailable
This filing does not contain officer compensation rows.
Asset Growth
60th percentile
Faster asset growth than 60% of similar nonprofits.
Revenue Growth
94th percentile
Faster revenue growth than 94% of similar nonprofits.
Assets
Up$23,989,558
Up $1,649,551 (+7.4%) from 2016
Net Assets
Up$23,989,558
Up $1,649,551 (+7.4%) from 2016
Liabilities
Flat$0
Flat from 2016
Revenue
Up$2,558,446
Up $1,438,073 (+128%) from 2016
Expenses
Up$2,949,505
Up $1,808,297 (+158%) from 2016
Net Income
Down-$391,059
Down $370,224 (-1777%) from 2016
The association for public art (apa, formerly the fairmount park art association) commissions, preserves, interprets and promotes public art in philadelphia. Dedicated to creating a museum without walls that informs, engages and inspires diverse audiences, the apa advances opportunities for artists to contribute to the city's places and spaces. Since its establishment in 1872 as the nation's first private non-profit public organization, the apa has been a model of public art creation, preservation and community engagement. The apa thrives on continuity and is distinguished by a commitment to permanent and temporary artworks. The curatorial approach of the apa supports the integration of public art and urban design through exemplary projects, programs, digital media and advocacy efforts that connect people with public art. The apa maintains a legacy for future generations, while promoting philadelphia as a premier city for public art.
To commission, interpret, promote and preserve public art in philadelphia.
| Line | Beginning | End | Change |
|---|---|---|---|
| Assets | |||
| Investments in Publicly Traded Securities | $21,440,905 | $23,241,320 | ▲ $1,800,415 |
| Cash and Non-Interest-Bearing Accounts | $891,239 | $740,375 | ▼ $150,864 |
| Prepaid Expenses and Deferred Charges | $7,863 | $7,863 | → $0 |
| Total Assets | $22,340,007 | $23,989,558 | ▲ $1,649,551 |
| Liabilities | |||
| Total Liabilities | $0 | $0 | → $0 |
| Net Assets / Fund Balance | |||
| Unrestricted Net Assets | $13,788,032 | $14,098,365 | ▲ $310,333 |
| Temporarily Rstr Net Assets | $7,476,537 | $8,815,755 | ▲ $1,339,218 |
| Permanently Rstr Net Assets | $1,075,438 | $1,075,438 | → $0 |
| Total Net Assets Fund Balance | $22,340,007 | $23,989,558 | ▲ $1,649,551 |
| Total Liabilities and Net Assets / Fund Balance | $22,340,007 | $23,989,558 | ▲ $1,649,551 |
| Period | Beginning | Contrib. | Gain/Loss | Other Uses | End |
|---|---|---|---|---|---|
| 2016 | $8,551,975 | $1,500,517 | ▲ $1,367,492 | $1,528,791 | $9,891,193 |
| 2015 | $8,665,825 | $23,095 | ▲ $339,159 | $476,104 | $8,551,975 |
| 2014 | $8,918,402 | $53,500 | ▲ $191,948 | $498,025 | $8,665,825 |
| 2013 | $8,674,814 | $25,644 | ▲ $700,227 | $482,283 | $8,918,402 |
| 2012 | $7,520,030 | $525,385 | ▲ $1,424,982 | $795,583 | $8,674,814 |
| Name | Title | Full / Part Time | Base | Other | Total |
|---|---|---|---|---|---|
| Penny Balkin Bach | Executive Director | FT | $180,000 | $29,017 | $209,017 |
| Name | Title |
|---|---|
| Barbara B Aronson | President |
| Kenneth Finkel | Vice President |
| Suzanne Sheehan Becker | Vice President |
| Alan Greenberger Faia | Trustee |
| Charles E Mather Iii Esq | Trustee |
| Emanuel Kelly Faia | Trustee |
| Eric F Halpern | Trustee |
| Eugene Lefevre | Trustee |
| Jennifer I Rodriguez | Trustee |
| Joseph K Hetrick Esq | Trustee |
| Leonardo Diazaialeedap | Trustee |
| Patricia C Phillips | Trustee |
| Susan Weiler Fasla Rla | Trustee |
| Theodore T Newbold | Trustee |
| Timothy Rub | Trustee |
| WALTER D'ALESSIO | Trustee |
| Gregory M Harvey Esquire | Secretary |
| William D Mccall | Treasurer |
| Line Item | Amount |
|---|---|
| Other Expenses | $2,248,402 |
| Salaries, Compensation, and Employee Benefits | $701,103 |
| Total Fundraising Expense | $126,452 |
| Grants and Similar Amounts Paid | $0 |
| Professional Fundraising Fees | $0 |
| Line Item | Program | Management | Fundraising | Total |
|---|---|---|---|---|
| Other Salaries and Wages | $257,926 | $48,091 | $54,527 | $360,544 |
| Current Officers, Directors, Trustees, and Key Employees | $149,779 | $27,926 | $31,665 | $209,370 |
| All Other Expenses | $160,431 | $764 | $867 | $162,062 |
| Fees for Service Investment Mgmnt Fees | - | $96,421 | - | $96,421 |
| Other Expenses | $61,374 | - | - | $61,374 |
| Occupancy | $38,629 | $7,203 | $8,167 | $53,999 |
| Other Employee Benefits | $37,702 | $7,030 | $7,971 | $52,703 |
| Office Expenses | $34,390 | $6,411 | $7,270 | $48,071 |
| Payroll Taxes | $28,858 | $5,381 | $6,101 | $40,340 |
| Pension Plan Contributions | $27,289 | $5,088 | $5,769 | $38,146 |
| Insurance | $23,433 | $2,604 | - | $26,037 |
| Fees for Services Accounting | $16,493 | $3,075 | $3,487 | $23,055 |
| Travel | $1,514 | $282 | $320 | $2,116 |
| Fees for Services Other | $1,455 | $271 | $308 | $2,034 |
| Fees for Services Legal | $1,607 | $179 | - | $1,786 |
| Total Functional Expenses | $2,612,327 | $210,726 | $126,452 | $2,949,505 |
| Line Item | Amount |
|---|---|
| Total Expenses per Form 990 | $2,949,505 |
| Expenses per Audited Statements | $2,853,084 |
| Total Expenses per Audited Statements | $2,853,084 |
| Expenses Not Reported on Financial Statements | $96,421 |
| Expenses Not Reported on Form 990 | $0 |
| Line Item | Amount |
|---|---|
| Professional Fundraising Fees | $0 |
“The public is invited to join as a member of the organization. Membership applications are widely distributed annually.”
“The audit committee will review and approve the form 990 before it is sent to the board of directors. Once the board of directors has reviewed the 990, it is then filed with the irs.”
“In connection with any actual or possible conflict of interest, a board member must disclose the existence of the financial interest and be given the opportunity to disclose all material facts. After disclosure and after discussion with the interested person, he/she shall leave the board meeting while the determination of a conflict of interest is discussed and voted upon. The remaining board shall decide if a conflict of interest exists. The chairperson of the board shall if appropriate appoint a disinterested person or committee to investigate alternatives to the proposed transaction. After executing due diligence, the board shall determine whether the organization can obtain with reasonable efforts a more advantageous transaction from a person or entity that would not give rise to a conflict of interest. If a more advantageous transaction is not reasonably possible, the board shall determine by majority vote of the disinterested directors whether the transaction is in the organization's best interest and whether it is fair and reasonable. In conformity with this determination it shall make its decision as to whether to enter into the transaction. If the board has reasonable cause to believe a member has failed to disclose actual or possible conflicts of interest, it shall inform the member and afford the member an opportunity to explain the alleged failure to disclose. If, after hearing the member's response and after making further investigation, the board determines the member has failed to disclose an actual or possible conflict of interest, it shall take appropriate and corrective action.”
“The compensation of the ceo/executive director is determined by the compensation committee, a compensation survey or study and approval by the board. All staff were reviewed with benchmarks for fy 2014.”
“Governing documents,the form 990, policies, and our audit are available to the public upon request.”
“The association for public art's collection of public art secures philadelphia's artistic heritage by displaying works of art that the public can encounter in the course of everyday life, by preserving and protecting works of public art for future generations, and by promoting public interest in public art.”
“To provide income for the maintenance of association for public art.”
“The association for public art has qualified with the internal revenue service as exempt from income taxes under section 501 (c)(3) of the internal revenue code. Should that status be challenged in the future, the apa's 2014, 2015, and 2016 tax years are open for examination by the federal and state authorities.”
This appendix keeps the raw XML leaves available for debugging and edge-case review. The human report above is the primary experience.
| Path | # | Value |
|---|---|---|
| IRS990/AccountantCompileOrReviewInd | 0 | 0 |
| IRS990/ActivitiesConductedPrtshpInd | 0 | 0 |
| IRS990/ActivityOrMissionDesc | 0 | TO COMMISSION, INTERPRET, PROMOTE AND PRESERVE PUBLIC ART IN PHILADELPHIA. |
| IRS990/AllOtherContributionsAmt | 0 | 1493853 |
| IRS990/AllOtherExpensesGrp/FundraisingAmt | 0 | 867 |
| IRS990/AllOtherExpensesGrp/ManagementAndGeneralAmt | 0 | 764 |
| IRS990/AllOtherExpensesGrp/ProgramServicesAmt | 0 | 160431 |
| IRS990/AllOtherExpensesGrp/TotalAmt | 0 | 162062 |
| IRS990/AnnualDisclosureCoveredPrsnInd | 0 | 1 |
| IRS990/AuditCommitteeInd | 0 | 1 |
| IRS990/BooksInCareOfDetail/PersonNm | 0 | WILLIAM MCCALL |
| IRS990/BooksInCareOfDetail/PhoneNum | 0 | 2155467550 |
| IRS990/BooksInCareOfDetail/USAddress/AddressLine1Txt | 0 | 1528 WALNUT STREET SUITE 1000 |
| IRS990/BooksInCareOfDetail/USAddress/CityNm | 0 | PHILADELPHIA |
| IRS990/BooksInCareOfDetail/USAddress/StateAbbreviationCd | 0 | PA |
| IRS990/BooksInCareOfDetail/USAddress/ZIPCd | 0 | 190123627 |
| IRS990/BusinessRlnWithFamMemInd | 0 | 0 |
| IRS990/BusinessRlnWithOfficerEntInd | 0 | 0 |
| IRS990/BusinessRlnWithOrgMemInd | 0 | 0 |
| IRS990/CashNonInterestBearingGrp/BOYAmt | 0 | 891239 |
| IRS990/CashNonInterestBearingGrp/EOYAmt | 0 | 740375 |
| IRS990/ChangeToOrgDocumentsInd | 0 | 0 |
| IRS990/CntrctRcvdGreaterThan100KCnt | 0 | 0 |
| IRS990/CollectionsOfArtInd | 0 | 1 |
| IRS990/CompCurrentOfcrDirectorsGrp/FundraisingAmt | 0 | 31665 |
| IRS990/CompCurrentOfcrDirectorsGrp/ManagementAndGeneralAmt | 0 | 27926 |
| IRS990/CompCurrentOfcrDirectorsGrp/ProgramServicesAmt | 0 | 149779 |
| IRS990/CompCurrentOfcrDirectorsGrp/TotalAmt | 0 | 209370 |
| IRS990/CompensationFromOtherSrcsInd | 0 | 0 |
| IRS990/CompensationProcessCEOInd | 0 | 1 |
| IRS990/CompensationProcessOtherInd | 0 | 1 |
| IRS990/ConflictOfInterestPolicyInd | 0 | 1 |
| IRS990/ConservationEasementsInd | 0 | 0 |
| IRS990/ConsolidatedAuditFinclStmtInd | 0 | 0 |
| IRS990/CreditCounselingInd | 0 | 0 |
| IRS990/CYBenefitsPaidToMembersAmt | 0 | 0 |
| IRS990/CYContributionsGrantsAmt | 0 | 1572331 |
| IRS990/CYGrantsAndSimilarPaidAmt | 0 | 0 |
| IRS990/CYInvestmentIncomeAmt | 0 | 956942 |
| IRS990/CYOtherExpensesAmt | 0 | 2248402 |
| IRS990/CYOtherRevenueAmt | 0 | 29173 |
| IRS990/CYProgramServiceRevenueAmt | 0 | 0 |
| IRS990/CYRevenuesLessExpensesAmt | 0 | -391059 |
| IRS990/CYSalariesCompEmpBnftPaidAmt | 0 | 701103 |
| IRS990/CYTotalExpensesAmt | 0 | 2949505 |
| IRS990/CYTotalFundraisingExpenseAmt | 0 | 126452 |
| IRS990/CYTotalProfFndrsngExpnsAmt | 0 | 0 |
| IRS990/CYTotalRevenueAmt | 0 | 2558446 |
| IRS990/DecisionsSubjectToApprovaInd | 0 | 0 |
| IRS990/DeductibleArtContributionInd | 0 | 0 |
| IRS990/DeductibleNonCashContriInd | 0 | 0 |
| IRS990/DelegationOfMgmtDutiesInd | 0 | 0 |
| IRS990/Desc | 0 | ACQUIRE AND COMMISSION PUBLIC ART: THE ASSOCIATION FOR PUBLIC ART IS DEDICATED TO CREATING OPPORTUNITIES FOR ARTISTS TO RESPOND TO THE ISSUES OF OUR TIME, WHILE REDEFINING PUBLIC SPACE AND ENCOURAGING PUBLIC ENGAGEMENT AND INTERACTION. PROJECTS CARRIED OUT IN 2017 INCLUDE:"AMOR" BY ROBERT INDIANA: ON THE OCCASION OF THE WORLD MEETING OF FAMILIES AND PUBLIC PAPAL MASS ON THE PARKWAY, APA PARTNERED WITH THE PHILADELPHIA MUSEUM OF ART (PMA) TO BRING THE SCULPTURE "AMOR" BY ROBERT INDIANA TO PHILADELPHIA FOR TEMPORARY INSTALLATION ON THE ART MUSEUM'S STEPS. AMOR, MEANING "LOVE" IN BOTH POPE FRANCIS'S NATIVE SPANISH AND THE CHURCH'S TRADITIONAL LATIN, REMAINED ON LOAN THROUGH 2016 FROM THE MORGAN ART FOUNDATION, COURTESY OF SIMON AND MARC SALAMA-CARO. THE PRESENTATION OF "AMOR" BY APA AND PMA COMMUNICATED TO RESIDENTS AND VISITORS THAT PHILADELPHIA IS A WELCOMING INTERNATIONAL CITY. DURING FY2017 "AMOR" WAS ACQUIRED THROUGH THE COLLECTIVE GENEROSITY OF THE APA, CITY OF PHILADELPHIA, THE MORGAN FOUNDATION, THE PHILADELPHIA MUSEUM OF ART, AND PRIVATE DONOR EDITH R. DIXON, AND PERMANENTLY INSTALLED IN SISTER CITIES PLAZA."BIG BLING" BY MARTIN PURYEAR: THE APA BROUGHT ACCLAIMED ARTIST MARTIN PURYEAR'S COLOSSAL "BIG BLING" TO PHILADELPHIA AS A TEMPORARY INSTALLATION IN JUNE 2017, WHERE IT WAS ON VIEW FOR SIX MONTHS ALONG KELLY DRIVE. THIS WAS A FIRST-TIME COLLABORATION WITH THE MADISON SQUARE PARK CONSERVANCY IN NEW YORK CITY. THE SCULPTURE WAS COMMISSIONED BY THE MADISON SQUARE PARK CONSERVANCY'S CONTEMPORARY ART PROGRAM, MAD. SQ. ART. RISING FORTY FEET HIGH AND ELICITING MANY INTERPRETATIONS, "BIG BLING" (2016) WAS PURYEAR'S LARGEST TEMPORARY OUTDOOR SCULPTURE TO DATE. THE MONUMENTAL, MULTITIERED WOOD STRUCTURE WAS WRAPPED IN CHAIN-LINK MESH AND ANCHORED WITH A GOLD-LEAFED SHACKLE NEAR THE TOP. LAYERS OF LAMINATED TIMBERS AND PLYWOOD WERE STACKED TOGETHER TO CREATE A FORM THAT IS BOTH ANIMAL-LIKE AND ABSTRACT. "BIG BLING" HELD SPECIAL SIGNIFICANCE FOR PHILADELPHIA, AS APA HAD COMMISSIONED "PAVILION IN THE TREES" IN 1993, ONE OF PURYEAR'S EARLIEST PUBLIC WORKS, WHICH UTILIZED SIMILAR MATERIALS OF WOOD AND METAL MESH. "PAVILION" RECEIVED ADDITIONAL CONSERVATION TREATMENT IN 2017 IN PREPARATION FOR THE ARRIVAL OF "BIG BLING." FOLLOWING DE-INSTALLATION IN NOVEMBER 2017, "BIG BLING" WAS TRANSPORTED TO MASS MOCA FOR FUTURE RE-INSTALLATION THERE. IN 2017, THE AMERICANS FOR THE ARTS PUBLIC ART NETWORK (PAN) RECOGNIZED "BIG BLING" AS ONE OF THE MOST COMPELLING PUBLIC ARTWORKS OF THE PREVIOIUS YEAR THROUGH ITS "YEAR IN REVIEW" PROGRAM. A JURY OF PUBLIC ART PROFESSIONALS REVIEWED ENTRIES FROM ACROSS THE COUNTRY BEFORE SELECTING PURYEAR'S SCULPTURE AS ONE OF THE BEST."CAI GUO-QIANG: FIREFLIES": THE APA COMMISSIONED "CAI GUO-QIANG: FIREFLIES" BY INTERNATIONALLY RECOGNIZED ARTIST CAI GUO-QIANG, A NEW SITE-SPECIFIC WORK FOR THE BENJAMIN FRANKLIN PARKWAY HELD DURING FALL 2017 IN CELEBRATION OF THE PARKWAY'S CENTENNIAL, WITH MAJOR SUPPORT FROM THE PEW CENTER FOR ARTS & HERITAGE, AND ADDITIONAL SUPPORT FROM THE JOHN S. AND JAMES L. KNIGHT FOUNDATION, THE NATIONAL ENDOWMENT FOR THE ARTS, AND OTHER DONORS. "FIREFLIES" CONSISTED OF TWENTY-SEVEN LUMINOUS, KINETIC SCULPTURES IN THE FORM OF FREE PEDICABS THAT TRAVERSED THE PARKWAY AT NIGHT. CLUSTERS OF INDIVIDUALLY LIT HANDMADE LANTERNS EMBELLISHED EACH PEDICAB SCULPTURE, RECALLING THE ARTIST'S CHILDHOOD MEMORIES OF TRADITIONAL LANTERN FESTIALS IN HIS NATIVE QUANZHOU, CHINA. WHEN IN MOTION, THE PEDICAB SCULPTURES GENTLY BOBBLED, SUGGESTING THE LIGHT OF FLICKERING FIREFLIES. THE NUMBER 27-AS A MULTIPLE OF NINE-RECALLS THE CHINESE HOMOPHONE FOR ETERNITY AND CELEBRATES THE LONGEVITY OF THE SCENIC PARKWAY. DURING THE PROJECT'S DURATION, TWO "FIREFLIES" HUBS FEATURED A SHORT VIDEO BY THE ARTIST AND FILM ABOUT HIS WORK. PARTICIPANTS EXPERIENCED THE PARKWAY FROM A NEW PERSPECTIVE BY RIDING INSIDE THE SCULPTURES AS PASSENGERS. "FIREFLIES" BROUGHT PEOPLE TO THE PARKWAY AT NIGHT AND ENGAGED NEW AND DIVERSE AUDIENCES. |
| IRS990/DescribedInSection501c3Ind | 0 | 1 |
| IRS990/DisregardedEntityInd | 0 | 0 |
| IRS990/DocumentRetentionPolicyInd | 0 | 1 |
| IRS990/DonorAdvisedFundInd | 0 | 0 |
| IRS990/ElectionOfBoardMembersInd | 0 | 0 |
| IRS990/EmployeeCnt | 0 | 9 |
| IRS990/EmploymentTaxReturnsFiledInd | 0 | 1 |
| IRS990/EngagedInExcessBenefitTransInd | 0 | 0 |
| IRS990/ExpenseAmt | 0 | 2018541 |
| IRS990/FamilyOrBusinessRlnInd | 0 | 0 |
| IRS990/FederalGrantAuditRequiredInd | 0 | 0 |
| IRS990/FeesForServicesAccountingGrp/FundraisingAmt | 0 | 3487 |
| IRS990/FeesForServicesAccountingGrp/ManagementAndGeneralAmt | 0 | 3075 |
| IRS990/FeesForServicesAccountingGrp/ProgramServicesAmt | 0 | 16493 |
| IRS990/FeesForServicesAccountingGrp/TotalAmt | 0 | 23055 |
| IRS990/FeesForServicesLegalGrp/ManagementAndGeneralAmt | 0 | 179 |
| IRS990/FeesForServicesLegalGrp/ProgramServicesAmt | 0 | 1607 |
| IRS990/FeesForServicesLegalGrp/TotalAmt | 0 | 1786 |
| IRS990/FeesForServicesOtherGrp/FundraisingAmt | 0 | 308 |
| IRS990/FeesForServicesOtherGrp/ManagementAndGeneralAmt | 0 | 271 |
| IRS990/FeesForServicesOtherGrp/ProgramServicesAmt | 0 | 1455 |
| IRS990/FeesForServicesOtherGrp/TotalAmt | 0 | 2034 |
| IRS990/FeesForSrvcInvstMgmntFeesGrp/ManagementAndGeneralAmt | 0 | 96421 |
| IRS990/FeesForSrvcInvstMgmntFeesGrp/TotalAmt | 0 | 96421 |
| IRS990/ForeignActivitiesInd | 0 | 0 |
| IRS990/ForeignFinancialAccountInd | 0 | 0 |
| IRS990/ForeignOfficeInd | 0 | 0 |
| IRS990/Form8282PropertyDisposedOfInd | 0 | 0 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 0 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 1 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 2 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 3 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 4 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 5 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 6 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 7 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 8 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 9 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 10 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 11 | 3.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 12 | 2.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 13 | 2.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 14 | 2.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 15 | 3.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 16 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 17 | 1.00 |
| IRS990/Form990PartVIISectionAGrp/AverageHoursPerWeekRt | 18 | 40.00 |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 0 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 1 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 2 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 3 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 4 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 5 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 6 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 7 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 8 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 9 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 10 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 11 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 12 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 13 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 14 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 15 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 16 | X |
| IRS990/Form990PartVIISectionAGrp/IndividualTrusteeOrDirectorInd | 17 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 0 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 1 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 2 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 3 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 4 | X |
| IRS990/Form990PartVIISectionAGrp/OfficerInd | 5 | X |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 0 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 1 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 2 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 3 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 4 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 5 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 6 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 7 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 8 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 9 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 10 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 11 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 12 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 13 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 14 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 15 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 16 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 17 | 0 |
| IRS990/Form990PartVIISectionAGrp/OtherCompensationAmt | 18 | 29017 |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 0 | CHARLES E MATHER III ESQ |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 1 | WALTER D'ALESSIO |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 2 | LEONARDO DIAZAIALEEDAP |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 3 | ALAN GREENBERGER FAIA |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 4 | ERIC F HALPERN |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 5 | JENNIFER I RODRIGUEZ |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 6 | EUGENE LEFEVRE |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 7 | PATRICIA C PHILLIPS |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 8 | THEODORE T NEWBOLD |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 9 | TIMOTHY RUB |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 10 | SUSAN WEILER FASLA RLA |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 11 | BARBARA B ARONSON |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 12 | GREGORY M HARVEY ESQUIRE |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 13 | SUZANNE SHEEHAN BECKER |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 14 | KENNETH FINKEL |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 15 | WILLIAM D MCCALL |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 16 | JOSEPH K HETRICK ESQ |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 17 | EMANUEL KELLY FAIA |
| IRS990/Form990PartVIISectionAGrp/PersonNm | 18 | PENNY BALKIN BACH |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 0 | 0 |
| IRS990/Form990PartVIISectionAGrp/ReportableCompFromOrgAmt | 1 | 0 |
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| IRS990/MissionDesc | 0 | THE ASSOCIATION FOR PUBLIC ART (APA, FORMERLY THE FAIRMOUNT PARK ART ASSOCIATION) WAS ESTABLISHED IN 1872 AND IS THE NATION'S FIRST PRIVATE, NON-PROFIT CIVIC ORGANIZATION DEDICATED TO CREATING A MUSEUM WITHOUT WALLS BY INTEGRATING PUBLIC ART AND URBAN PLANNING. THE ASSOCIATION FOR PUBLIC ART CARRIES OUT ITS MULTIPLE OBJECTIVES TO COMMISSION AND ACQUIRE, PRESERVE AND PROTECT, AND PROMOTE AND INTERPRET PUBLIC ART IN PHILADELPHIA THROUGH EXEMPLARY AND INNOVATIVE PROGRAMS AND ADVOCACY EFFORTS. BY ENGAGING DIVERSE SEGMENTS OF THE COMMUNITY, THE APA SEEKS TO RESPOND TO THE CONDITIONS OF OUR TIME, CREATING A LEGACY AND MAINTAINING A HERITAGE FOR FUTURE GENERATIONS, WHILE PROMOTING PHILADELPHIA AS A PREMIER CITY FOR PUBLIC ART. THE APA IS THE RECIPIENT OF THE NATIONAL 2015 PUBLIC ART NETWORK AWARD FROM THE AMERICANS FOR THE ARTS (AFTA), HONORING APA'S INNOVATIVE CONTRIBUTIONS, EXEMPLARY COMMITMENT, AND LEADERSHIP IN PUBLIC ART. |
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| IRS990/ProgSrvcAccomActy2Grp/Desc | 0 | PRESERVE PUBLIC ART: THE APA'S OUTDOOR SCULPTURE CONSERVATION PROGRAM IS THE LONGEST CONTINUOUSLY OPERATING OUTDOOR SCULPTURE CONSERVATION PROGRAM IN THE NATION. DURING FY2017 OVER 30 BRONZE AND MARBLE SCULPTURES OF HISTORIC AND ARTISTIC SIGNIFICANCE RECEIVED TREATMENT. THE SCULPTURES WERE INSPECTED, CLEANED, AND STABILIZED TO PROTECT THEM FROM FURTHER DETERIORATION. SPECIAL TREATMENTS INCLUDED THE REMOVAL AND REAPPLICATION OF FAILED MORTAR ON THE BASE OF EDWARD C. POTTER AND DANIEL CHESTER FRENCH'S MONUMENTAL BRONZE "GENERAL ULYSSES S. GRANT" (1897), AND THE APPLICATION OF PREVENTATIVE PRODUCTS AND PROTECTIVE SURFACE COATINGS TO MARTIN PURYEAR'S WOODEN "PAVILION IN THE TREES" (1993). AS PART OF OUR STEWARDSHIP, ONGOING MAINTENANCE EMERGENCIES-INCLUDING STORM DAMAGE, VANDALISM, AND GRAFFITI-WERE ADDRESSED. IN OCTOBER 2017 APA UNDERTOOK EXTENSIVE GRAFFITI AND SURFACE DEBRIS REMOVAL ON THE GRANITE BASE AND BRONZE SCULPTURE "THORFINN KARLSEFNI" (1918) BY EINAR JONSSON.THE APA CONTINUES TO CARRY OUT LANDSCAPE CONSERVATION AT THE "ELLEN PHILLIPS SAMUEL MEMORIAL SCULPTURE GARDEN". PRESERVATION CONCERNS ARE BROADCAST THROUGH THE MEDIA, BUILDING INTEREST AND FINANCIAL SUPPORT FOR CONSERVATION THROUGH CONTRIBUTORS TO APA'S CONSERVATION SOCIETY. THE APA ALSO ADVISES AND COLLABORATES WITH PRIVATE AND PUBLIC ORGANIZATIONS, INCLUDING PHILADELPHIA PARKS & RECREATION, THE CITY'S PUBLIC ART OFFICE, THE PRESERVATION ALLIANCE, AND THE FAIRMOUNT PARK CONSERVANCY (FORMERLY FAIRMOUNT PARK HISTORIC PRESERVATION TRUST) TO PROMOTE AWARENESS AND THE NEED FOR ONGOING CARE OF THE CITY'S HISTORIC TREASURES. |
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| IRS990/ProgSrvcAccomActy3Grp/Desc | 0 | INTERPRET AND PROMOTE PUBLIC ART: PUBLIC ART IS AVAILABLE TO PEOPLE IN THE COURSE OF THEIR DAILY LIVES, AND APA'S "MUSEUM WITHOUT WALLS" IS OPEN ALL DAY AND ALL NIGHT. BY THIS VERY DEFINITION OUR AUDIENCE IS LARGE AND DIVERSE AND INCLUDES ALL AGE GROUPS, AS WELL AS PEDESTRIANS, MOTORISTS, BICYCLISTS AND RUNNERS.INTERPRET: TO INTERPRET AND PROMOTE PUBLIC ART, APA'S MUSEUM WITHOUT WALLS : AUDIO PROGRAM FEATURES PARTICIPANTS FROM ALL WALKS OF LIFE, INCLUDING ARTISTS, EDUCATORS, CURATORS, SCIENTISTS, WRITERS, HISTORIANS, CIVIC LEADERS AND FAMILY MEMBERS - "AUTHENTIC VOICES" ALL WITH PERSONAL CONNECTIONS TO THE SCULPTURES. THIS CONTENT-RICH PROGRAM IS APPROACHED THROUGH A VARIETY OF PLATFORMS: ON THE STREET BY CELL PHONE, AUDIO DOWNLOAD, SMART PHONE APP AND QR CODE, OR ON A DEDICATED WEBSITE AS STREAMING AUDIO AND AUDIO SLIDESHOWS. DURING FY2017, THE PROGRAM WAS FURTHER DEVELOPED AND PRODUCED, ADDING TO THE NUMBER OF SCULPTURES, VOICES, STOPS AND INTERPRETIVE SIGNAGE. MUSEUM WITHOUT WALLS :AUDIO NOW FEATURES OVER 70 STOPS WITH MORE THAN 150 VOICES DISCUSSING THE SCULPTURES. THE PRESBYTERIAN HISTORICAL SOCIETY COMMISSIONED APA TO CREATE AUDIO AND SIGNAGE FOR THE SIX ALEXANDER STIRLING CALDER TERRA COTTA SCULPTURES (1899) THAT HAD BEEN CONSERVED AND RE-INSTALLED AT THEIR 425 LOMBARD STREET LOCATION. AUDIO PRODUCTIONS WERE ALSO COMPLETED FOR THE EVELYN TAYLOR PRICE MEMORIAL SUNDIAL (1947) BY ARTIST BEATRICE FENTON IN RITTENHOUSE SQUARE, "BIG BLING," "CAI GUO-QIANG: FIREFLIES" (BILINGUAL IN ENGLISH/CHINESE), AND "WINTER FOUNTAINS." WORK ADDITIONALLY COMMENCED ON PRODUCTION OF AN AUDIO ABOUT APA'S IMPORTANT ROLE IN THE DEVELOPEMENT OF THE BENJAMIN FRANKLIN PARKWAY, FEATURING ARCHITECTURAL HISTORIAN DAVID BROWNLEE AND APA EXECUTIVE DIRECTOR PENNY BALKIN BACH.PUBLIC PROGRAMS AND EVENTS: THE APA'S SPECIAL PROJECTS OFFER PUBLIC PROGRAMS IN PARTNERSHIP WITH OTHER ORGANIZATIONS. FOR EXAMPLE, IN COLLABORATION WITH THE BICYCLE COALITION OF GREATER PHILADELPHIA, APA HOSTED TWO FREE PUBLIC ART BIKE TOURS IN WEST FAIRMOUNT PARK AND ALONG KELLY DRIVE. THE TOUR HIGHLIGHTED "PAVILION IN THE TREES AND "BIG BLING." IN CONJUNCTION WITH APA, THE PRINT CENTER EXHIBITED MARTIN PURYEAR PRINTS: 1962 - 2016, GUEST CURATED BY RUTH FINE, AND THE PHILADELPHIA MUSEUM OF ART DISPLAYED A RECENTLY ACQUIRED INTAGLIO PRINT BY MARTIN PUYEAR, "UNTITLED (STATE 1)". ALSO, STUDENTS FROM CHAD, THE CHARTER HIGH SCHOOL FOR ARCHITECTURE AND DESIGN, VISITED THE PRINT CENTER EXHIBITION AND THEN PROCEEDED OUTDOORS TO EXPERIENCE "BIG BLING" ON SITE. THE APA'S 145TH ANNUAL MEETING IN JUNE 2017, WHICH ALSO CELEBRATED THE ARRIVAL OF "BIG BLING" TO PHILADELPHIA, FEATURED THE AWARD OF APA'S ESTEEMED MEDAL OF HONOR TO ARTIST MARTIN PURYEAR. THE AWARD WAS GIVEN TO PURYEAR IN RECOGNITION OF HIS OUTSTANDING ACHIEVEMENTS IN THE FIELD OF ART AND CIVIC DESIGN THROUGH NOTABLE PUBLIC SERVICE. THOUSANDS OF PEOPLE ATTENDED THE WORLD PREMIER AND OPENING CELEBRATION OF "CAI GUO-QIANG: FIREFLIES" WITH A SPECIAL LIGHT AND MOVEMENT PERFORMANCE, CHOREOGRAPHED BY THE ARTIST. FOR "WINTER FOUNTAINS," IN THE CHILL OF THE NIGHT, FIVE DESSERT RECEPTIONS WITH HOT CHOCOLATE WELCOMED THE PUBLIC AT INSTITUTIONS ALONG THE PARKWAY. ART AMBASSADORS FROM APA WERE ON HAND TO TALK TO VISITORS ABOUT "WINTER FOUNTAINS AND THE PARKWAY'S EXTRAORDINARY COLLECTION OF PUBLIC ART.SOCIAL MEDIA: THE APA LEADS THE FIELD OF PUBLIC ART IN ITS USE OF SOCIAL AND MOBILE MEDIA AND CONTINUES TO HARNESS TECHNOLOGY TO INCREASE OUR ORGANIZATIONAL CAPACITY. WE HAVE DEVELOPED A COMPREHENSIVE SOCIAL MEDIA STRATEGY AND HAVE ESTABLISHED A ROBUST PRESENCE ON FACEBOOK, TWITTER, INSTAGRAM, YOUTUBE, GOOGLE STREET VIEW, VIMEO, AND TEACHERTUBE. WE ENCOURAGE CONTENT-BASED DISCUSSION AND ENGAGEMENT AROUND PUBLIC ART THROUGH PHOTO CONTESTS, INSTAMEETS, TAKEOVERS, AND BY SHARING EXCLUSIVE CONTENT, INCLUDING HISTORIC IMAGES FROM OUR ARCHIVES.THE APA'S RECENTLY UPDATED WEBSITE BY THE AWARD-WINNING DIGITAL DESIGN FIRM BLUECADET, RECEIVED THE SILVER AWARD F |
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| IRS990ScheduleA/Form990ScheduleAPartVIGrp/ExplanationTxt | 0 | APA IS THE NATION'S FIRST PUBLIC ART ORGANIZATION DEDICATED TO INTEGRATING ART AND URBAN PLANNING. THE INITIAL PURPOSE OF APA WAS TO ENHANCE FAIRMOUNT PARK WITH SCULPTURE, BUT ITS CONCERNS SOON EXPANDED BEYOND THE PARK TO THE CITY AS A WHOLE. THE ASSOCIATION COMMISSIONS, INTERPRETS AND PRESERVES PUBLIC ART IN PHILADELPHIA AND WORKS TO PROMOTE THE APPRECIATION OF PUBLIC ART THROUGH PROGRAMS AND ADVOCACY EFFORTS. FOR MORE THAN A CENTURY, APA HAS WORKED IN COOPERATION WITH CIVIC ORGANIZATIONS THROUGHOUT PHILADELPHIA. THROUGH CONSERVATION, OUTDOOR LIGHTING, PUBLIC PROGRAMS, EXHIBITIONS, PUBLICATIONS, THE INTERNET, AND WORK WITH THE MEDIA, APA AIMS TO DRAW POSITIVE ATTENTION TO PHILADELPHIA, ITS COMMUNITIES, AND ITS UNRIVALED COLLECTION OF PUBLIC ART. THE OBJECTIVE OF APA AS AMENDED BY AN ORDER OF THE COURT OF COMMON PLEAS FOR PHILADELPHIA COUNTY IS THE ACCUMULATION OF FUNDS BY MEANS OF ANNUAL CONTRIBUTIONS OF FIXED SUMS BY THE MEMBERS, LEGACIES, ETC. AND THE INCOME FROM SUCH FUNDS SHALL BE DEVOTED TO AND EXPENDED IN ADORNING FAIRMOUNT PARK AND THE STREETS, AVENUES, PARKS AND PUBLIC PLACES IN THE CITY OF PHILADELPHIA WITH STATUES, BUSTS AND OTHER WORKS OF ART OF MEMORIAL NATURE, AND TO PROMOTE AND FOSTER THE BEAUTIFICATION OF THE CITY OF PHILADELPHIA. |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/ExplanationTxt | 1 | THE ASSOCIATION FOR PUBLIC ART TYPICALLY HAS A REPRESENTATIVE FROM ONE OF MORE RELEVANT CITY AGENCIES SERVING ON THEIR BOARD OF TRUSTEES. CONCURRENTLY, THE STAFF OF APA WORK CLOSELY WITH THE OFFICERS, DIRECTORS AND STAFF OF MULTIPLE CITY AGENCIES AND ALSO SERVE ON VARIOUS ADVISORY COMMITTEES. THE CLOSE AND CONTINUOUS WORKING RELATIONSHIP BETWEEN THE THE CITY AND THE APA GIVES THE CITY A "SIGNIFICANT VOICE" IN DIRECTING THE USE OF THE INCOME OR ASSETS OF APA, WHICH ARE USED BY THE APA TO CARRY ON ITS INDEPENDENT ACTIVITIES AND PROGRAMS WHICH SUPPORT AND BENEFIT THE CITY OF PHILADELPHIA. |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/ExplanationTxt | 2 | THE ASSOCIATION COMMISSIONS, INTERPRETS AND PRESERVES PUBLIC ART IN PHILADELPHIA AND WORKS TO PROMOTE THE APPRECIATION OF PUBLIC ART THROUGH PROGRAMS AND ADVOCACY EFFORTS. FOR MORE THAN A CENTURY, APA HAS WORKED IN COOPERATION WITH THE CITY OF PHILADELPHIA AND CIVIC ORGANIZATIONS THROUGHOUT PHILADELPHIA. THROUGH CONSERVATION, OUTDOOR LIGHTING, PUBLIC PROGRAMS, EXHIBITIONS, PUBLICATIONS, THE INTERNET, AND WORK WITH THE MEDIA, APA AIMS TO DRAW POSITIVE ATTENTION TO PHILADELPHIA, ITS COMMUNITIES, AND ITS UNRIVALED COLLECTION OF PUBLIC ART. THE OBJECTIVE OF APA AS AMENDED BY AN ORDER OF THE COURT OF COMMON PLEAS FOR PHILADELPHIA COUNTY IS THE ACCUMULATION OF FUNDS BY MEANS OF ANNUAL CONTRIBUTIONS OF FIXED SUMS BY THE MEMBERS, LEGACIES, ETC. AND THE INCOME FROM SUCH FUNDS SHALL BE DEVOTED TO AND EXPENDED IN ADORNING FAIRMOUNT PARK AND THE STREETS, AVENUES, PARKS AND PUBLIC PLACES IN THE CITY OF PHILADELPHIA WITH STATUES, BUSTS AND OTHER WORKS OF ART OF MEMORIAL NATURE, AND TO PROMOTE AND FOSTER THE BEAUTIFICATION OF THE CITY OF PHILADELPHIA. |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/ExplanationTxt | 3 | THE ASSOCIATION FOR PUBLIC ART IS DEDICATED TO CREATING OPPORTUNITIES FOR ARTISTS TO RESPOND TO THE ISSUES OF OUR TIME, WHILE REDEFINING PUBLIC SPACE AND ENCOURAGING PUBLIC ENGAGEMENT AND INTERACTION. THE APA WORKS WITH CIVIC GROUPS AND THE CITY OF PHILADELPHIA TO PROMOTE AND PRESERVE PUBLIC ART. THE APA HOLDS SEVERAL PROGRAMS AND PROJECTS THROUGHOUT THE YEAR THAT BENEFIT THE CITY OF PHILADELPHIA. THE APA'S ACTIVITIES ARE AN INTEGRAL PART OF PHILADELPHIA'S PUBLIC ART FUNCTIONS, AND RELIEVE THE CITY OF THE NEED TO PERFORM ACTIVITIES FOR WHICH IT WOULD OTHERWISE BE RESPONSIBLE. THE APA'S ACTIVITIES ARE FOR AND ON BEHALF OF THE CITY OF PHILADELPHIA. |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/FormAndLineReferenceDesc | 0 | SCHEDULE A, PART IV, LINE 1C |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/FormAndLineReferenceDesc | 1 | SCHEDULE A, PART IV, SECTION D, LINE 3 |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/FormAndLineReferenceDesc | 2 | SCHEDULE A, PART IV, SECTION E, LINE 2A |
| IRS990ScheduleA/Form990ScheduleAPartVIGrp/FormAndLineReferenceDesc | 3 | SCHEDULE A, PART IV, SECTION E, LINE 2B |
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Displayed year
2017 • Form 990Detailed filing. Detailed filing data is available for this year.